He begins with a stunning account of the Battle of Lepanto in 1571, then turns to the main zones of conflict: Spain, from which the descendants of the Moors were eventually expelled; the Middle East, where Crusaders and Muslims clashed for years; and the Balkans, where distant memories spurred atrocities even into the twentieth century. Throughout, Wheatcroft delves beneath stereotypes, looking incisively at how images, ideas, language, and technology (from the printing press to the Internet), as well as politics, religion, and conquest, have allowed each side to demonize the other, revive old grievances, and fuel across centuries a seemingly unquenchable enmity. Finally, Wheatcroft tells how this fraught history led to our present maelstrom. We cannot, he argues, come to terms with today’s perplexing animosities without confronting this dark past.

    It also requires thought which, in, turn, builds understanding. Drawing cannot be detached from seeing and thinking about the fundamental nature of the subject matter being represented. The knowledge and understanding gained through drawing from life directly enhances our ability to draw from the imagination. Just as thought can be put into words, ideas can be made visible in a drawing to promote visual thinking and further stimulate the imagination. Once what is seen or imagined is made visible in a drawing, the image takes on a life of its own and communicates graphically. However eloquently or crudely, all drawings, speak to the eye. From the Preface . Francis D.K. Ching

    Winner of the National Book Award. “One of the major works of scholarship of the twentieth century” (Christian Science Monitor). Index; illustrations.

    In the intervening years, the country has experienced a bitter war with Iraq, the transformation of society under the clergy and, more recently, the expansion of the state and the struggle for power between the old elites, the intelligentsia and the commercial middle class. The author is a compassionate expositor. While he adroitly negotiates the twists and turns of the country's regional and international politics, at the heart of his book are the people of Iran. It is to them and their resilience that this book is dedicated, as Iran emerges at the beginning of the twenty-first century as one of the most powerful states in the Middle East.

    The author is a very seasoned operative. He writes with the straight-forward attitude because he doesn't care anymore.

    This authoritative and comprehensive history of Iran, written by Homa Katouzian, an acclaimed expert, covers the entire history of the area from the ancient Persian Empire to today’s Iranian state.Writing from an Iranian rather than a European perspective, Katouzian integrates the significant cultural and literary history of Iran with its political and social history. Some of the greatest poets of human history wrote in Persian—among them Rumi, Omar Khayyam, and Saadi—and Katouzian discusses and occasionally quotes their work. In his thoughtful analysis of Iranian society, Katouzian argues that the absolute and arbitrary power traditionally enjoyed by Persian/Iranian rulers has resulted in an unstable society where fear and short-term thinking dominate. A magisterial history, this book also serves as an excellent background to the role of Iran in the contemporary world.

    St phane Lacroix has now given us a penetrating look at the political dynamics of Saudi Arabia, one of the most opaque of Muslim countries and the place that gave birth to Osama bin Laden.The result is a history that has never been told before. Lacroix shows how thousands of Islamist militants from Egypt, Syria, and other Middle Eastern countries, starting in the 1950s, escaped persecution and found refuge in Saudi Arabia, where they were integrated into the core of key state institutions and society. The transformative result was the Sahwa, or "Islamic Awakening," an indigenous social movement that blended political activism with local religious ideas. Awakening Islam offers a pioneering analysis of how the movement became an essential element of Saudi society, and why, in the late 1980s, it turned against the very state that had nurtured it. Though the "Sahwa Insurrection" failed, it has bequeathed the world two very different, and very determined, heirs: the Islamo-liberals, who seek an Islamic constitutional monarchy through peaceful activism, and the neo-jihadis, supporters of bin Laden's violent campaign.Awakening Islam is built upon seldom-seen documents in Arabic, numerous travels through the country, and interviews with an unprecedented number of Saudi Islamists across the ranks of today's movement. The result affords unique insight into a closed culture and its potent brand of Islam, which has been exported across the world and which remains dangerously misunderstood.

    The research is awesome. . . . Seale’s great strength is his ability to explain the confusing kaleidoscopic nature of Middle Eastern diplomacy. He understands the game being played and also knows the players. . . . [An] impressive book.”—Los Angeles Times Book Review

