In the process he uncovers the secret negotiations they conducted and the secret understanding they struck with the British; the reports they submitted to the imperial rulers about the work they were doing to subvert the movement Mahatma Gandhi had launched. He concludes with a review of the reactions of Indian communists to the break-up of the Soviet empire; showing how their mental make-up and habits have not changed in the six decades since independence.

    The sparks flying between them sizzle with sexual tension, but when Ranbir puts a scandalous proposition before her, she turns him down spiritedly.However, they have to work together to engineer a happy ending for their siblings, who have fallen madly in love but are too afraid to tell their respective families. The plan they cook up throws them more and more into each other’s company.Can Mira overlook Ranbir’s indecent proposal and give love a chance?

    It presents the historical battle that progressed between the Maratha army and the army of Ahmad Shah Abdali, the founder of the Afghan Empire.The book initially follows the battle that takes place between the army of Najib-ud-Daulah, an ethnic Pashtun, and the Scindias. It then proceeds to cover the northward progress of the massive Maratha forces to counter the threat of Najib-ud-Daulah. Eventually, the Maratha infantry and cavalry succeed in entering the Mughal stronghold of Panipat. Here, they are surrounded by a huge force of Shia Muslim and Afghan soldiers who block their source of ration. The resulting frustration and malnutrition takes its toll on the Maratha army.The book speaks of the valiant efforts of men like Jankoji Shinde, Nanasaheb Peshwa, and many other Maratha compatriots. The author has also countered the common negative portrayal of Sadashivrao Bhau, one of the Maratha leaders, with strong appreciation of his war tactics.The book highlights the myriad experiences that cast their shadows on the battleground, including bloodshed, depression, disease, desolation, martyrdom, betrayal, death, fear, victory, loss, hatred, ignorance, and vengeance.It also focuses on certain key points pertaining to India as a federal nation. Some of these points include the role of religion, the battle for supremacy between the North and the South, the detrimental influence of regional politics, the role of language, and the importance of unity. At the end of the book, the author has provided insights into his research efforts, which included several trips to Panipat. Panipat was originally written in Marathi and first published on October 20, 1988. Since then, it been translated to English and several other Indian languages, including Hindi. Panipat has received thirty-eight awards since its release in 1988, and sold more than 200,000 copies.

    However, behind closed doors, cracks are beginning to appear in her seemingly comfortable relationship with her professionally consumed husband, Rakesh. Although Rakesh seems content with his alpha neatness-fetish-melodramatic wife and bright son; Natasha yearns for romance, passion and excitement. Ironically, the Psychologist husband fails to read between the lines and Natasha is left to her own devices to deal with her unresolved emotions. An unexpected call from India takes her through a journey of self-discovery with her devastatingly handsome work colleague, Steve. She uncovers in some aspects urban India has changed considerably but equally, deep-rooted social issues still prevail in the so called modern, educated, changing society. A chance encounter with her 'blast from the past' - Veer, adds to the emotional rollercoaster ride. Her one-man-woman status of many years has failed to equip her with vital tools to deal with the unanticipated surge of attention from Steve and Veer. As she attempts to master the finer points of courtship, flirtation and seduction; her life spirals out of control. Natasha is compelled to make tough decisions about her love, friendship, marriage and parenthood.

    Ritwik's amazing love story starts with a drab bus journey from Meerut to Delhi, until he meets Shubhangi and falls head over heels in love. Determined to marry Shubhangi, Ritwik goes all out to impress his prospective father-in-law, but only ends up messing his personal and professional life. Will he win the biggest gamble of his life by risking his career and embarking on a wild goose chase simply to appease the eccentric professor? With the odds stacked against him, Ritwik, a born loser is hoping for the Law of Averages to finally catch up with him.Get set to enjoy this romantic, funny, whimsical and outrightly crazy journey undertaken by Ritwik to win the love of his life!

    On the other hand, America returned Natu use to think of his cow, as only milk and meat giving domestic animal.This novel narrates the conflicts between the values, emotions and ethics of these contrast people.The novel starts with a song on cow, translated in almost every known language, and seeks through finding the importance of values rooted deeply in Indian culture. Artworks based on this novel in Kannada and “Godhuli” in Hindi movies have received acknowledgements at National and International levels.Even today, this novel published in 1968, is counted as one of the epic and incredibly narrated novel.This powerful and convincing novel, vigilant the two contradictions, love and anger, predominantly, for sure!!

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    At twenty-nine, he is already a billionaire jewellery designer. When his parents go looking for a suitable bride for him, Ram goes along with their plan-he has no reason to refuse.A beauty with brains, Sapna Purohit is a bridal mehndi designer, and her work is all the rage in Pushkar. She doesn't come from money, but she is feisty and assertive. A romantic at heart, Sapna dreams of a prince charming who will one day breeze into her life and sweep her off her feet.When renowned astrologer Vidyasagar proposes an alliance between the two, he sets the wheels of fate in motion. One look into Sapna's stormy-grey eyes, and Ram is lost. Only, Sapna does not see her prince charming in him. But when the Maheshwaris offer to bear all the wedding expenses, Sapna is left with no choice except to agree to the match.But what about her dreams? What about love? Steeling herself, Sapna sets a condition to the marriage. Will the smitten husband agree?

    Viraj is a genius and a con who shuns society and its hypocrisies.Gayatri sees Viraj only as a means to an end. For Viraj, Gayatri is the epitome of all that he despises. So when their paths cross, it is a battle of feisty wills and desire.Will Gayatri and Viraj prove to be each other’s salvation or annihilation?From the best-selling author of Right Fit Wrong Shoe and Wrong Means Right End comes Rightfully Wrong Wrongfully Right. All the unforgettable characters of the earlier two bestsellers make a comeback in this unforgettable story of hurt, hearts and hope.This is a tumultuous journey of two Wrongs who might just make everything Right!

    I was itching to defeat the single most powerful person, but there wasn't any. I was left with only one choice — to create one."Little does Ashwin Jamwal know that the last twenty-five years of his life have been controlled by a master manipulator, who wanted to make him the most powerful man on earth, though for a reason! Ashwin steps up to take oath as the youngest Prime Minister of India and is unknowingly thrown into a vortex of power and authority as the entire world is threatened by a faceless enemy — Hades.The world starts to look up to Ashwin as the savior, but he was just a pawn, reared only to be sacrificed in the end.A story of greed, lies, deceptions, manipulations and corruption, Ashvamedha is a thriller revolving around the infamous game of power in a maddening bid to seek absolute control.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    Both novels depict the same issue narrated by two different people from the same place but with different perspectives. This twin wonder is interconnected, and at the same time independent, with Beniyamin touch.

    No less was the struggle of Indian manes against British rule and for freedom and liberation of the mother country. The author’s tribute to the martyrs and his letters to dear ones from Andamans, miscellaneous statements and writings are also included in this book. The first four epochs are covered in only hundred plus pages while the last two epochs span almost four hundred plus pages, signifying the importance that the author gave to this period.So far we have been given the picture of British rule, the history and politics in India by foreign and leftist writers, but in this book Veer Savarkar makes us look at the country’s history and politics from the Bharatiya perspective. Not only does he analyse the mistakes committed by Hindus since the time of Alexander’s invasion till the British rule, he tries to enlighten our minds with the prevalent situation in his time. All that he himself learnt from history, he tries to correct through this book of his.

    asprawling narrative of the moral life of post-independent society across Maharashtra. The novel unfolds the microcosm of the commercialized education in India.