She’s found the perfect vessel: Revenge of the Tide. She already feels less lonely; as if the boat is looking after her.But the night of her boat-warming party, a body washes up, and to Genevieve’s horror, she recognizes the victim. She isn’t about to tell the police, though; hardly anyone knows about her past as a dancer at a private members’ club, The Barclay. The death can’t have anything to do with her. Or so she thinks...Soon, the lull of the waves against Revenge feels anything but soothing, as Genevieve begins to receive strange calls and can’t reach the one person who links the present danger with her history at the club. Fearing for her safety, Genevieve recalls the moment when it all started to go wrong: the night she saw her daytime boss in the crowd at The Barclay...Dark, sexy, and exquisitely chilling, Dark Tide is another superb mystery from acclaimed rising star Elizabeth Haynes.

    police force until she was kidnapped and framed for a crime. She lost everything: her badge, her career, her freedom--and spent two years in prison. Now she's back on the outside and focused on one mission: to be a cop once more. Her only shot to be a true blue again is to solve a major case on her own, and prove she has the right to wear the uniform. Even with her police chief sister on her side, she has to work in the shadows: a vindictive U.S. attorney is looking for any reason to send Mace back behind bars. Then Roy Kingman enters her life.Roy is a young lawyer who aided the poor until he took a high-paying job at a law firm in Washington. Mace and Roy meet after he discovers the dead body of a female partner at the firm. As they investigate the death, they start uncovering surprising secrets.Soon, what began as a fairly routine homicide takes a terrifying and unexpected turn . . . into something complex, diabolical, and possibly lethal.

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    For Shella is nothing less than a tour of evil's spawning ground, conducted by one of its natural predators.He is called "Ghost" because he is so nondescript as to be invisible and because he slays with such reflexive ease that he might be one of the dead. Once he traveled with a woman who was called "Shella" -- because those who had treated her as a horrendously ill-used child had tried to make her come out of her shell. Now Shella has vanished in a wilderness of strip clubs and peep shows, and Ghost is looking for her, guided by a killer's instinct and the recognition that can only exist between two people who have been damaged past the point of no return. The result is Andrew Vachss's most compelling work to date, the thriller reimagined as a bleak romance of the damned.

    The vicious murder of a young child provides rookie journalist Paddy Meehan with her first big break when the suspect turns out to be her fiance's 11-year old cousin. Launching her own investigation into the horrific crime, Paddy uncovers lines of deception deep in Glasgow's past, with more horrific crimes in the future if she fails to solve the mystery. Infused with Mina's unique blend of dark humor, personal insights and social injustice, the story grips the reader while challenging our perceptions of childhood innocence, crime and punishment, and right or wrong.

    John Hart's debut, The King of Lies, was compelling and lyrical, with Janet Maslin of The New York Times declaring, "There hasn't been a thriller as showily literate since Scott Turow came along." Now, in Down River, Hart makes a scorching return to Rowan County, where he drives his characters to the edge, explores the dark side of human nature, and questions the fundamental power of forgiveness.Adam Chase has a violent streak, and not without reason. As a boy, he saw things that no child should see, suffered wounds that cut to the core and scarred thin. The trauma left him passionate and misunderstood---a fighter. After being narrowly acquitted of a murder charge, Adam is hounded out of the only home he's ever known, exiled for a sin he did not commit. For five long years he disappears, fades into the faceless gray of New York City. Now he's back and nobody knows why, not his family or the cops, not the enemies he left behind.But Adam has his reasons.Within hours of his return, he is beaten and accosted, confronted by his family and the women he still holds dear. No one knows what to make of Adam's return, but when bodies start turning up, the small town rises against him and Adam again finds himself embroiled in the fight of his life, not just to prove his own innocence, but to reclaim the only life he's ever wanted.Bestselling author John Hart holds nothing back as he strips his characters bare. Secrets explode, emotions tear, and more than one person crosses the brink into deadly behavior as he examines the lengths to which people will go for money, family, and revenge.A powerful, heart-pounding thriller, Down River will haunt your thoughts long after the last page is turned.

    At the job she encounters two men who take an interest in her, a handsome young schemer who makes her blood race and a wealthy but unwell older man who rewards her for her attentions with a $50,000 tip and an unconventional offer of marriage...

