What is tragedy? The Elizabethans defined it as a "lofty" play showing "personages of great state" caught up in a "lamentable" action that "beginneth prosperously and endeth unfortunately." Whether judged by this or any other standard, the plays selected for this collection are considered to be the four central works of Shakespearean tragedy and must be included in any list of the world's finest tragic literature. And to make these plays more accessible for the modern reader, this edition includes the following special features:- Reliable texts by noted Shakespeare scholars - Texts printed in the clearest, most readable type - Names of each speaker given in full - Detailed footnotes at the bottom of each page keyed to the numbered lines of the text - Textual notes - Updated bibliography

    A virtuoso study in betrayal and its consequences, it explores - really, colonizes - the consciousness of Anatoly Sukhanov, who many years before abandoned the precarious existence of an underground artist for the perks of a Soviet apparatchik. But, at the age of 56, his perfect life is suddenly disintegrating. Buried dreams return to haunt him. New political alignments threaten to undo him. Vaulting effortlessly from the real to the surreal and from privilege to paranoia, The Dream Life of Sukhanov is a darkly funny, demonically entertaining novel.

    There Anna Petrovna rules with an iron hand over her servants and family-until she loses power to the relentless scheming of her hypocritical son Porphyry. One of the great classic novels of Russian literature, The Golovlyov Family is a vivid picture of a condemned and isolated outpost of civilization that, for contemporary readers, will recall the otherwordly reality of Macondo in Gabriel García Márquez's One Hundred Years of Solitude.

    In this volume, Dr. Leatherbarrow shows that far from being merely a philosophical religious tract, The Brothers Karamazov is an enjoyable and accessible novel. He discusses its major themes, including atheism and belief, the nature of man, socialism and individualism, and the state of European civilization, focusing particulary on those themes of justice, order and disorder, in whose revolutionary treatment he sees the real significance of this literary landmark.

    The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

    He was a wealthy aristocrat who preached the virtues of poverty and the peasant life, a misogynist who wrote Anna Karenina, and a supreme writer who declared, "Literature is rubbish." From Tolstoy's famously bad marriage to his enormously successful career, Troyat presents a brilliant portrait that reads like an epic novel written by Tolstoy himself.

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    In "The Nigger of the 'Narcissus'" a ship's crew struggles with morale as a black member of the crew lay dying. In the shorter work "The Secret Sharer" a captain on his night watch discovers an officer that has come aboard has been accused of a murder. In both works through the context of a voyage at sea Conrad masterfully explores the psychological and moral issues that are at the heart of mankind.

    The stories range from Grossman’s first success, “In the Town of Berdichev,” a piercing reckoning with the cost of war, to such haunting later works as “Mama,” based on the life of a girl who was adopted at the height of the Great Terror by the head of the NKVD and packed off to an orphanage after her father’s downfall. The girl grows up struggling with the discovery that the parents she cherishes in memory are part of a collective nightmare that everyone else wants to forget. The Road also includes the complete text of Grossman’s harrowing report from Treblinka, one of the first anatomies of the workings of a death camp; “The Sistine Madonna,” a reflection on art and atrocity; as well as two heartbreaking letters that Grossman wrote to his mother after her death at the hands of the Nazis and carried with him for the rest of his life. Meticulously edited and presented by Robert Chandler, The Road allows us to see one of the great figures of twentieth-century literature discovering his calling both as a writer and as a man.

    Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for any good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

    It began life as a slapstick comedy about Siamese twins, but as he wrote, something deepened. "The tale kept spreading along, and spreading along, and other people got to intruding themselves and taking up more and more time with their talk and their affairs. It changed from a farce to a tragedy while I was going along with it," Twain wrote in his frank afternote to the novel. In the end, the voice that comes to dominate the tale is Roxana's, a light-skinned slave who switches her infant son with her master's son to keep him from being sold down the river. Roxana, Twain's most complex and fully-realized adult female character, is a compelling and memorable tragic heroine, trapped with her son by the brutal system of slavery and by their own inescapable racial identities. At his best, Twain is the most uniquely American of writers, and it is inevitable that his best work revolves around the issues of race and of slavery embedded in the American psyche. The Tragedy of Pudd'nhead Wilson is a dark and powerful novel of race in America, written by the American master.

    Content of the novel is based upon background of sea travel, heroes have portraits for the characters. Action is running in the "invented" places, whose names resemble names of the real cities in Crimea. Novel was written in 1928.

    A contemporary of Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak, a touchstone for later masters such as Paul Celan and Robert Lowell, Mandelstam was a crucial instigator of the "revolution of the word" that took place in St. Petersburg, only to be crushed by the Bolshevik Revolution. Mandelstam's last poems, written in the interval between his exile to the provinces by Stalin and his death in the Gulag, are an extraordinary testament to the endurance of art in the presence of terror.This book represents a collaboration between the scholar Clarence Brown and W. S. Merwin, one of contemporary America's finest poets and translators. It also includes Mandelstam's "Conversation on Dante," an uncategorizable work of genius containing the poet's deepest reflections on the nature of the poetic process.

    The courtroom drama Night of January 16th, famous for its open-ended verdict, is presented here in its definitive text. Also included are two of Rand's unproduced plays, Think Twice, a clever philosophical murder mystery, and Ideal, a bitter indictment of people's willingness to betray their highest values-symbolized by a Hollywood goddess suspected of a crime.

    Victor Pelevin has established a reputation as one of the most brilliant writers at work today; his comic inventiveness has won him comparisons to Kafka, Calvino, and Gogol, and Time has described him as a apsychedelic Nabokov for the cyberage.a Pelevinas new novel, his first in six years, is both a supernatural love story and a satirical portrait of modern Russia. It concerns the adventures of a hardworking fifteen-year-old Moscow prostitute named A. Huli, who in reality is a two thousand-year-old were-fox who seduces men in order to absorb their life force; she does this by means of her tail, a hypnotic organ that puts men into a trance in which they dream they are having sex with her. A. Huli eventually comes to the attention of and falls in love with a high-ranking Russian intelligence officer named Alexander, who is also a werewolf (unbeknownst to our heroine). And that is only the beginning of the fun. A huge success in Russia, this is a stunning and ingenious work of the imagination, arguably Pelevinas sharpest and most engrossing novel to date.