Pages: 48. Chapters: Altheda, Altheda's potion, Altheda's wand, Amata, Amata's lover, Antioch Peverell, Antioch Peverell's first wand, Antioch Peverell's killer, Asha, Babbitty, Babbitty Rabbitty and her Cackling Stump, Brigade of Witch-Hunters, Cadmus Peverell, Cadmus Peverell's girlfriend, Cadmus Peverell's wand, Captain of the Brigade of Witch-Hunters, Charlatan, Cloak of Invisibility, Crystal casket, Death, Elder Wand, Enchanted garden, Evil sorcerer, Fountain, Gold statue of Babbitty, Grumble the Grubby Goat, Hairy Heart, Ignotus Peverell, Ignotus Peverell's son, Ignotus Peverell's wand, King, Kinsfolk, Maiden, Never-Ending Hill, Old man's donkey, Old man's family, Old man, Peasant woman's granddaughter, Peasant woman, Poisonous toadstool, Poultice for warts, Resurrection Stone, Sabre, Silver chalice, Sir Luckless, The Fountain of Fair Fortune, The Hopping Pot, The Tale of the Three Brothers, The Warlock's Hairy Heart, The Warlock's friends, The Wizard and the Hopping Pot, Warlock, Wizard's father, Wizard, Young woman's child, Young woman. Excerpt: Altheda was one of the three female protagonists in The Fountain of Fair Fortune, written by Beedle the Bard. Altheda was a witch who came to the Fountain in the hope of finding relief from poverty and despair, as her home, money, and wand had all been stolen by a Dark Wizard. After completing three trials, Altheda arrived at the Fountain with her companions Asha, Amata, and Sir Luckless. Before the four could decide who would get to bathe in the Fountain, however, Asha collapsed from exhaustion. Altheda quickly gathered some of the herbs that grew around the Fountain and prepared a potion for Asha. The potion not only saved Asha's life, but also cured her of the malady she suffered, which she had believed only the Fountain could heal. In curing Asha's sickness, Altheda realized that she had the means to earn a living, and thus had no need to...

    And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view.

    His ‘natural supernaturalism’, personal mythology and vision can leave readers dazzled by the intensity and passion of his verse. In this outstanding work, Chesterton goes right to the heart of the matter and addresses the question of whether Blake’s genius was tainted by madness or whether his peculiar outlook on the world was the key to his success. With a detailed exposition of Blake’s life, and by weaving lucid explanations of his philosophy and religion into a discourse on his poetry, Chesterton has produced a remarkable and sensitive biography.

    

    The aged, abused monarch—a man in his eighties, like Harold Bloom himself—is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Emma Bovary or Hamlet when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of Lear, so that this book also explores an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy, pathos, and clarity in Lear.

    In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.

    He challenges any single discourse on the erotic. The scope of his inquiry ranges from Emily Bronte to Sade, from St. Therese to Claude Levi-Strauss, and Dr. Kinsey; and the subjects he covers include prostitution, mythical ecstasy, cruelty, and organized war. Investigating desire prior to and extending beyond the realm of sexuality, he argues that eroticism is "a psychological quest not alien to death."

    Beat him to death with a tree branch after he threatened to rape her. But what started as self-defense became problematic for two reasons. First, she killed Robert Sims after he’d been rendered completely defenseless. And second, she inadvertently left her fingerprints at the scene. Allie is young, beautiful, the smartest person in any room. But she’s also been diagnosed as clinically insane. As her past catches up with her and her marriage starts to crumble, Allie is determined to survive at all costs. Size Matters is a taut, compelling novel that teaches us never to underestimate a woman with nothing to lose. PRELIMINARY REVIEWS: “Size Matters is so full of twists and turns and surprises I couldn’t have flipped the pages faster if you paid me! This novel surprised and delighted and kept me shaking my head time and again. Fans of Donovan Creed should be aware that he and Callie make a brief appearance that furthers their saga.” “‘I’ve done bad things,’ says Allie McPherson, ‘but that doesn’t make me a bad person.’ Well, that’s one opinion!” “This book is crazy! There are twists and turns on virtually every page! While I consider myself an expert on Locke novels, I have to admit he took me on a wild ride that made me guess wrong every single time.” “Size Matters is a cross between Alfred Hitchcock and Quentin Tarantino. From start to finish I was shocked, surprised, and hopelessly entertained.”

    It was during the writing of this book that Culler developed his now famous and remarkably complex theory of poetics and narrative, and while never a populariser he nonetheless makes it crystal clear within these pages.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

    

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    Her novels have been translated into forty-four languages and have sold over two billion copies worldwide. Her mysteries continue to sell as new generations of readers discover the delights of her main characters, Hercule Poirot and Miss Marple. In addition, Christie’s plays have been a tremendous success, with The Mousetrap running in London for the past 70 years.This is the story of the best-selling fiction writer of all time—Dame Agatha Christie.Discover a plethora of topics such asAn Enchanted ChildhoodAgatha Meets Archie ChristieThe Loss of Her Mother and HusbandChristie’s Mysterious DisappearanceMurder Most Foul: Enter Miss MarpleFinal Years and Death

    This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture.The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language.This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.