Under the guise of friendship, Casey quickly proves to Micah that they have a lot more in common than Micah could have ever imagined. Now Micah must come to terms with her sexuality and her fears that her family and childhood best friend, Emily, will ostracize her. Throughout the process of revealing her true identity, Micah finds herself testing the boundaries of her closest relationships. During this journey, she discovers the meaning of loyalty, bravery, and love.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    The first English-language book length treatment to offer a detailed analysis of how Islamic scripture, jurisprudence, and hadith can accommodate homosexuality and transgenderism.

    But it wasn’t long before Timothy’s path and the outside world converged when a friend came out as a lesbian, and revealed she had been excommunicated by her family.Distraught and overcome with questions and doubts about his religious upbringing, Timothy decided the only way to empathize and understand her pain was to walk in the shoes of very people he had been taught to shun. He decided to come out as a gay man to everyone in his life, and to see for himself how the label of gay would impact his life.In the tradition of Black Like Me, The Cross in the Closet is a story about people, a story about faith, and about one man’s “abominable” quest to find Jesus in the margins.

    When she comes to, she explains that she was on her way to the island, to pray to the Goddess at the temple on the hill. Her name is Ashleigh. She cannot remember anything else. Only one person, local historian and past life regression therapist Andrew Monaghan, understands what this could really mean. He asks his colleague, New Yorker Kathleen Edwards, to fly over to help him with this unusual, and potentially extraordinary case. From the start, it is obvious that the two women share a deep, meaningful, yet troubling connection. But who is Ashleigh, really? And will the dark secrets of her past eventually catch up with her, and cost her the life, and love she has always been searching for?

    After quitting her tedious, dead-end job, Tess has some time on her hands before her new career starts, and she’s determined to make the most of it. As a congratulations gift from her family, Tess receives a week’s retreat: a guided hike up to an exclusive yoga resort in the mountains. She’s certain this will be her chance for a fresh start, but the trip begins on a bad note when an unexpected storm turns the leisurely hike into a dangerous ordeal. When Tess slips off the steep, icy trail, her vacation and her life are in jeopardy...until she falls straight into the strong, capable arms of the world's hottest park ranger: Remy Labelle. Remy is a bold, intelligent woman with a cutting wit, and her striking features and smoldering smirk make Tess go weak in the knees. But Remy has a huge chip on her shoulder about the yoga resort, and Tess never takes chances when it comes to romance. Still, Tess can’t deny the incendiary spark between them, and she finds herself questioning her rigid expectations of what a perfect romance must be. As things keep going wrong on Tess’s vacation, she and Remy grow closer and passions flare. But Remy’s past—and the manipulations of Melissa, the resort’s manager, who clearly has a hold over Remy—threatens to get in the way. Will Tess overcome her fear of heartbreak to try a relationship with Remy? And even if she does, can Remy drop her barriers and allow herself to love again?

    Together, they searched for stories about families like their own, in which a woman has chosen to forgo her own birth experience so that she might support her partner in hers. They found very few. Now, in Confessions of the Other Mother, Aizley has put together an exciting collection of personal stories by women like her partner who are creating new parenting roles, redefining motherhood, and reshaping our view of two-parent families. Contributors include Hillary Goodridge, who was one of the lead plaintiffs in the case for same-sex marriage in Massachusetts, stand-up comedian Judy Gold, and psychologist and author Suzanne M. Johnson.This candid peek into a previously unexamined side of lesbian parenting is full of stories that are sometimes humorous, sometimes moving, but at all times celebratory. Each parenting tale sheds light on the many facets of motherhood, offering gay and straight readers alike a deeper understanding of what it means to love and parent in the twenty-first century.

    Meet Harper Ray, an undiscovered musician who’s willing to dig weeds, clean houses, and give guitar lessons to stay afloat. A childhood tragedy has kept her blocked and has limited her ability to see and live her potential. Ivy Homestead is a green witch and life coach. Her life purpose has always been to help people live their best lives. But after hurting her best friend over a year ago, Ivy has struggled with feelings of inadequacy. What they both discover will test their strength and have them questioning what they're willing to risk to find their way back home within themselves and each other.

    Burns was born in Massachusetts, graduated from Andover and Harvard, and went on to teach English at the Loomis School, a boarding school for boys in Windsor, Connecticut. During World War II, he was stationed in Africa and Italy, and worked mainly in military intelligence. His first novel, The Gallery (1947), based on his wartime experiences, is a critically acclaimed novel and one of the first to unflinchingly depict gay life in the military. The Gallery sold half a million copies upon publication, but never again would Burns receive that kind of critical or popular attention. Dreadful follows Burns, from his education at the best schools to his final years of drinking and depression in Italy. With intelligence and insight, David Margolick examines Burns’s moral ambivalence toward the behavior of American soldiers stationed with him in Naples, and the scandal surrounding his second novel, Lucifer with a Book, an unflattering portrayal of his experiences at Loomis.

