Cause of death: pneumonia. But he is scarcely cold in his coffin before Detective Inspector Purbright, affable and annoyingly polite, must turn out again to examine the death of Carobleat’s neighbour, Marcus Gwill, former prop. of the local rag, the Citizen. This time it looks like foul play, unless a surfeit of marshmallows had led the late and rather unlamented Mr Gwill to commit suicide by electrocution. (‘Power without responsibility’, murmurs Purbright.) How were the dead men connected, both to each other and to a small but select band of other town worthies? Purbright becomes intrigued by a stream of advertisements Gwill was putting in the Citizen, for some very oddly named antique items… Witty and a little wicked, Colin Watson’s tales offer a mordantly entertaining cast of characters and laugh-out-loud wordplay. What people are saying about the Flaxborough series: “Colin Watson wrote the best English detective stories ever. They work beautifully as whodunnits but it's really the world he creates and populates ... and the quality of the writing which makes these stories utterly superior.”“The Flaxborough Chronicles are satires on the underbelly of English provincial life, very well observed, very funny and witty, written with an apt turn of phrase ... A complete delight.” “If you have never read Colin Watson - start now. And savour the whole series.” “Light-hearted, well written, wickedly observed and very funny - the Flaxborough books are a joy. Highly recommended.” “How English can you get? Watson's wry humour, dotty characters, baddies who are never too bad, plots that make a sort of sense. Should I end up on a desert island Colin Watson's books are the ones I'd want with me.” “A classic of English fiction... Yes, it is a crime novel, but it is so much more. Wonderful use of language, wry yet sharp humour and a delight from beginning to end.” “Colin Watson threads some serious commentary and not a little sadness and tragedy within his usual excellent satire on small town morality and eccentricities.” “Re-reading it now, I am struck by just how many laugh-out-loud moments it contains. A beautifully written book.” “As always, hypocricy and skulduggery are rife, and the good do not necessarily emerge triumphant. Set aside plenty of time to read this book - you won't want to put it down once you've started it!” “Colin Watson writes in such an understated, humorous way that I follow Inspector Purbright's investigation with a smile on my face from start to finish.” “If you enjoy classic mysteries with no graphic violence and marvellously well drawn characters then give the Flaxborough series a try - you will not be disappointed.” Editorial reviews: “Watson has an unforgivably sharp eye for the ridiculous.” New York Times“Flaxborough is Colin Watson's quiet English town whose outward respectability masks a seething pottage of greed, crime and vice ... Mr Watson wields a delightfully witty pen dripped in acid.Page Numbers Source ISBN: 1788420152

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

    Meet the man who vacuums bewildered prairie dogs out of their burrows; a frustrated werewolf who roams the streets of Soho getting mistaken for Brian Blessed; a smug carbon-neutral eco-couple; a teenage girl who invites 45,000 MySpace friends to a house party; the author of a business book entitled Highly Successful Secrets to Standing on a Corner Holding Up a Golf Sale Sign and a man whose attempts to teach softball to a group of indolent British advertising executives sparks an international crisis.

    Perfect for fans of Marian Keyes, Rachel Joyce and Jojo Moyes. Secrets can’t stay buried forever… 1960s England Cassandra Fitzpatrick’s family isn’t quite like everybody else’s: her house is always full to bursting with the various misfits her mother houses as lodgers. The creative and chaotic household is all she has ever known and loved, until something awful happens that changes everything. Cass loves her mother deeply, but, as she gets older, she becomes more and more aware of her flaws. Will Cass have to distance herself from her family to find happiness? Or is she destined to follow in her mother’s footsteps? As Cass reflects on her memories, she must lay the ghosts of the past to rest and make peace with the secrets that have haunted her adult life… CASSANDRA’S SECRET is both a coming-of-age story and poignant return to the past, an intricate family drama of the close bond between mother and daughter, and the strength of love needed to overcome abuse and grief. "Garrood's thoughtful prose tells the story of an extraordinary girl's passage to womanhood." The Big Issue in the North and The Big Issue Cymru "This is a delightful book, combining some emotional issues with humorous comments and moments." BCF Reviews "Frances Garrood is a magnificent writer" thebookbag.co.uk *** PLEASE NOTE THIS WAS PREVIOUSLY PUBLISHED AS THE BIRDS, THE BEES AND OTHER SECRETS ***

    They'd been in love. She even got on with his two previous wives and their children. In fact, they'd all been one big happy family.But before long Adrian starts to identify the dark cracks in his perfect life.Because everyone has secrets. And secrets have consequences. Some of which can be devastating.

    Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.Can a man be all bad? When Harry Flashman’s adventures as the reluctant secret agent in Afghanistan lead him to join the exclusive company of Lord Cardigan’s Hussars and play a part in the disastrous Retreat from Kabul, it culminates in the rascal’s finest – and most dishonest – turn.

