Can you imagine being a struggling musician back then? It must take an incredible amount of restraint to play that gently.’ —Actor/comedian Fred Armisen, from his foreword to this book Just what is ‘yacht rock,’ you ask? Perhaps the easiest description is music that would not sound out of place being played while carousing aboard a yacht back in the good old days. But these songs were also some of the top pop gems of the 1970s and '80s. And while some associate yacht rock’s biggest songs with one-hit wonder artists, several of rock’s most renowned artists fall under this category, too - including Fleetwood Mac, the Eagles, Steely Dan, Hall & Oates, The Doobie Brothers, Toto, and more. Yacht rock seemed to have become extinct by the early twenty-first century … until a comedic video series, simply titled Yacht Rock, went viral and introduced captain’s hats and blazers to a whole new generation - as well as the emergence of a popular cover band, the Yacht Rock Revue, and of course, Jimmy Fallon’s on-air admiration of all things yacht rock. Now, yacht rock is one of the most celebrated ‘yesteryear’ styles of pop music, and has resonated with a new generation of musicians (including the Fred Armisen/Bill Hader-led Blue Jean Committee and soul/funk/electronica crossover act Thundercat). But despite all the hoopla, there has never been a book that told the entire story of the genre. Until now. Featuring interviews with many of the heavy hitters of the genre, including John Oates, Kenny Loggins, and Don Felder, The Yacht Rock Book leaves no sail unturned. This is the definitive story of the yacht rock’s creation, rise, chart-smashing success, fall, and stunning rebirth.

    The record was a smash, reaching number two on the charts inMarch of 1974, spawning three hit singles; Help Me, Free Man in Parisand Raised on Robbery and cementing Mitchell's position as a commercialas well as an artistic force. Sean Nelson, a well known musician himself (Harvey Danger, the Long Winters), is particularly well equipped to understand all the elements that went into the making of this classic album, and he does so with clarity and wit.>

    In great detail, Wolk pieces together what took place (and what was recorded) that night, and illustrates beautifully the enduring power of one of James Brown s and popular music s defining moments: Live at the Apollo. EXCERPT Standing on the stage of the Apollo at a sold-out show on the night of October 24, 1962, screaming, James Brown would have looked out and seen 1500 people screaming back at him in the audience, split between the floor and the balconies. The walls behind them were a dark crimson; the balconies were decorated with the laurel wreaths that are the emblem of Apollo the god, recalling Daphne, who became a laurel tree to escape his lust. Most of the audience thought there was a good chance they d be dead within the week.

    Highly acclaimed music critic Peter Carlin tracks the Boss's dazzling ascent to fame, whilst painting a vivid portrait of the real Springsteen: an insistently private man who nevertheless would do anything for his fans.Recently, in response to his mother's failing health, Springsteen decided he wanted to tell his story, and that he wanted Carlin to tell it. He gave Carlin many hours of interview time, including a trip to his family home, and lett him preview his unreleased album. With unprecedented access to Springsteen, his family, friends and management, Carlin presents a riveting and highly personal account of Springsteen's life.

    They mixed the tracks and recorded overdubs in New York. They took a step back and assessed the material. It was a wild scene. They had fully fleshed-out songs and whispers and rumors of half-formed ones. They had songs that followed a hard-to-gauge internal logic. They had punk tunes and country tunes and sad tunes and funny ones. They had fuzzy pop and angular new wave. They had raunchy guitar solos and stoner blues. They had pristine jangle and pedal steel. The final track list ran to eighteen songs and filled three sides of vinyl.Released in 1995, on the heels of two instant classics, Wowee Zowee confounded Pavement's audience. Yet the record has grown in stature and many diehard fans now consider it Pavement's best. Weaving personal history and reporting-including extensive new interviews with the band-Bryan Charles goes searching for the story behind the record and finds a piece of art as elusive, anarchic and transportive now as it was then.