    And ever since she took over her mother’s beloved Manhattan bookstore, they’ve become her home too. The only thing missing is her own real-life romance like the ones she loves to read about, and Rosie has an idea of who she might like to sweep her off her feet. She’s struck up a flirty online friendship with lesbian romance author Brie, and what could be more romantic than falling in love with her favorite author?Jane Breslin works hard to keep her professional and personal lives neatly separated. By day, she works for the family property development business. By night, she puts her steamier side on paper under her pen name: Brie. Jane hasn’t had much luck with her own love life, but her online connection with a loyal reader makes Jane wonder if she could be the one.When Rosie learns that her bookstore’s lease has been terminated by Jane’s family’s business, romance moves to the back burner. Even though they’re at odds, there’s no denying the sparks that fly every time they’re together. When their online identities are revealed, will Jane be able to write her way to a happy ending, or is Rosie’s heart a closed book?

    Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie's complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer.Given his recent travails, Schlesinger's next project seemed doubly daring, bordering on foolish. James Leo Herlihy's novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960's New York, was dark and transgressive. Perhaps something about the book's unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy's novel itself.Glenn Frankel's Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film's boundary-pushing subject matter--homosexuality, prostitution, sexual assault--earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery.Much more than a history of Schlesinger's film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of "Ratso" Rizzo and Joe Buck--leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success.By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.

    I've had that lesson beaten into me ever since I was a child. Some people might think that's a tragedy, but not me. Because you know what's even better than love?Power.I clawed my way to the top of the food chain and became the leader of the Beaufort crime syndicate at only twenty years old. Now, nobody crosses me and lives to tell the tale. There's just one little problem:You don't build an empire without making a few enemies.My past is coming back to haunt me with a vengeance, but I have no intention of going down without a fight. Hiring a K-9 handler for added security was a simple business decision.But I wasn’t counting on Ayla. Aloof attitude, dark hair, tattoos--exactly my type. She’s far more than just a K-9 handler, and I want to peel back that carefully composed exterior and see what’s underneath.I know I'm bad for her, but sometimes, being bad feels too good to stop. I just hope we both make it out of this alive.AYLAI’ve always had three rules for how I handle my work: Get in. Get the job done. And don’t get invested.When a mysterious client offered me a fabulous sum of money to come work for them, I jumped at the opportunity. I thought it would be just another job.Turns out I probably should have asked a few more questions.Now I'm stuck working for a woman who is equal parts terrifying and gorgeous. My new employer has a reputation for being ruthless, and I've seen firsthand what she's capable of. She crushes hardened criminals beneath the point of her stiletto heels without breaking a sweat.I should be running away from her as fast as I can.So why can't I get her out of my head?

    Join Micah as she takes a walk through her past, leathers and all, for a night she soon won't forget. What can we say? Some fantasies can't be put to sleep until they are put to bed.

    She’s found that meeting women is difficult – kind of daunting, actually. She feels like she’s been run through the mill, and she doesn’t want to go through it again. But when her best pal and business partner Mitchell signs her up at the GirlsGaylore.com dating website and characterizes her as a happy-go-lucky, amorous, risk-taking single, all hell breaks loose. Suddenly women are coming out of the woodwork and Sky hardly knows what to make of it. EIGHT DATES is a comical story of a woman’s search for Ms. Right—and how she finds quite a few Ms. Wrongs along the way.

    The portraits there, large and imposing, were of women: Ida Rubinstein, Una Troubridge, Gluck, Elisabeth de Gramont, Renata Borgatti, Bryher. Romaine's lover Natalie Barney said that Paris had been 'the Sapphic Centre of the Western World', and these women defined it. Capote himself called them 'the all-time ultimate gallery of famous dykes'. This book is about that gallery and celebrates the central role they played in the cultural revolution that was Modernism.Modernism happened in Paris, and these women were Paris. Shocking, free, blatant, they weren't just expats. They'd grouped together to create their own world, far from the restrictions of home. They were talented, often well-off, and lesbian. They answered to no one but themselves. Among them, for example, was Sylvia Beach, the American who set up the legendary Shakespeare & Co in 1919 and published Joyce's Ulysses when nobody else dared to, as well as Radclyffe Hall's The Well of Loneliness which was burned in Britain. The shop became the unofficial meeting place of the Modernists. Gertrude Stein, Beach's friend, bought the work of her friends – Matisse, Cézanne, Picasso, Gauguin – when they were young and unknown. Hemingway, Scott Fitzerald, Paul Bowles and others gravitated to the shop and to the world around these women.Told in the spirit of Stein's Autobiography of Alice B. Toklas, or Hemingway's A Moveable Feast, this book is as colourful and exuberant as the women themselves.