    ‘Have I ever told you the story of how it was stolen from me?’Henry Dunbar, the once all-powerful head of a global corporation, is not having a good day. In his dotage he handed over care of the family firm to his two eldest daughters, Abby and Megan. But relations quickly soured, leaving him doubting the wisdom of past decisions...Now imprisoned in a care home in the Lake District with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. But who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?Edward St Aubyn is renowned for his masterwork, the five Melrose novels, which dissect with savage and beautiful precision the agonies of family life. His take on King Lear, Shakespeare’s most devastating family story, is an excoriating novel for and of our times – an examination of power, money and the value of forgiveness.

    She is staring down the barrel at a future of people asking if she wants to come to their yoga class, and book clubs, where everyone is wearing statement scarves and they are all ‘tiddly’ after a glass of Pinot Grigio. But Mummy does not want to go quietly into that good night of women with sensible haircuts who ‘live for their children’, boasting about Boy Child and Girl Child’s achievements. Instead, she clutches a large glass of wine, muttering FML over and over, and then remembers the gem of an idea she’s had…

    Readers were captivated by the adventures of the poet Snodgrass, the lover Tupman, the sportsman Winkle &, above all, by that quintessentially English Quixote, Mr Pickwick, & his cockney Sancho Panza, Sam Weller. From the hallowed turf of Dingley Dell Cricket Club to the unholy fracas of the Eatanswill election, via the Fleet debtor’s prison, characters & incidents sprang to life from Dickens’s pen, to form an enduringly popular work of ebullient humour & literary invention.

    However, for Sabrina, Molly, Heather and Megan, this summer is when their lives unravel, and they have no one to blame but themselves. Only Summer is the interlaced story of four women who spend the summer making impulsive choices that have difficult and often disastrous effects on those they love most. Career-driven, eternal Manhattanite Sabrina is finally on the straight and narrow and happy in her relationship with Peter, but a surprise engagement and a bigger surprise from an ex-boyfriend prove too much for her to handle and force her back to her self-destructive ways. Sabrina’s friend and colleague Heather is recovering from months of illness, but her husband refuses to believe she is strong enough to do anything on her own. As luck would have it, the handsome stranger she meets on the Cape has no problem believing in her and helping her recapture her allure.Sabrina’s sister Molly is new to the suburban town of Rye and trying to fit in with a group of women who measure self worth by their dress size and the square footage of their homes. Before she can say no, Molly is wrapped up in a world of excess and she’s in so deep, there may not be a way out.After two years of bliss with her boyfriend Ryan, Megan finds herself in unfamiliar territory and unable to turn to her pseudo-stepmom, her friends, or even her unlikely matchmaker Sabrina! Alone once again, Megan reaches out in a new and potentially dangerous direction for comfort. While the carefree days of summer pass them by, these four distressed friends try to put the pieces back together before it’s too late.

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    Drawing on a mixture of Scottish archetypes and British stereotypes and expressing all the author's cynicism towards religion, the media and the imperial British centre, this brief fable was reportedly inspired by Gray's own visit to London as a struggling artist to record a documentary called Under The Helmet (in which he tried to increase his sales by suggesting that he was dead).

    . . Kipner writes beautifully, is emotionally intelligent and has a keen eye for detail - the more absurd the better. The result is a different, occasionally deranged and always very clever read. I loved every minute.' Daily MailMeet Tabitha Gray, a delusional girl from Topanga, California, who redefines what it means to be a truly hopeless romantic. Tabby suffers from an aggressive strain of cock-eyed optimism – no amount of failure, embarrassment or humiliation can dent her fierce belief that real, true, lasting love is just around the corner.Where most people think, fantasize and dream, Tabby says, feels and does. Whether waiting in her lingerie for Harrison Ford to open the door of his hotel room; declaring her love, aged nine, for Ernesto the gardener; encountering Al Pacino in a Russian bathhouse; seeking passion with a blind man on the advice of a wise old woman with dementia at her grandmother’s home for the elderly; or sending intimate photos to a random sexter with an apparently charming dick, Tabby refuses to be crushed by her many misadventures. She has to keep believing, because if she gives up, what then? Ill-advisedly armed with the words of Dorothy Parker, Tabby knows that her own ferocious optimism is the only thing keeping her heart-sore, wine-swilling mother and cynical, single-mum sister from giving up on love altogether. She is their only hope. If Tabby can find love, then they too will believe…In this warmly witty debut novel, Sophie Kipner takes a satirical look at the extremity of romantic desperation, and pays wry tribute to the deep human need to keep on heroically searching for love despite our manifold absurdities.

    It seems that nothing will get Kate out of pajamas and back into the world. Miraculously, one cringe-worthy job interview leads to a position in the admissions department at the revered Hudson Day School. Kate’s instantly thrown into a highly competitive and occasionally absurd culture, where she interviews all types of children: suitable, wildly unsuitable, charming, loathsome, ingratiating, or spoiled beyond all measure. And then there are the Park Avenue parents who refuse to take no for an answer. As Kate begins to learn there’s no room for self-pity or nonsense during the height of admissions season or life itself, her sister and friends find themselves keeping secrets, dropping bombshells, and arguing with each other about how to keep Kate on her feet. Meanwhile, Kate seems to be doing very nicely, thank you, and is even beginning to find out that her broken heart is very much on the mend. Welcome to the world of Small Admissions.