He buys stolen police files on serial killers, and uses them to find and dig up missing bodies. Calls in the results anonymously, taunting the police for their failure to do their job.Detective Sandra Whittal takes that a little personally. She’s suspicious of the mysterious caller, who she names the Finder. Maybe he’s the one leaving the bodies behind. If not, who’s to say he won’t start soon?As Whittal begins to zero in on the Finder, Martin makes a shocking discovery. It seems someone—someone lethal—is very unhappy about the bodies he’s been digging up.Hunted by a cop, hunted by a killer. To escape and keep his family safe, Martin may have to go deeper into the world of murder than he ever imagined.

    They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    He buys antibiotics out of pocket, squashes roaches, and chafes at the interventions of the corrupt officer who oversees his work.But his outlook on life changes one night when a teacher, his pregnant wife, and their young son appear. Killed in a violent robbery, they tell the surgeon that they have been offered a second chance at living if the surgeon can mend their wounds before sunrise.So begins a night of quiet work, "as if the crickets had been bribed," during which the surgeon realizes his future is tied more closely to that of the dead family than he could have imagined. By dawn, he and his assistant have gained knowledge no mortal should have.In this inventive novel charged with philosophical gravity and sly humor, Vikram Paralkar takes on the practice of medicine in a time when the right to health care is frequently challenged. Engaging earthly injustice and imaginaries of the afterlife, he asks how we might navigate corrupt institutions to find a moral center. Encompassing social criticism and magically unreal drama, Night Theater is a first novel as satisfying for its existential inquiry as for its enthralling story of a skeptical physician who arrives at a greater understanding of life's miracles.

    His best friend is a 9000-year-old demon called Ruen. When his depressive mother attempts suicide yet again, Alex meets child psychiatrist Anya. Still bearing the scars of her own daughter's battle with schizophrenia, Anya fears for Alex's mental health and attempts to convince him that Ruen doesn't exist. But as she runs out of medical proof for many of Alex's claims, she is faced with a question: does Alex suffer from schizophrenia, or can he really see demons?

    So when she happens upon a crazed woman at the river threatening to throw a book into the water, Ollie doesn't think—she just acts, stealing the book and running away. As she begins to read the slender volume, Ollie discovers a chilling story about a girl named Beth, the two brothers who both loved her, and a peculiar deal made with "the smiling man," a sinister specter who grants your most tightly held wish, but only for the ultimate price. Ollie is captivated by the tale until her school trip the next day to Smoke Hollow, a local farm with a haunting history all its own. There she stumbles upon the graves of the very people she's been reading about. Could it be the story about the smiling man is true? Ollie doesn't have too long to think about the answer to that. On the way home, the school bus breaks down, sending their teacher back to the farm for help. But the strange bus driver has some advice for the kids left behind in his care: "Best get moving. At nightfall they'll come for the rest of you." Nightfall is, indeed, fast descending when Ollie's previously broken digital wristwatch, a keepsake reminder of better times, begins a startling countdown and delivers a terrifying message: RUN. Only Ollie and two of her classmates heed the bus driver's warning. As the trio head out into the woods--bordered by a field of scarecrows that seem to be watching them--the bus driver has just one final piece of advice for Ollie and her friends: "Avoid large places. Keep to small." And with that, a deliciously creepy and hair-raising adventure begins.

    While growing up, Rebekkah watched as Maylene performed the same unusual ritual at every funeral: three sips from a small silver flask followed by the words, "Sleep well, and stay where I put you."Now Maylene is gone and Bek must return to the hometown—and the man—she abandoned a decade ago, only to discover that Maylene's death was not natural . . . and there was good reason for her odd traditions. In Claysville, the worlds of the living and the dead are dangerously connected—and beneath the town lies a shadowy, lawless land ruled by the enigmatic Charles, aka Mr. D. From this dark place the deceased will return if their graves are not properly minded. And only the Graveminder, a Barrow woman, and the current Undertaker, Byron, can set things to right once the dead begin to walk.

