In it, he found both a structure and a persona that gave his vision a new power and coherence. A. Alvarez wrote in the Observer, 'Each fresh encounter with despair becomes the occasion for a separate, almost funny, story in which natural forces and creatures, mythic figures, even parts of the body, act out their special roles, each endowed with its own irrepressible life. With Crow, Hughes joins the select band of survivor-poets whose work is adequate to the destructive reality we inhabit.'

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    An admired contemporary of Rilke, Akhmatova, and Mandelstam, Russian poet Marina Tsvetayeva bore witness to the turmoil and devastation of the Revolution, and chronicled her difficult life in exile, sustained by the inspiration and power of her modern verse.The poems in this selection are drawn from eleven volumes published over thirty years.

    Frank Stanford was called by Pulitzer Prize-winning writer Alan Dugan a brilliant poet, ample in his work, like Whitman. He was the founder of Lost Roads Publishers and the author of a number of important works, among them the epic THE BATTLEFIELD WHERE THE MOON SAYS I LOVE YOU, reprinted by Lost Roads under the editorship of Forrest Gander and C.D. Wright. Frank Stanford said his purpose in his writing and with his press was to 'reclaim the landscape of American poetry' - The Arkansas Times. Stanford ended his own life in 1978 when he was 29. The reprinting of this major book is a truly important, much anticipated literary event.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    This is to be the first verse translation of Goethe's poetry in penguin classics and replaces Luke's own 1964 prose translation which has been in print continously since then (life sales 43,000).

    He saw the beauty of the Peruvian landscape, as well as the grimness of social conditions in the Andes, through the eyes of the Indians who are a part of it. Ernesto, the narrator of Deep Rivers, is a child with origins in two worlds. The son of a wandering country lawyer, he is brought up by Indian servants until he enters a Catholic boarding school at age 14. In this urban Spanish environment he is a misfit and a loner. The conflict of the Indian and the Spanish cultures is acted out within him as it was in the life of Arguedas. For the boy Ernesto, salvation is his world of dreams and memories. While Arguedas' poetry was published in Quechua, he invented a language for his novels in which he used native syntax with Spanish vocabulary. This makes translation into other languages extremely difficult, and Frances Horning Barraclough has done a masterful job, winning the 1978 Translation Center Award from Columbia University for her efforts.