Chloë Sevigny has been a muse in the downtown creative scene for over three decades, beginning in the early ’90s when she modeled for Sassy, appeared in a Sonic Youth music video, and then starred in the controversial independent movie Kids (1995). Her quirky and avant-garde fashion sense was quickly noticed by indie magazines and the world’s top photographers. Since then, she has starred in dozens of films and television series, in addition to starting a fashion label with the trendy global boutique Opening Ceremony. This volume is a deeply personal illustrated chronicle of the evolution of Sevigny’s unique style throughout her career: from a teenage skater girl to award-winning film actress and fashion designer. The book includes early personal photos of Chloë taken by her high school friends; film stills; modeling appearances for brands such as Miu Miu and Chloé; magazine editorials for Purple, i-D, and The Face by top photographers such as Mark Borthwick, Terry Richardson, and Juergen Teller; and homages by artists such as Elizabeth Peyton and Karen Kilimnik. Additionally, Sevigny shares some of her treasured personal memorabilia, such as casting fliers, Polaroids, zines, and pages from her day planners. This volume will appeal to the legions of global Chloë fans and fashion industry followers, as well as a mainstream audience who will find this book an inspirational style bible.

    The story begins with the death of the community's esteemed rabbi, which sets in motion plans for a memorial service and the search for a replacement. The rabbi's nephew and likely successor, Dovid, calls his cousin Ronit in New York to tell her that her father has died. Ronit, who left the community long ago to build a life for herself as a career woman, returns home when she hears the news, and her reappearance exposes tears in the fabric of the community.Steeped in Jewish philosophy and teachings, Disobedience is a perceptive and thoughtful exploration of the laws and practices that have governed Judaism for centuries, and continue to hold sway today. Throughout the novel, Alderman retells stories from the Torah -- Judaism's fundamental source -- and the interplay between these tales and the struggles of the novel's unique characters wields enormous power and wisdom, and will surely move readers to tears.

    Into this free-market maelstrom stepped rookie Wall Street Journal reporter Matthew Brzezinski, who was immediately pulled into the mad world of Russian capitalism -- where corrupt bankers and fast-talking American carpetbaggers presided over the biggest boom and bust in financial history. Brzezinski's adventures take him from the solid-gold bathroom fixtures of Moscow's elite, to the last stop on the Trans-Siberian railway, where poverty-stricken citizens must buy water by the pail from the local crime lord, and back to civilization, to stumble into a drunken birthday bash for an ultra-nationalist politico. It's an irreverent, lurid, and hilarious account of one man's tumultuous trek through a capitalist market gone haywire -- and a nation whose uncertain future is marked by boundless hope and foreboding despair.

    O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”

    Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I’m Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash?Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road?

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    In The Moonlit Earth, he delivers a compelling psychological thriller about a young woman who must act to save her brother’s reputation and life when he is accused of being involved in a terrorist event.When Megan and Cameron Reynolds’s father walked out on their mother, they forged an unbreakable bond. If their father could not be there to take care of them, they would always be there to take care of each other. But life intervenes, and siblings go separate ways . . . until something happens to reforge that bond.At thirty, faced with disappointments in career and romance, Megan Reynolds returns to the safety of Cathedral Beach, the home of her mother, who lives among the wealthy with no money of her own. Cameron worries that his sister will lose herself around their mother’s frivolous life, but Megan worries more about her brother. She worries that Cameron’s care- free charm, which makes him popular in both his work as a flight attendant on a luxury airline and the West Hollywood party scene he enjoys, could lead him into danger.When a bomb goes off in a high-end hotel in Hong Kong, security-camera footage appears on television showing two men escaping: one Middle Eastern and one American. Megan and her mother recognize the young American as Cameron—and find that he has become enmeshed with a mysterious family of wealthy Saudis.In her desperate journey to save her brother’s life, Megan uncovers a trail of secrets and intrigue that snakes from the decadent beaches of southern Thailand to the glass skyscrapers of Hong Kong— and finds herself part of a dark global conspiracy that involves a member of her own family.

    This swinging sixties novel reveals the seedier side of London where the low life met the high life in the city's dark underbelly.

    New home. New job. New town. She's moved in with her politically-active best friend from university who has promised to find Millie a date before Christmas.  When news that the local head of the council, Nightmare Nightingale, has decided that there will be no Christmas tree in the town centre that year, Millie is quick to pick up a placard and join the protests. After all, what is Christmas without a tree? But Millie soon discovers that Professor Kay Nightingale isn't quite the nightmare she is painted to be.  What will happen when Millie gets closer to Kay? How will she explain the confusing relationship to her friends? And will there be a Christmas tree in the end?

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    With a gift for delicate, violent imagery, Ashe invites us to lose ourselves in her world. Wrong Side of a Fistfight feels like getting lost in the woods, with someone holding your hand promising to guide you home. This is the second book of poems by Ashe Vernon, spoken word poet and author of the blog Late Night Corner Store.

    Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added "DIY" chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time.

    As she grows up, a Mormon girl learns that lasting friendships, hidden talents, and faith in God are some of life's most precious gifts.

    The poems also explore the darker aspects of humanity—personal, cultural, historical and environmental violence—all of which are handled with compassion and grace. Bass’s poetic gift is her ability to commiserate with others afflicted by similar hungers and grief. Her poem "Insomnia" concludes: "may something/ comfort you—a mockingbird, a breeze, rain/ on the roof, Chopin’s Nocturnes, the thought/ of your child’s birth, a kiss,/ or even me—in my chilly kitchen/ with my coat on—thinking of you."Marketing Plans: • National advertising • National media campaign • Advance reader copies • Course adoption mailingAuthor Tour: • Berkeley • Boston • Minneapolis • San Francisco • Santa CruzEllen Bass is co-author (with Laura Davis) of the best-selling The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins 1988, 1994), which has sold more than one million copies and has been translated into nine languages. She has also published several volumes of poetry, and her poems have appeared in hundreds of journals and anthologies, including The Atlantic Monthly, Ms., Double Take, and Field. In 1980, Ms. Bass was awarded the Elliston Book Award for Poetry from the University of Cincinnati. Last year, she won Nimrod/Hardman’s Pablo Neruda Prize for Poetry, judged by Thomas Lux. She was nominated for a 2001 Pushcart Prize. She lives in Santa Cruz, where she has taught creative writing for 25 years. She has also taught writing workshops at many conferences nationally and in Mallorca, Spain.

    Forging a trail that leads into the heart of Morocco, Seven Moves tracks Christine's gradual recognition that no one can ever really know another's soul. Bearing Anshaw's trademark style -funny, hip, and laser-sharp -this is "a tightly told tale that resists the bookmark as well as any thriller" (Chicago Sun-Times). A Reader's Guide is now available.