This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).

    A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.

    With his strange habits and shrouded past, she can't fathom how he ended up marrying her prim American mother.But lately love in general feels just as incomprehensible. After a disastrous romance sends her into a tailspin, causing her to fail out of college just shy of graduation, a conflicted Jasmine returns home without any idea where her life is headed.Her father has at least one idea—he has big plans for a hastegar, an arranged marriage. Confused, furious, but intrigued, Jasmine searches for her match, meeting suitor after suitor with increasingly disastrous (and humorous) results. As she begins to open herself up to the mysteries of familial and romantic love, Jasmine discovers the truth about her father, and an even more evasive figure—herself—in this highly original and striking debut novel.

    The story begins with the arrest of a seventeen-year-old girl in the early days of the fundamentalist revolution in Iran. Imprisoned because of her brother's involvement with leftist politics, she is placed in a makeshift jail, a former bathhouse, in which other women are held captive. With a gripping narrative, Moshiri gives voice to these prisoners, exploring their torment and struggle, but also their courage and humanity, in the face of tyrants.

    In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

    Reza Negarestani bridges the appalling vistas of contemporary world politics and the War on Terror with the archeologies of the Middle East and the natural history of the Earth itself. CYCLONOPEDIA is a middle-eastern Odyssey, populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, corpses of ancient gods and other puppets. The journey to the Underworld begins with petroleum basins and the rotting Sun, continuing along the tentacled pipelines of oil, and at last unfolding in the desert, where monotheism meets the Earth's tarry dreams of insurrection against the Sun. 'The Middle East is a sentient entity - it is alive!' concludes renegade Iranian archeologist Dr. Hamid Parsani, before disappearing under mysterious circumstances. The disordered notes he leaves behind testify to an increasingly deranged preoccupation with oil as the 'lubricant' of historical and political narratives. A young American woman arrives in Istanbul to meet a pseudonymous online acquaintance who never arrives. Discovering a strange manuscript in her hotel room, she follows up its cryptic clues only to discover more plot-holes, and begins to wonder whether her friend was a fictional quantity all along. Meanwhile, as the War on Terror escalates, the US is dragged into an asymmetrical engagement with occultures whose principles are ancient, obscure, and saturated in oil. It is as if war itself is feeding upon the warmachines, leveling cities into the desert, seducing the aggressors into the dark heart of oil ...

    For decades, it has been “the enemy,” its government taunting us and attacking our Western, secular lifestyle. That is largely the Iranian government, however, not the Iranian people. Here’s the proof. When Jamie Maslin decides to backpack the entire length of the Silk Road, he decides to travel first and plan later. Then, unexpectedly stranded in a country he’s only read about in newspapers, he decides to make the best of it—but wonders whether he’ll make it out alive. Maslin finds himself suddenly plunged into a subversive, contradictory world of Iranian subculture, where he is embraced by locals who are more than happy to show him the true Iran as they see it—the one where unmarried men and women mingle in Western clothes at secret parties, where alcohol (the possession of which is punishable by hand-amputation) is readily available on the black market, where Christian churches are national heritage sites, and where he discovers the real meaning of friendship, nationality, and hospitality.   This is a hilarious, charming, and astonishing account of one Westerner’s life-altering rambles across Iran that will leave you wondering what else you don’t know about Iran and its people.

    This authoritative and comprehensive history of Iran, written by Homa Katouzian, an acclaimed expert, covers the entire history of the area from the ancient Persian Empire to today’s Iranian state.Writing from an Iranian rather than a European perspective, Katouzian integrates the significant cultural and literary history of Iran with its political and social history. Some of the greatest poets of human history wrote in Persian—among them Rumi, Omar Khayyam, and Saadi—and Katouzian discusses and occasionally quotes their work. In his thoughtful analysis of Iranian society, Katouzian argues that the absolute and arbitrary power traditionally enjoyed by Persian/Iranian rulers has resulted in an unstable society where fear and short-term thinking dominate. A magisterial history, this book also serves as an excellent background to the role of Iran in the contemporary world.

