Independent. Skeptical.Thirteen years ago her abusive husband stole her baby and gave it up for adoption.She comes to Atlanta to find her daughter.THE PIWade Parker.Ace detective.Wealthy owner of the Parker Investigative Agency.The most eligible forty-four-year-old bachelor in Atlanta.Still mourning the death of his socialite wife, he must solve a disturbing murder case.Before the killer strikes again.THE MURDERERA serial killer strangling young girls in a bizarre ritual.Why?She doesn't need a man.He needs to find a killer.Together, can they save a thirteen year old girl?

    But she has a few of her own...In the halls of the psychiatric ward, Dr. Zoe Goldman is a resident in training, dedicated to helping troubled patients. However, she has plenty of baggage of her own. When her newest patient arrives - a beautiful sociopath who murdered her mother - Zoe becomes obsessed with questions about her own mother's death. But the truth remains tauntingly out of reach, locked away within her nightmares of an uncontrollable fire. And as her adoptive mother loses her memory to dementia, the time to find the answers is running out.As Zoe digs deeper, she realizes that the danger is not just in her dreams but is now close at hand. And she has no choice but to face what terrifies her the most. Because what she can't remember just might kill her.Little Black Lies is about madness and memory - and the dangerous, little lies we tell ourselves just to survive.

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    A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers--the low-lifes, the big-timers, and everyone in-between--as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday.But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker who fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge--and if innocent people have to die in the process, well, that's perfectly all right with him.In The Killer Inside Me, Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time.

    For Kirsty and Amber, it's the first time they've seen each other since that dark day when they were just children. But with new lives – and families – to protect, will they really be able to keep their secret hidden?

    So when he chases a deadbeat client out to Hollywood, Chili figures he might like to stay. This town, with its dream-makers, glitter, hucksters, and liars—plus gorgeous, partially clad would-be starlets everywhere you look—seems ideal for an enterprising criminal with a taste for the cinematic. Besides, Chili’s got an idea for a killer movie, though it could very possibly kill him to get it made.

    Five years ago, schoolgirl Andie Bell was murdered by Sal Singh. The police know he did it. Everyone in town knows he did it.But having grown up in the same small town that was consumed by the murder, Pippa Fitz-Amobi isn't so sure. When she chooses the case as the topic for her final year project, she starts to uncover secrets that someone in town desperately wants to stay hidden. And if the real killer is still out there, how far will they go to keep Pip from the truth?

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    At age thirty-five he’s living in Key West, owner of a forty-two-foot charter fishing boat, The Maine. Mac served five years in the Army as an infantry officer with two tours in Afghanistan. He returned with the Silver Star, two Purple Hearts, scars that don’t tan, and a boat with a big bank loan. Truth be told, Mac’s finances are more than a little shaky.One day, Mac is sitting in the famous Green Parrot Bar in Key West, contemplating his life, and waiting for Carlos, a hotshot Miami lawyer heavily involved with anti-Castro groups. Carlos wants to hire Mac and The Maine for a ten-day fishing tournament to Cuba at the standard rate, but Mac suspects there is more to this and turns it down. The price then goes up to two million dollars, and Mac agrees to hear the deal, and meet Carlos’s clients—a beautiful Cuban-American woman named Sara Ortega, and a mysterious older Cuban exile, Eduardo Valazquez.What Mac learns is that there is sixty million American dollars hidden in Cuba by Sara’s grandfather when he fled Castro’s revolution. With the “Cuban Thaw” underway between Havana and Washington, Carlos, Eduardo, and Sara know it’s only a matter of time before someone finds the stash—by accident or on purpose. And Mac knows if he accepts this job, he’ll walk away rich…or not at all.Brilliantly written, with his signature humor, fascinating authenticity from his research trip to Cuba, and heart-pounding pace, Nelson DeMille is a true master of the genre.

