Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    There’s nothing like those fresh labels and enough women to start a cheerleading team. Being the highlight of the city can be a good thing or a bad thing. It causes a lot of enemies and a lot of problems. Memphis is a single dope boy that doesn’t mind switching women and stuntin’. He has the money and the hate that comes with but what he wants takes times. Memphis is not a patient man and is used to having his way throughout life but when he encounters the woman he’s been trying to have; she has stipulations that he can barely stick to. Miami, the wild baby boy that makes things happen for his family. He’s young but he’s wise and is always ten steps ahead of his enemy. Miami has one weakness and his enemy tries to use it against him. He drives himself crazy trying to put the pieces to the puzzle together, even pushing his family away. Nobody wants to see Miami lose his cool because when he does, somebody dies. See what’s the big deal about a dope boy. Are they really worth the hype or they just another dude full of drama and empty promises?

    To Fire, that’s equivalent to blowing his brains out. He’s not standing for that; no matter what. He let it be known to Pure, that there is no out, and they’re in it for the long haul. Pure thought she saw it all when it comes to Fire, but she hasn’t seen nothing yet. He’s desperate not to lose his family, and is willing to go all out before he does. Zoni comes to her senses and realize she isn’t ready to completely throw away what her and Yurey have. She’s madly in love, and in this case, she feels love conquers all. But showing up to Yurey’s place unannounced, reveals something she wasn’t quite ready for. Something that a little more than love, is needed to fix things. Trouble finds himself battling with his feelings towards Jumma. He’s not sure what he’s feeling but the one thing he does know, is he wants her to remain in his life. He also knows Jumma wants more, and tired of being in the friend zone. But, it isn’t easy being committed to one woman, for Trouble. And Jumma refuses to waste time on a man who doesn’t know what he wants. Seeing that Jumma means business, Trouble has to decide whether the countless amount of women, is worth losing the one woman he’s ever really cared about. In the end, only the couples who love is truly Bona Fide, will remain standing after all they’re about to face.

    

    When Stacks decides to merge his empire with Chad, money starts coming in by the boatload. With more money comes more problems when the men find themselves battling with their past infidelities in order to keep peace in their home. The past is a Finesser and is out for blood when secrets are revealed that threatens the lives and faith of some relationships. Snakes reappear out of the blue to cause hell, while new love is found. Follow these couples on a journey as the realize that Fallin' For A Boss was one thing, but getting married to one is completely a different story.

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    Rod McKuen's most personal book of poetry.

    Including such subjects as "I Heart Unending Paranoia," "Because You Know You're Avoiding Going Somewhere But Don't Even Know Where Yet," and "I'm Not Going To Change My Clothes Today," Pink's collection is bizarre, funny, and original.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    A Pound of Steam presents seven poems exploring identity and alienation, a philosophical bent that can be found in her song lyrics, but here goes further to unearth truths about the human condition.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    

    Travel with a woman through her last day of using hard drugs. Stay tuned til the end, for the hope that a clean and sober life can give.

    Aboard ship, he finds his place—at the bottom of the stratified navel hierarchy. At sea he experiences storms that toss large ships around like twigs.Venturing ashore in unfamiliar lands, he runs for his life through a Senegalese village, kisses a man in Australia, is mugged in Tahiti, almost kills the third mate in Sweden and is captured by a woman in Vancouver.

    The lack of attachments to anything other than the money that he liked to spend, unapologetically, assisted him in reaching his pinnacle. Women were a commodity that he frequently indulged in, but he never stayed too long or afforded them with too much attention. With an empire under his fingertips, his money and time are valued more than any aspect of his hectic life. The lone night, the one that fate leads him to the shared location with lowered lids and an elevated state due to the influence of marijuana, begins to decompose his perspective on the forbidden emotion. Gauge Morrison is simply looking for her forever, impatiently waiting for Mr. Right to show face. She’s gotten his occupation, demeanor, and beliefs figured out in that pretty little head of hers, yet she never expected her knight to wear red religiously, find comfort in his lonesome, avoid attachment, run a lucrative drug empire, tote a gun or two, or be one willing to risk anything for both his freedom and paper. She hadn’t imagined him being so lawless. She hadn’t fathomed he’d be Sosa Law. Happiness is accompanied by pain, and joy is the next of kin to sorrow. The venture to acquiring love for Sosa and Gauge is unmatched, undeniable, and unlawful. Gauge is forced to accommodate Sosa’s ruthlessness, as it begins to affect her personal life, while Sosa questions her loyalty and everything they are trying to obtain.