    Parsi uncovers the previously unknown story of American and Iranian negotiations during Obama's early years as president, the calculations behind the two nations' dealings, and the real reasons for their current stalemate. Contrary to prevailing opinion, Parsi contends that diplomacy has not been fully tried. For various reasons, Obama's diplomacy ended up being a single roll of the dice. It had to work either immediately—or not at all. Persistence and perseverance are keys to any negotiation. Neither Iran nor the U.S. had them in 2009.

    Completing it was, in the Shah's words, "a race against time." In it, he shows how the United States, once the most powerful country on earth, found itself hostage to the whims of Iran, a land few Americans knew much about. In telling his own story, the Shah shows clearly that Iran has become a battleground between the U.S. and the Soviet Union, which for over half a century has pursued goals with increasing success. In the "slide into chaos" precipitated by the Khomeini regime, the Shah saw the ultimate beneficiary being the U.S.S. R., which will reach the apogee of its strength no later than 1983, with the West facing "a decade of harrowing danger." Answer to History begins with what really happened during the Shah's period of exile in the Bahamas, Mexico, the U.S., Panama, and finally Egypt. It goes on to cover all of the momentous experiences of the Shah's reign, a book full of heroes and villains, with many surprises for the American reader as to who the villains really were and are. The Shah discloses backstage developments in today's politics of oil... The Shah show how the interplay between the Black and the Red - the 14th-century clergy and the Tudeh Party loyal to the Soviets - blocked for their own purposes his proudest achievements: the White Revolution in which the Shah introduced land reform, worked toward the liberation of women, and raised the standard of living of his people, providing disparate ethnic groups with pride in the 2,500 year-old culture of Persia. When the enemies of his reign took to the streets, the Shah felt the he reacted not too strongly, but not strongly enough.... In his Answer to History he reveals the forces that betrayed him, and left the U.S. without an economically and militarily strong ally in a critical part of the world. --- excerpts from book's dustjacket

    The Iranian ghost town, home to prostitutes, junkies, pimps and other sordid souls, is a bastion of depravity and hopelessness where a lonely vampire, The Girl, stalks the town's most unsavory inhabitants.

    This book offers information derived from the author's research and her travels along the Silk Road.

    Rose Hemmings has just finished her general surgery residency when a haunted stranger is shot in front of her in a New York City bar, and their lives become forever intertwined. And when, having been given the blessing of her adoptive father on his deathbed, Rose travels to prerevolutionary Iran to discover the past her American family kept secret from her, she finds a true Pandora's box. It is a world both foreign and familiar, in which her primary place is as the heiress to a great tribe. In Iran, Rose will find family she never dreamed of, her own people, and a man who loves her as passionately as he does the rare black roses of his garden. She will return to the United States carrying a new secret and torn between two men: the one she loves helplessly, and the one who loves her unconditionally. Woven throughout with Persian poetry ancient and modern, On Loving is the story of one woman's lifetime of love and loss, of societal change in a nomadic people, and of overcoming personal challenges, including mental and physical health, to find true contentment. Above all, it is a story of love: its physiology, psychology and philosophy; the many forms it takes; its myths and truths; its challenges, its joys and its gifts.

    Although Edmond is Armenian and Tahereh is the Muslim daughter of the school’s janitor, they remain blissfully unaware of the disquiet that ripples the surface calm of their close-knit community. Yet years later, when Edmond’s daughter chooses a Muslim to marry, tensions inevitably build. Unable to keep sidestepping the prejudices around him, Edmond is finally forced to make a choice, and one that will haunt him for years to come.From the critically acclaimed author of Things We Left Unsaid, 'The Space Between Us' is a poignant, wistful story about belonging and otherness, pride and prejudice, and the pressures and family expectations that inform our decisions. Brilliantly painting the landscape of intricate social conventions and private emotional conflict, Pirzad has produced an intimate portrait of ordinary Iranians living everyday lives.