Avery Rhodes’ world imploded the moment she lost Josh. Her life and future unravelled in an instant. Alone and pregnant, she finds herself facing an unimaginable, turbulent and painful new reality.With his newfound guide Gabriel, Josh is witness to the unintended consequences of his death, until he can't take it anymore. He has to fight for everything and everyone he loves.Together, Josh and Avery are forced to learn what happens IF TOMORROW NEVER COMES.

    With up-and-coming poets alongside more established names, and original poems alongside the new works they've inspired, Answering Back promises to be a truly unique and insightful anthology.

    Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging. Through lucid detail, sparkling imagery and illumination, Peters' individual characters and the collective of The Town leap vividly, fully formed off the page. A hybrid in form, I Become a Delight to My Enemies is an awe-inspiring example of the exquisite force of words to shock and to move, from a writer of exceptional talent and potential.

    She is shocked at how easily she was taken away from her life and held captive. What was even more shocking was that her captor is a well-known business magnate, Rudra Shanghi. What could one of the most successful CEOs in the country want from her? Why is he convinced she has the answers to all his questions? Tied To You is a stand-alone, passionate romance with a happy ending.

    She seems wonderful, and it is love at first sight, and they marry quickly. However, not all is rosy in the garden, and a lifetime’s baggage rears its ugly head. Pablo’s ex-wife re-establishes contact with him, and he desperately seeks to exorcise the demons of that betrayal and divorce, but he gets drawn into a double life. Then, one shocking day, Hellion goes to work, and inexplicably, and without warning, fails to return home. Now he has to try to understand another devastating, bewildering calamity.Til Death We Do Part, Too is a story that scrutinises the impact of unfinished business, baggage, emotional damage, and lingering love. It balances heart-breaking loss with resilience, disorientation with hope, and desperation and bitterness with true enduring love and understanding. There is much insight into the reality of relationships and the frailty of the human psyche. It is told with immense depth of feeling, humour, and faith.

    But when Paco was struck down by a disease that left him unable to walk, Hickam was faced with a terrible decision, let his beloved cat live in misery or put him to sleep. Before that decision could be made, the space mission Hickam was working on needed to be rescued and there was only one sure way to save it: Paco's magic meow! This is a true story of the space age that is also a delightful tale of the love between an engineer and his cat.

    But a promise to her late husband has her attending her dreaded twenty-year high school reunion, drinking ghastly punch, and taking desperate measures just to keep her vow, even if she has to hide behind the décor to do it.Once a reckless troublemaker, Michael McCann fled town after graduation. Now a professional technical rescuer, he’s back for the reunion, but on his trip down memory lane, he soon comes face to face with unresolved issues, namely Savannah.Before the night is over, a pact between these two old friends will lead them on an adventure into uncharted emotional territory where Michael must confront his past regrets and find the courage to reveal the truth. But can Savannah fly from her sheltered nest and risk her heart on a real-life hero?

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    Get paid to travel and write about it.Only no one told Jules that it would mean eating oily seabirds, repeatedly falling off a husky sled, getting stranded on a Mediterranean island, and crash-landing in Iran.The exotic destinations come thick and fast – Hong Kong, Hawaii, Huddersfield – as Jules navigates what it means to be a travel writer in a world with endless surprises up its sleeve.Add in a cast of larger-than-life characters – Elvis, Captain Cook, his own travel-mad Dad – and an eye for the ridiculous, and this journey with Jules is one you won’t want to miss.

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    Chetan’s family suspects that he is being framed and requests private detective Mili Ray to investigate. As Mili and her lawyer-associate Gatha start work, Chetan is released on bail. Soon after, Shagun’s mother is killed! Is Chetan responsible for these murders? Mili probes deeper and unravels shocking secrets buried beneath Shagun’s world of glitz that leave her baffled. An insecure boyfriend, an estranged husband, an opportunist colleague, a cunning TV producer – Shagun was surrounded by Haters. Even her twelve-year-old son didn't want to see her alive. Why did everyone hate Shagun? While meandering through dysfunctional family upheavals and dark showbiz sagas, ex-super cop Mili Ray also struggles to tame her own internal demons. Will she be able to solve her second case as private detective or succumb to pressure and hang up her boots? "Who killed the murderer?" is a gripping psychological thriller that will hook you right from the first page.

