Some nights Mustafa dreams about the country he used to live in, and he wakes up not knowing where he is. Then his mother takes him out to the balcony to see the moon — the same moon as in their old country. In the park, Mustafa sees ants and caterpillars and bees — they are the same, too. He encounters a “girl-with-a-cat,” who says something in a language that he can’t understand. He watches an old lady feeding birds and other children playing, but he is always looking in from the outside and he feels that he is invisible. But one day, the girl-with-the-cat beckons to him, and Mustafa begins to become part of his new world.

    mainland from Puerto Rico and realizes that New York City might have more in common with San Juan than he initially thought.Miguel's pet frog, Coquí, is always with him: as he greets his neighbors in San Juan, buys quesitos from the pandería, and listens to his abuelo's story about meeting baseball legend Roberto Clemente. Then Miguel learns that he and his parents are moving to the U.S. mainland, which means leaving his beloved grandparents, home in Puerto Rico, and even Coquí behind. Life in New York City is overwhelming, with unfamiliar buildings, foods, and people. But when he and Mama go exploring, they find a few familiar sights that remind them of home, and Miguel realizes there might be a way to keep a little bit of Puerto Rico with him--including the love he has for Coquí--wherever he goes.

    Instead, Big Papa takes him away in his time machine—a 1952 Ford—back to all of the times when he, himself, was scared of something life was handing him.Full of heartfelt moments and thrilling magical realism, Big Papa and the Time Machine speaks to the African American experience in a touching dialogue between two family members from different generations, and emerges as a voice that shares history and asks questions about one family’s experience in 20th-century black America.“Wasn’t you scared?”“Oh, I was scared,” Big Papa said. “Sometimes you gotta walk with giants if you ever gonna know what you made of. That’s called being brave.”

    Who will earn the honor in this story?The First Laugh Ceremony is a celebration held to welcome a new member of the community. As everyone--from Baby's nima (mom) to nadi (big sister) to cheii (grandfather)--tries to elicit the joyous sound from Baby, readers are introduced to details about Navajo life and the Navajo names for family members. Back matter includes information about other cultural ceremonies that welcome new babies and children, including man yue celebration (China), sanskaras (Hindu) and aquiqa (Muslim).

    Jennifer Morris’s emotive, diverting characters provide the perfect complement to Leannah’s words, leading us through the crowded streets of an urban day in the company of two pairs of siblings (one of color). We see what they see: the hulking dude with tattoos and chains assisting an elderly lady onto the bus; the Goth teenager with piercings and purple Mohawk returning a lost wallet to its owner; and the myriad interactions of daily existence, most of them well intended. Most People is a courageous, constructive response to the dystopian world of the news media.Fountas Pinnell Level M

    . . . Works well as a story and also as a lesson in African-American history." — SCHOOL LIBRARY JOURNALNow that Hannah’s papa has decided to make the run for freedom, her patchwork quilt is not just a precious memento of Mama — it’s a series of hidden clues that will guide them along the Underground Railroad to Canada. A fictionalized account of a fascinating oral history, THE PATCHWORK PATH tells the story of a two of the thousands who escaped a life of slavery and made the dangerous journey to freedom — a story of courage, determination, and hope.- A Gustavus Myers Center for the Study of Bigotry and Human Rights Outstanding Book, Honorable Mention- An Oppenheim Toy Portfolio Gold Award Winner

    A young immigrant girl joins her aunt and uncle in a new country that is unfamiliar to her. She struggles with loneliness, with a fierce longing for the culture and familiarity of home, until one day, her aunt takes her on a walk. As the duo strolls through their city park, the girl's aunt begins to tell her an old myth, and a story within the story begins.A long time ago, a group of refugees arrived on a foreign shore. The local king met them, determined to refuse their request for refuge. But there was a language barrier, so the king filled a glass with milk and pointed to it as a way of saying that the land was full and couldn't accommodate the strangers. Then, the leader of the refugees dissolved sugar in the glass of milk. His message was clear: Like sugar in milk, our presence in your country will sweeten your lives. The king embraced the refugee, welcoming him and his people.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    She is ready to celebrate freedom. She is ready to celebrate a great day in American history — the day her ancestors were no longer slaves. Mazie remembers the struggles and the triumph, as she gets ready to celebrate Juneteenth.This beautiful story by award-winning author and illustrator Floyd Cooper will captivate both children and adults.

    Every September they pick grapes and Chico starts at a new school again. Often other children pick on him--maybe because he is always new or maybe because he speaks Spanish sometimes. Chico's first day in third grade turns out to be different. His teacher likes him right away, and she and his classmates are quick to recognize his excellent math skills. He may even get to go to the math fair! When the fourth-grade bullies confront Chico in the lunchroom, he responds wisely with strengths of his own. Readers of all backgrounds will relate to Chico's bravery and the creative way he finds to resolve conflict. This story of personal triumph is a testament to the inner strength in all of us.

    . .First my family drives through the mountains to stop at Mamaw and Papaw's house in rural West Virginia. We share blueberry jam and toast for breakfast the next morning, then munch cookies and cut bananas to make banana pudding with Mamaw. After the last bite of pudding, we get ready for the next part of the journey, down to Florida to visit Abuela and Abuelo for crispy tostones, fresh squeezed juice, and arepas with queso blanco.Elizabeth Lilly's tale of a joyous road trip, drawn from her own experience, is illustrated with quirky charm that captures all the warmth and love of her family's two distinct cultures.

    She finally chooses her own, and creates a new word for herself—honeysmoke.For multiracial children, and all children everywhere, this picture book offers a universal message that empowers young people to create their own self-identity.

    Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.

    She misses her popo every day, but even if their visits are fleeting, their love is ever true and strong.

    The story of a package that gets lost, then found and an in-depth behind the scenes look at what happens at the post office.