In this beautifully told novel that crosses borders, cultures, and generations, a young man returns home to care for his aging mother, who suffers from dementia. In his efforts to help her and by turn make amends for their past estrangement from one another, he is compelled to re-imagine his mother’s stories for her before they slip completely into darkness. In delicate, heartbreaking tones, the names for everyday things fade while at the same time a beautiful, haunted life, stained by grief, is slowly revealed.

    The trial and its outcome are a matter of public record. What you are about to read about the tour of duty that inspired this book is not.What you are about to read is an emotionally draining and mind-snapping firsthand account of war on the ground in Afghanistan. It’s raw and explosive. Names have been changed to protect the brave and not so brave alike. What you are about to read is an account of soldiers who live, fight and die in a moonscape of a country where it’s sometimes hard to tell your friend from your enemy. It’s about trying to hold it together when a mortar attack is ripping your friends and allies apart, and your world unravels before your eyes.Rob Semrau wrote this book to tell us about the sheer hell that is the Stan, but also to recognize the incredible courage and compassion he witnessed in the heat of battle. The soldiers you are about to meet and the events that befall them will linger on in your mind long after you have closed these pages.

    The lights on the street and in the houses against the black wetness, little unilluminating glints that might be painted on it. The town seems huddled together, cowering on a high tiny perch, afraid to move lest it topple into the wind.”The town is Horizon, the setting of Sinclair Ross’ brilliant classic study of life in the Depression era. Hailed by critics as one of Canada’s great novels, As For Me and My House takes the form of a journal. The unnamed diarist, one of the most complex and arresting characters in contemporary fiction, explores the bittersweet nature of human relationships, of the unspoken bonds that tie people together, and the undercurrents of feeling that often tear them apart. Her chronicle creates an intense atmosphere, rich with observed detail and natural imagery.As For Me and My House is a landmark work. It is essential reading for anyone who seeks to understand the scope and power of the Canadian novel.

    

    "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.

    He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

    a physician''s wife and mother of a teenage son, opens her morning newspaper and is shocked to see a familiar face on the front page. Sonia, a lost friend accused of terrorism, has just been released after twenty years in prison. It all comes flooding back to Jane, how twenty years before her life took a very different course.At nineteen, Jane rents a room in a shared student house with a mismatched trio of idealists: Sonia, who yearns to save the world''s children from nuclear war; the Marxist-leaning Dieter; and the anarcho-feminist-pacifist Pete. A bookish misfit, her radical housemates quickly draw Jane into NAG!, a non-violent, anti-nuclear direct action group.To Jane,who is studying Russian and Russian literature, her compatriots, with their utopian dreams and youthful pathos, soon seem Chekhovian to her.Meanwhile, NAG! plans its most ambitious action, crossing the border into the United States to chain themselves to the Boeing factory fence. Tension increases as the group mounts each successive protest, until a bomb explodes and changes everything.The Sky Is Falling deftly intertwines themes of first love, sexual confusion, and the dread of nuclear disaster with the comical infighting of a cast of well-meaning political activists, and the timelessness of the great Russian classics. A story for our own age of paranoia and terror, Caroline Adderson's witty, accomplished novel returns the reader to another fearful era, when the world teetered on the brink of nuclear annihilation and the end of world seemed inevitable.

    'Kalopsia' is filled with brand-new quotes and poems about life, love, truth and the journey of being imperfectly human. Often compared to R.M Drake and Christopher Poindexter, Andrea Michelle writes with an elegance sure to touch the heart and soul. Kalopsia is the first book in the Beautiful Words series. The sequel, Meraki, is available on Amazon now! Take action now and download Kalopsia for free! More Books by Andrea Michelle: Meraki Between Sips www.andreamichelleofficial.com www.instagram.com/andrea.michelle.off...

    Here she turns them to opportunities: in a voice that is fierce, direct, and true, she explores and transcends the multiple boundaries imposed by society on the self. She mocks, with exasperation and sly humour, the banal exploitation of Indianness, more-Indian-than-thou oneupmanship, and white condescension and ignorance. She celebrates the person, clearly observing, who defines her own life. These are Indian poems; Canadian poems: human poems.

    Poems that range in style from starkly concrete to limber break down the barriers that prevent understanding of what it means to be racialized. Shraya paints the face of everyday racism with words, rendering it visible, tangible, and undeniable.

    In this eagerly awaited second installment, Suzuki, now 70, reflects on his entire life — and on his hopes for the future. The book begins with his life-changing encounters with racism while interned in a Canadian concentration camp during World War II and continues through his troubled teenage years and later successes as a scientist and host of PBS's The Nature of Things. With characteristic candor and passion, he describes his growing consciousness of the natural world and humankind’s precarious place in it; his travels throughout the world and his meetings with international leaders, from Nelson Mandela to the Dalai Lama; and the abiding role of nature and family in his life. David Suzuki is an intimate and inspiring look at one of the most uncompromising people on the planet.

    They are as insistent as they are circumspect, drawing close to the reader’s ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity – ‘There was pain,’ the speaker allows, ‘but it was not new pain.’ Frears’s work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air – ‘Stormy, sticky with flies’ – and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a ‘glorious full-bodied’ debut collection with the draw of an adamant tide. ‘Uncompromising, intelligent, surprising, accessible and sharp … These lyric poems have a clarity and straightforwardness that only a special kind of attention, and a certain kind of fearlessness can achieve.’ – Mark Waldron

    Its ceilings need plastering and some of the toilets leak appallingly, but its residents are far from desperate, though sometimes contentious and unforgiving. In these witty, poignant stories, Mistry charts the intersecting lives of Firozsha Baag, yielding a delightful collective portrait of a middle-class Indian community poised between the old ways and the new.

    More immediate if less polished than his later work, these poems enchant and impress with their classical learning, wit, perceptiveness and lyricism—all facets of Vikram Seth's now celebrated poetic achievement.