    Put this on the shelf right beside Strunk and White.”—Booklist“Addresses all the elements of successful writing.”—Tampa Tribune“Advice on getting your work published is worth the cost of the book alone.”—St. Petersburg TimesA featured selection of the Writer’s Digest Book Club; chosen by The Writer Magazine as a Best Book of the Year; compared by the American Library Association to Strunk and White’s classic The Elements of Style; acclaimed by critics, students and teachers and adopted by universities across the country, the unique collaboration between a major American novelist and a publisher is back in a revised second edition, bigger and better than ever.The most useful and entertaining writing book on the market, the updated second edition has new exercises and expanded essays, covering every aspect of writing and publishing fiction and memoir:How to begin a piece so that a reader can’t put it down How to create compelling characters How professional writers use dialogue How to narrow a strategy for telling the story of your life How to write about painful material without coming off as a victimIncluded are hundreds of insider tips, such as:The seven important things when writing about loved ones The 10 most destructive things writers do What no one will tell you about rejection letters FAQs about agents and how much writers really earn What to do if your work is continually rejectedMarge Piercy is a New York Times best-selling novelist and memoirist. Ira Wood is a novelist and publisher. Their workshops, given nationally, address overcoming the inner and outer barriers to creativity.

    Then he was recruited by two of his successful musician friends to form a band that became Semisonic. Who could forget the smash single “Closing Time,” a runaway hit in 1998 that thrust Jake and his bandmates into the international spotlight and helped them sell over two million albums worldwide? But along the road to fame and success came bewilderment and personal chaos: How will we ever get a record deal? Which record company is the best? The worst? Do I really have to wear these ridiculous boots? Why isn’t radio playing our song? What if I have a panic attack right here on stage? What should I write on this fan’s CD? Am I famous? Why isn’t the video director getting more shots of me? Did I say the wrong thing during that interview? Help!So You Wanna Be a Rock & Roll Star is a telling and witty look at what happens just before and during one's time in the spotlight. Jake takes readers on a step-by-step journey of his evolution from fledgling drummer to globetrotting performer and proves to be the perfect guide—feisty and humbled—to the inner workings of the music industry and instant celebrity. So You Wanna Be a Rock & Roll Star speaks to all of us who dream again and again of rock superstardom and shows how one kid can go from picking up a pair of drumsticks to picking up a platinum record.

    Defying traditional categories of race, gender, and sexuality, he nonetheless presents a very traditional conception of religion and God in his music. He was an MTV megastar and a religious evangelist, using images of sex and profanity to invite us into a musical conversation about the healing power of God. By demystifying the man and his music, I Would Die 4 U shows us how Prince defined a generation.

    The secret history of rock and roll is the story of lesser-known artists whose work has shaped modern rock. Investigating 15 separate genres and influences, this book discusses, identifies and annotates the most significant, if not the most celebrated, rock and roll talents of all time.

    'I HATE MYSELF AND I WANT TO DIE,' by Tom Reynolds This roundup of 52 of the most maudlin songs ever penned, from Manilow to Metallica, will move you to tears of despair — or shrieks of helpless laughter. PLAYBOY - "There must be a section of Tom Reynolds's record collection that wards off disc jockeys like a cross repels vampires. The writer/TV producer's steep descent into depressing pop music, I Hate Myself and Want to Die is a humorous song-by-song analysis of the most egregious examples of audio torture. Its title may sound like a hackneyed VH1 special, but Reynolds steps above pointless banter by demonstrating some serious scholarship, exposing gut-wrenching stories behind these songs like the telling fact that the writers of "Without You," covered by Mariah Carey, both hung themselves....Overall, his picks are solid and stick to chart-topping tragedies, ranging from the Billie Holiday lynching tune "Strange Fruit" ("Black bodies swinging in the Southern breeze") to a prescient analysis of Johnny Cash's superior cover of Trent Reznor's "Hurt." Reynolds also manages to sneak in some unknown misfires, like his number one pick "The Christmas Shoes," a Christian adult contemporary Christmas song (already depressing) about poor kids buying slippers for their terminally ill mom to wear in heaven (kill me already). NEW MUSIC EXPRESS - "Full of premium trivia and pinpoint pomposity pricking, Reynolds has made comedy gold from the full base metal of misery." WHAT'S ON IN LONDON - "A sustained and superbly observed insight into some of rock music's most memorable follies, it is an absolute must-read. Brilliant." UNCUT Magazine - "Tom Reynolds, an American TV producer who manages to combine the wit of Dave Barry with the musical tastes of a bath towel, takes a simple concept and pulls great big inappropriate belly laughs from it....Genius." Anne Stephenson, THE REPUBLIC - "To write a book like this, you need a working knowledge of music recorded over the past 70 years and an astute and merciless sense of humor. Tom Reynolds is our man.". Rob Lester, EDGE MAGAZINE - "What makes this book so worthwhile and more than just cathartic (oh, it is that!) is the humor. Reynolds’ language is colorful and clever and his greatest skills are sarcasm and funny, funny exaggeration for effect... Smug? Absolutely. But it’s mostly a hoot." PUCKNATION - "I Hate Myself and Want to Die, is one of the most brilliant looks at music and popular culture I've read in a long time. This collection of essays rips through music with ludicrous comments, humor and sarcasm. Reynolds’ knack for timing and wit allows him to tear seemlessly through these songs, with great results....An instant classic and perfect bathroom reading." ROCKNWORLD - "Don'tcha just love discovering a book that is too funny to be read in public, that makes eating or drinking while reading it a sure way to choke & die? What makes the subject matter of this book even better is its importance & truth.....His treatments of Evanescence's entry on the list & Metallica are so funny that I wish I could quote the entire chapters here."