    Peter Allison gives us the guide’s-eye view of living in the bush, confronting the world’s fiercest terrain of wild animals and, most challenging of all, managing herds of gaping tourists. Passionate for the animals of the Kalahari, Allison works as a top safari guide in the wildlife-rich Okavango Delta. As he serves the whims of his wealthy clients, he often has to stop the impulse to run as far away from them as he can, as these tourists are sometimes more dangerous than a pride of lions. No one could make up these outrageous-but-true tales: the young woman who rejected the recommended safari-friendly khaki to wear a more “fashionable” hot pink ensemble; the lost tourist who happened to be drunk, half-naked, and a member of the British royal family; establishing a real friendship with the continent’s most vicious animal; the Japanese tourist who requested a repeat performance of Allison’s being charged by a lion so he could videotape it; and spending a crazy night in the wild after blowing a tire on a tour bus, revealing that Allison has as much good-natured scorn for himself. The author’s humor is exceeded only by his love and respect for the animals, and his goal is to limit any negative exposure to humans by planning trips that are minimally invasive—unfortunately it doesn’t always work out that way! Peter Allison is originally from Sydney, Australia. His safaris have been featured in National Geographic, Conde Nast Traveler, and on television programs such as Jack Hanna's Animal Adventures. He travels frequently to speaking appearances, and splits most of his time between Botswana, Sydney, and San Francisco.

     Is slipping on a banana peel really as hazardous to your health as the cartoons imply? Answer: Yes. Banana peels ooze a gel that turns out to be extremely slippery. Your foot and body weight provide the pressure. The gel provides the humor (and resulting head trauma). Can you die by shaking someone s hand? Answer: Yes. That's because, due to atomic repulsion, you've never actually touched another person s hand. If you could, the results would be as disastrous as a medium-sized hydrogen bomb. If you were Cookie Monster, just how many cookies could you actually eat in one sitting? Answer: Most stomachs can hold up to sixty cookies, or around four liters. If you eat or drink more than that, you re approaching the point at which the cookies would break through the lesser curvature of your stomach, and then you d better call an ambulance to Sesame Street."

    Yet theirs is a world of intrepid hunter-explorers, eccentric naturalists, and gifted museum artisans, all devoted to the paradoxical pursuit of creating the illusion of life.Into this subculture of insanely passionate animal lovers ventures journalist Melissa Milgrom, whose journey stretches from the anachronistic family workshop of the last chief taxidermist for the American Museum of Natural History to the studio where an English sculptor, granddaughter of a surrealist artist, preserves the animals for Damien Hirst's most disturbing artworks. She wanders through Mr. Potter's Museum of Curiosities in the final days of its existence to watch dealers vie for preserved Victorian oddities, and visits the Smithsonian's offsite lab, where taxidermists transform zoo skins into vivacious beasts. She tags along with a Canadian bear trapper and former Roy Orbison impersonator--the three-time World Taxidermy Champion--as he resurrects an extinct Irish elk using DNA studies and Paleolithic cave art for reference; she even ultimately picks up a scalpel and stuffs her own squirrel. Transformed from a curious onlooker to an empathetic participant, Milgrom takes us deep into the world of taxidermy and reveals its uncanny appeal.

    Her prize: A rent-free year in a cottage in the Berkshires, where she could finish a first book. But Taylor—outside the city for the first time in nearly a decade, and trying to conceive her first child—found herself alone. To break up her days, she began to intern on a small farm, planting leeks, turning compost, and weeding kale. In this calendric cycle of 28 poems, Taylor describes the work of this year, considering what attending to vegetables on a small field might achieve now. Against a backdrop of drone strikes, “methamphetamine and global economic crisis,” these poems embark on a rich exploration of season, self, food, and place. Threading through the farm poets—Hesiod, Virgil, and John Clare—Taylor revisits the project of small scale farming at the troubled beginning of the 21st century. In poems full of bounty, loss and the mysteries of the body, Taylor offers a rich, severe, memorable meditation about what it means to try to connect our bodies and our time on earth.