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    Written in the racy, readable prose for which the author is famous, this is colourful, character-driven history at its most enjoyable.This magnificent undertaking tackles a vast subject — vast in time (from the oldest surviving pyramid to the First World War); vast in geography (from Gibraltar to Jerusalem); and vast in culture, including as it does the civilizations of the Phoenicians, the Ancient Egyptians, Greece, Carthage, Rome, Byzantium, as well as the Borgias and the Medicis, Mohammed and El Cid, Napoleon and Nelson, Moslems, Jews and Christians.The Middle Sea is not a dry record of facts; it is a rackety read about historical figures — dissolute Popes and wily Emperors, noble-hearted Generals and beautiful Princesses. But his greatest strength is naval and military history: from the Crusades to the expulsion of the Moors from Spain; from Trafalgar to Gallipoli. Towns are besieged and sacked, Kingdoms are won and lost. The narrative covers the glories of Constantinople and Venice, and the stirring history of the islands of the Mediterranean — Malta, Sicily, Crete and Cyprus.The Middle Sea is the culmination of John Julius Norwich’s long and distinguished career as one of the greatest enthusiasts for anecdotal history, and the highways and byways of scholarship.

    He did not return to Morocco for another 29 years, traveling instead through more than 40 countries on the modern map, covering 75,000 miles and getting as far north as the Volga, as far east as China, and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian, and occasional botanist and gastronome. With this edition by Mackintosh-Smith, Battuta's Travels takes its place alongside other indestructible masterpieces of the travel-writing genre.

    Finkelstein moves from an iconoclastic interrogation of the new anti-Semitism to a meticulously researched exposé of the corruption of scholarship on the Israel-Palestine conflict.Bringing to bear the latest findings on the conflict and recasting the scholarly debate, Finkelstein points to a consensus among historians and human rights organizations on the factual record. Why, then, does so much controversy swirl around the conflict? Finkelstein’s answer, copiously documented, is that apologists for Israel contrive controversy. Whenever Israel comes under international pressure, another media campaign alleging a global outbreak of anti-Semitism is mounted.Finkelstein also scrutinizes the proliferation of distortion masquerading as history. Recalling Joan Peters’ book From Time Immemorial, published to great fanfare in 1984 but subsequently exposed as an academic hoax, he asks deeply troubling questions here about the periodic reappearance of spurious scholarship and the uncritical acclaim it receives. The most recent addition to this genre, Finkelstein argues, is Harvard Law Professor Alan Dershowitz’s bestseller, The Case for Israel.The core analysis of Beyond Chutzpah sets Dershowitz’s assertions on Israel’s human rights record against the findings of the mainstream human rights community. Sifting through thousands of pages of reports from organizations such as Amnesty International, B’Tselem, and Human Rights Watch, Finkelstein argues that Dershowitz has misrepresented the facts.Thoroughly researched and tightly argued, Beyond Chutzpah lifts the veil of controversy shrouding the Israel-Palestine conflict.

    Follow the notorious insurrectionist, Barabbas, coming of age in the days when Romans ruled the ancient land of Cana surrounding the Sea of Galilee. The Lost Gospel of Barabbas invites the reader to join the young Barabbas as he faces his own demons and begins the journey down the road that will lead him to his ultimate destiny. A road of love, anguish and revenge.

    Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally unhomely modern condition. The essays are at once historical--serving to situate contemporary discourse in its own intellectual tradition and theoretical--opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart.Vidler, one of the deftest and surest critics of the contemporary scene, explores aspects of architecture through notions of the uncanny as they have been developed in literature, philosophy, and psychology from the beginning of the nineteenth century to the present. He interprets the unsettling qualities of today's architecture--its fragmented neo-constructivist forms reminiscent of dismembered bodies, its seeing walls replicating the passive gaze of domestic cyborgs, its historical monuments indistinguishable from glossy reproductions - in the light of modern reflection on questions of social and individual estrangement, alienation, exile, and homelessness.Focusing on the work of architects such as Bernard Tschumi, Rem Koolhaas, Peter Eisenman, Coop Himmelblau, John Hejduk, Elizabeth Diller, and Ricardo Scofidio, as well as theorists of the urban condition, Vidler delineates the problems and paradoxes associated with the subject of domesticity.

    In just over 100 years following the death of Mohammed in 632, Arabs had subjugated a territory with an east-west expanse greater than the Roman Empire. They did it in about one-half the time. By the mid-8th century, Arab armies had conquered the 1000-year-old Persian Empire, reduced the Byzantine Empire to little more than a city-state based around Constantinople, and destroyed the Visigoth kingdom of Spain. The cultural and linguistic effects of this early Islamic expansion reverberate today. This is the first popular English-language account in many years of this astonishing remaking of the political and religious map of the world. Hugh Kennedy’s sweeping narrative reveals how the Arab armies conquered almost everything in their path, and brings to light the unique characteristics of Islamic rule. One of the few academic historians with a genuine talent for story telling, Kennedy offers a compelling mix of larger-than-life characters, fierce battles, and the great clash of civilizations and religions.