    Over 50,000 copies have been sold.Tracing the creation of Exile on Main St. from the original songwriting done while touring America through the final editing in Los Angeles, Bill Janovitz explains how an album recorded by a British band in a villa on the French Riviera is pure American rock and roll. Looking at each song individually, Janovitz unveils the innovative recording techniques, personal struggles, and rock and roll myth-making that culminated in this pivotal album. "Exile" is exactly what rock and roll should sound like: a bunch of musicians playing a bunch of great songs in a room together, playing off of each other, musical communion, sounds bleeding into each other, snare drum rattling away even while not being hit, amps humming, bottles falling, feet shuffling, ghostly voices mumbling on and off-mike, whoops of excitement, shouts of encouragement, performances without a net, masks off, urgency. It is the kind of record that goes beyond the songs themselves to create a monolithic sense of atmosphere. It conveys a sense of time and place and spirit, yet it is timeless. Its influence is still heard today. Keith Richards has said, tongue in cheek, the record was the first grunge record.

    Compiled and written by 'New Musical Express' editors Roy Carr and Tony Tyler, with over 200 illustrations, a complete diary, selected quotes and all possible recording details.

    Jeremy Simmonds here draws on a lifetime’s obsession to match the industry’s biggest departed stars--Buddy, Jeff, Sid, Jimi, Biggie, Janis, Elvis, Marc, Tupac--with more than a few lesser-known tales of rock tragedy. He also includes a smorgasbord of lighter-hearted sidebars, including strange facts, lucky escapes, and top-ten death discs. An indispensable reference full of useful and useless information, with hundreds of photos of the good, the bad, and the silly, The Encyclopedia of Dead Rock Stars is guaranteed to rock the world of trivia buffs and diehards alike.

    The American Night presents Morrison's previously unpublished work in its truest form. With their nightmarish images, bold associative leaps, and volcanic power of emotion, these works are the unmistakable artifacts of a great, wild voice and heart.

    The ultimate cult band and the ultimate art rock experience, the VU's music and style have served as a blueprint for everyone from David Bowie to The Jesus And Mary Chain. Yet for all their enduring importance, they were unsuccessful in their day, selling minute numbers of records, their monochrome look and photo-realist lyrics at odds with the garish colours and peace fantasies of the hippy era. It was only when David Bowie started to champion the band in the early 70s, after they had split up, that the VU's reputation started to spread. In White Light/White Heat, noted rock writer and historian Richie Unterberger analyses the band's career and influence in forensic detail, drawing on many new interviews with band members and associates, previously undiscovered archive sources and a vast knowledge of the music of the times. The result is a comprehensive, articulate, immensely detailed history, the most thorough work on the band yet published.