    Over one long, hot summer, Lane experiences the benefits of being one of the rich and beautiful Roanoke girls.But what she doesn't know is being a Roanoke girl carries a terrible legacy: either the girls run, or they die. For there is darkness at the heart of Roanoke, and when Lane discovers its insidious pull, she must make her choice...

    . . that might just kill her.People say the house is cursed.It preys on the weakest, and young women are its favorite victims.In Louth, they're called the Dead Girls.All Bram wanted was to disappear—from her old life, her family's past, and from the scandal that continues to haunt her. The only place left to go is Louth, the tiny town on the Hudson River where her uncle, James, has been renovating an old mansion.But James is haunted by his own ghosts. Months earlier, his beloved wife died in a fire that people say was set by her daughter. The tragedy left James a shell of the man Bram knew—and destroyed half the house he'd so lovingly restored.The manor is creepy, and so are the locals. The people of Louth don't want outsiders like Bram in their town, and with each passing day she's discovering that the rumors they spread are just as disturbing as the secrets they hide. Most frightening of all are the legends they tell about the Dead Girls. Girls whose lives were cut short in the very house Bram now calls home.The terrifying reality is that the Dead Girls may have never left the manor. And if Bram looks too hard into the town's haunted past, she might not either.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    So she flees Boston and rents an old home named Brodie’s Watch on a remote coastal peninsula of Maine, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. She immediately feels at peace in the isolated house–until she starts to hear strange noises.Rumor has it that a sea captain named Brodie has haunted the house for decades. Then, one night, Ava is awakened to find herself face to face with an apparition who looks–and feels–all too real. Meanwhile, there’s been a series of accidental deaths nearby that don’t add up. And as Ava starts to check into the previous renter’s mysterious disappearance, she starts to realize that there’s a disturbing secret some in town are desperate to keep hidden.Soon all of Ava’s waking hours are consumed by her investigation, and her nights are ignited by Captain Brodie’s ghostly visits. But even as she questions her own sanity, she knows she must uncover the truth before a killer strikes again.

    New surroundings and new ideas, a new beginning. Fresh air."These are the opening lines of the journal kept by the narrator of Daniel Kehlmann's spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.

    But when reaching out to the murderer for salvation in those last dying moments, a sudden switch takes place.Now Kepler is looking out through the eyes of the killer himself, staring down at a broken and ruined body lying in the dirt of the alley.Instead of dying, Kepler has gained the ability to roam from one body to another, to jump into another person’s skin and see through their eyes, live their life — be it for a few minutes, a few months or a lifetime.Kepler means these host bodies no harm — and even comes to cherish them intimately like lovers. But when one host, Josephine Cebula, is brutally assassinated, Kepler embarks on a mission to seek the truth — and avenge Josephine’s death.

    But they soon realize they are not as alone as they thought. Something wants them to leave. Meanwhile, in a nearby town, a young doctor investigating the suicide of an elderly woman discovers that she was obsessed with his vanished son. When the two stories collide, the shocking truth becomes horribly clear.In the vein of Stephen King and John Ajvide Lindqvist, this horrifying thriller, partly based on a true story, is the scariest novel yet from Yrsa Sigurdardóttir, who has captivated the attention of readers around the world with her mystery series featuring attorney Thora Gudmundsdottir. Now, Yrsa will stun readers once again with this out-of-this-world ghost story that will leave you shivering.

    There are a couple of other odd things, too. He weighs the same in his clothes and out of them, no matter how heavy they are. Scott doesn’t want to be poked and prodded. He mostly just wants someone else to know, and he trusts Doctor Bob Ellis.In the small town of Castle Rock, the setting of many of King’s most iconic stories, Scott is engaged in a low grade—but escalating—battle with the lesbians next door whose dog regularly drops his business on Scott’s lawn. One of the women is friendly; the other, cold as ice. Both are trying to launch a new restaurant, but the people of Castle Rock want no part of a gay married couple, and the place is in trouble. When Scott finally understands the prejudices they face–including his own—he tries to help. Unlikely alliances, the annual foot race, and the mystery of Scott’s affliction bring out the best in people who have indulged the worst in themselves and others.