    The official story was that the Roswell crash was a balloon. But the real story is that Project Bluebook became Project Blueprint and helped start WWIII. Tex Murphy has never been good at staying out of trouble . . . and this time he's in for lots of trouble

    A kidnapping. Escape.... University student Jemma Howell's life has turned upside down: she's pregnant and her boyfriend has just died. A lawyer has Jemma sign away the child to her dead boyfriend's parents, the wealthy Winchesters. Some six months after giving birth, Jemma is still obsessed with her baby's welfare. A chance opportunity occurs. She makes a split-second decision. She is now a kidnapper and on the run. Detective Constable Tim Findlay is assigned to the Winchester kidnapping, his first big case. In the course of the investigation, he and his partner uncover deeply hidden secrets of the Winchester family. For Tim, the difference between right and wrong becomes blurred. BYE BABY BUNTING is a page-turning psychological thriller that explores society's attitudes to single parenting and adoption and the laws that apply to birth-mother, child and adoptive parents. The story takes place in Auckland, New Zealand, Hawaii and Winnipeg, Canada between 1963 and the present.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    This bundle of book 2 & 3 continues the saga of NY private eye Michael Derrigan, as he comes into possession of a manuscript that will change the world order if its secrets are aired. Clandestine factions of the U.S. government will do anything to keep the story buried, & a trail of butchery follows Derrigan as he races for his life in a chase that takes him from New York, to Mexico, to Havana. A roller-coaster ride of a thriller, The Delphi Chronicle's unflinching & often disturbing twists and turns question the nature of reality & of the integrity of our governments in a post-modern world of lies, deceit & betrayal.+++Questions & Answers with bestselling author Russell Blake.Question: The Delphi Chronicle posits a troubling & plausible conspiracy. Where did you get the idea?Russell Blake: The idea stemmed from the title. I was originally going to call the trilogy The Pegasus File, & I'd conceptualized a cool cover, so I Googled it to confirm there weren't any other books with that name. The original conspiracy was much tamer than what I wound up with. I had the idea of a literary agent getting a manuscript detailing a shocking scheme, but I hadn't defined what it was, exactly. From that search came this conspiracy, & I have to admit I considered toning it down a lot, because it scared even me. So readers? This is fiction, OK? And U.S. government? No need to send a wet team after me. We all understand it's fictional. As in, an invention, not real. That's my official position. Readers can decide how plausible theinvention is for themselves. Some will hate it, as it portrays the U.S. government in a negative light. Can't please everyone.Q: Why write it as a trilogy?RB: It would have been a long single volume if I'd tried to squeeze it all into one book. Given the success I saw with the Zero Sum trilogy, I wanted to do another one, & this was just naturally written in three volumes, although I think most will get the first one, & then buy the specially-priced bundle of Books 2 & 3 if they're interested in following the story to its thrilling conclusion (wink wink).Q: How do your novels compare to the work of your peers?RB: I think they're faster paced than most. I try to catapult readers through a series of twists & turns at such aggressive velocity they're left gasping by the end. And I dislike books where I can see the ending coming a third of the way through. Just hate that. I try to write racing, intelligent thrillers that don't pander & aren't formulaic. All have gotten raves, so I'm fooling at least some of the people most of the time...Q: Part of Delphi unfolds in Mexico. Any particular reason?RB: I live in Mexico. Have for almost a decade. Modern Mexico is very different than as portrayed by the U.S. media. Many parts are indistinguishable from medium sized cities in the U.S. Strip malls, high rises, melting-pot racial integration, etc. It's not cactus & sombreros. One of the things I find fascinating is how different it is than what my expectations were when I moved here, & I try to impart that. Most novels set in modern Mexico I've read are caricatures of the truth. Mission bells, white-garbed peasants, stereotypical characters. I try to imbue my fiction with reality, not a Hollywood portrayal based on a snapshot from the 1950s. I think readers will find that distinction interesting.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

         Riktor doesn't like the way the policeman comes straight into the house without knocking. He doesn't like the arrogant way he observes his home.The policeman doesn't tell him why he's there, and Riktor doesn't ask. Because he knows he's guilty. But it turns out that the policeman isn't looking for a missing person. He is accusing Riktor of something totally unexpected. Riktor doesn't have a clear conscience, but this is a crime he certainly didn't commit.