    One seeking only peace. The other, violence." Tate Collier, once one of the country's finest trial lawyers, is trying to forget his past. Now a divorced gentleman farmer, land developer, and community advocate in rural Virginia, he's regrouping from some disastrous mistakes in the realms of love and the law. But controversy -- and danger -- seem to have an unerring hold on Tate. Even as he struggles to rebuild his life, his alter ego is plotting his demise.Aaron Matthews, a brilliant psychologist, has turned his talents away from curing patients to far deadlier goals. He's targeted Tate, Tate's ex-wife, Bett, and their estranged daughter, Megan, for unspeakable revenge. Matthews, ruthless and hell-bent, will destroy anything that inhibits his plans. When their daughter disappears, Tate and Bett reunite in a desperate, heart-pounding attempt to find her and to stop Matthews, a psychopath whose gift of a glib tongue and talent for coercion are as dangerous as knives and guns. Featuring an urgent race against the clock, gripping details of psychological manipulation, and the brilliant twists and turns that are trademark Deaver, "Speaking in Tongues" delivers the suspense punch that has made this author a bestseller. It will leave you speechless.

    on a hot Saturday in August.When Jamie arrives, the conference room is stocked with cookies and champagne. His boss smiles and tells his employees, "We're a cover for a branch of the intelligence community. And we're being shut down." Jamie's boss then tells everyone to drink some champagne, and in a few seconds they'll fall asleep---for good. If they refuse, they'll be shot in the head.Escape is not an option. Jamie's boss has shut down the elevators and rigged the fire towers with chemical bombs. Panic sets in, chaos erupts, and no one is sure whom to trust. Jamie quickly realizes that there's only one way he's ever going to see his family again: the hard way.

    In his sober moments Jack aspires to become Ireland’s best private investigator, not to mention its first—Irish history, full of betrayal and espionage, discourages any profession so closely related to informing. But in truth Jack is teetering on the brink of his life’s sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future nonexistent.Nonexistent, that is, until a dazzling woman walks into the bar with a strange request and a rumor about Jack’s talent for finding things. Odds are he won’t be able to climb off his barstool long enough to get involved with his radiant new client, but when he surprises himself by getting hired, Jack has little idea of what he’s getting into.Stark, violent, sharp, and funny, The Guards is an exceptional novel, one that leaves you stunned and breathless, flipping back to the beginning in a mad dash to find Jack Taylor and enter his world all over again. It’s an unforgettable story that’s gritty, absorbing, and saturated with the rough-edged rhythms of the Galway streets. Praised by authors and critics around the globe, The Guards heralds the arrival of an essential new novelist in contemporary crime fiction.

    Now, in an electrifying departure, Rucka creates a new kind of hero: a damaged young woman in free fall who’s not only in danger—but dangerous.A Fistful of RainMim Bracca is riding the fast lane straight off the end of the world. Now she’s coming home without a job, without a future, and without a prayer—and only one last chance to get her feet under her, or go down forever. But home has its own terrors, including a past Mim has done everything possible to leave behind.Now that past is coming back with the shocking speed and deadly intent of a sniper’s bullet, aimed to destroy her once and for all. When Mim suffers her first blackout, waking up dazed and bloodied, she’s certain she’s hit rock bottom.She’s wrong. She’s only just begun to fall.The photos are invasive, obscene, and all over the Internet for anyone to see. How they got there, where and when they were shot, and by whom, Mim has no idea. And before the investigation into the matter even begins, a brutal murder makes it clear that whatever Mim thinks her life has been up to now, she’s about to learn it’s all a lie.The kind of lie that will kill.Written with stunning originality, A Fistful of Rain crosses the line separating the guilty from the innocent as it takes us on a breakneck ride of deceit and double cross and—quite possibly—the last twenty-four hours in Mim Bracca’s stormy life.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    If they catch you breaking the rules, they'll come after your badge. If they want you badly enough, they'll collect more than just your tin.LAPD Detective Shane Scully is startled awake in the middle of the night by a call from his ex-partner's wife, who is being beaten by her abusive husband. Racing to their house to stop the fight, Scully ends up killing his ex-partner, a cop who is beloved within the department. Suddenly, Scully finds himself an outcast, shunned by his fellow cops who intend to exact vengeance no matter what the cost. Internal Affairs zeroes in on the "renegade" cop with their sharpest young prosecutor, the ice queen Alexa Hamilton, who has her own reasons for taking revenge on Scully.Desperate to save his career, Scully starts kicking over rocks within the LAPD. What he uncovers is pure evil: a conspiracy going to the very top that ultimately threatens not just his own life but that of a young teenage boy, Chooch, entrusted to Scully's care by his mother - Sandy Sandoval. Known as the Black Widow, Sandy is a beautiful and courageous woman who also happens to be the LAPD's most important undercover informant, and Scully will do anything to keep her son safe. Stephen J. Cannell combines mystery and violence, loyalty and passion in a tale with an ending as unpredictable as LA itself.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    Desperate to get to Laura before the cops, Danny returns to the underworld he had known as a drug-dealer, a world of fast sex and hard drugs, casual violence and sudden death. Danny walks the knife-edge between law and order and dark dealings, but as the line begins to blur he must decide, once and for all, where he stands.