The first lady appeared one day unannounced, behind the wheel of her car, her secretary and a Secret Service agent her passengers. To Murray, then aged twenty-three, Roosevelt’s self-assurance was a symbol of women’s independence, a symbol that endured throughout Murray’s life.Five years later, Pauli Murray, a twenty-eight-year-old aspiring writer, wrote a letter to Franklin and Eleanor Roosevelt protesting racial segregation in the South. The president’s staff forwarded Murray’s letter to the federal Office of Education. The first lady wrote back.Murray’s letter was prompted by a speech the president had given at the University of North Carolina, Chapel Hill, praising the school for its commitment to social progress. Pauli Murray had been denied admission to the Chapel Hill graduate school because of her race.She wrote in her letter of 1938: Does it mean that Negro students in the South will be allowed to sit down with white students and study a problem which is fundamental and mutual to both groups? Does it mean that the University of North Carolina is ready to open its doors to Negro students . . . ? Or does it mean, that everything you said has no meaning for us as Negroes, that again we are to be set aside and passed over . . . ?Eleanor Roosevelt wrote to Murray: I have read the copy of the letter you sent me and I understand perfectly, but great changes come slowly . . . The South is changing, but don’t push too fast. So began a friendship between Pauli Murray (poet, intellectual rebel, principal strategist in the fight to preserve Title VII of the 1964 Civil Rights Act, cofounder of the National Organization for Women, and the first African American female Episcopal priest) and Eleanor Roosevelt (first lady of the United States, later first chair of the United Nations Commission on Human Rights, and chair of the President’s Commission on the Status of Women) that would last for a quarter of a century.Drawing on letters, journals, diaries, published and unpublished manuscripts, and interviews, Patricia Bell-Scott gives us the first close-up portrait of this evolving friendship and how it was sustained over time, what each gave to the other, and how their friendship changed the cause of American social justice.

    From the time she was a child, Jane's heart ached for others. At first the focus of her efforts was on poverty, and lead to the creation of Hull House, the settlement house she built in Chicago. For twenty-five years, she'd helped people from different countries live in peace at Hull House. But when war broke out, Jane decided to take on the world and become a dangerous woman for the sake of peace.Suzanne Slade's powerful text written in free verse illuminates the life of this inspiring figure while Alice Ratterree's stunning illustrations bring Jane Addams and her world to life.

    For many, filing the suit was a radicalizing act that empowered them to "find themselves" and stake a claim. Others lost their way in a landscape of opportunities, pressures, discouragements, and hostilities they weren't prepared to navigate.With warmth, humor, and perspective, the book also explores why changes in the law did not change everything for today's young women.

    While other girls played with toys and braided their hair, Georgia practiced her drawing and let her hair fly free. As an adult, Georgia followed her love of art from the steel canyons of New York City to the vast plains of New Mexico. There she painted all day, and slept beneath the stars at night. Throughout her life Georgia O'Keeffe followed her dreams--and so found her way to become a great American artist.

    But what inspired her? For young Sonia, the answer was books! They were her mirrors, her maps, her friends, and her teachers. They helped her to connect with her family in New York and in Puerto Rico, to deal with her diabetes diagnosis, to cope with her father’s death, to uncover the secrets of the world, and to dream of a future for herself in which anything was possible.In Turning Pages, Justice Sotomayor shares that love of books with a new generation of readers, and inspires them to read and puzzle and dream for themselves. Accompanied by Lulu Delacre’s vibrant art, this story of the Justice’s life shows readers that the world is full of promise and possibility–all they need to do is turn the page.

    There are twists and turns, falls and scrapes, and obstacles that seem insurmountable until you learn to see the possibilities within them. And then there is the moment of triumph, when there's nothing above you but sky and nothing below but a goal achieved.Ashima Shiraishi draws on her experience as a world-class climber in this story that challenges readers to tackle the problems in their own lives and rise to greater heights than they would have ever thought possible.

    When she was told that she was going to be given as a wedding gift to Martha Washington’s granddaughter, Ona made the bold and brave decision to flee to the north, where she would be a fugitive. From her childhood, to her time with the Washingtons and living in the slave quarters, to her escape to New Hampshire, Erica Armstrong Dunbar, along with Kathleen Van Cleve, shares an intimate glimpse into the life of a little-known, but powerful figure in history, and her brave journey as she fled the most powerful couple in the country.

    Inspiration struck Mary even when she wasn’t looking for it. Mary used common objects to make uncommon art. And one day, her garden was a gallery.         Mary Nohl passed away in 2001 at the age of eighty-seven. Her famous garden gallery is located in the front yard of her Fox Point, Wisconsin, home to this day.

    At a time when studios wanted to hire men and think in black and white, Mary painted twinkling emerald skies, peach giraffes with tangerine spots, and magenta horses that could fly.

      As a child, Amalia Hernández saw a pair of dancers in the town square. The way they stomped and swayed to the rhythm of the beat inspired her. She knew one day she would become a dancer.   Amalia studied ballet and modern dance under the direction of skilled teachers who had performed in world-renowned dance companies. But she never forgot the folk dance she had seen years earlier. She began traveling through the Mexican countryside, witnessing the dances of many regions, and she used her knowledge of ballet and modern dance to adapt the traditional dances to the stage. She founded her own dance company, a group that became known as el Ballet Folklórico de México.   Using his signature illustration style, inspired by the ancient art of the Mixtecs, award-winning author and illustrator Duncan Tonatiuh tells the story of Amalia Hernández and the formation of the Folkloric Ballet, one of the most famous and successful dance companies in the world.

    Welcome to Bad Princess by Kris Waldherr (author of Doomed Queens), where you'll discover what really happens after "Happily Ever After." From the war-torn Dark Ages of Medieval Europe to America's Gilded Age, and all the way up to Kate Middleton, Bad Princess explores more than 30 true princess stories, going beyond the glitz and glamour to find out what life was really like for young royals throughout history. A mix of royal biography, pop culture, art, style, and pure fun, Bad Princess is a whip-smart, tongue-in-cheek spin on the traditional princess narrative, proving that it takes more than a pretty crown to be a great leader.

    A poacher illegally stalking a bear. Peg Kehret tells these true stories and more as she invites readers into her life on a small wildlife sanctuary. Vividly showing the joys of animal rescue while providing facts about the animals and birds she encounters, Kehret also shares the tragedy of her husband's sudden death, and the pain of losing Pete, the shelter cat who co-authored three of her books. Written with honesty, heart, and humor, Animals Welcome is a personal glimpse into the life of an author who loves animals, and the philosophy by which she lives.

    How she was treated by medical and legal officials reveals a lesser-known story of human and constitutional rights, entangled with the science of pathology and enduring questions about who Mary Mallon really was. How did her name become synonymous with deadly disease? And who is really responsible for the lasting legacy of Typhoid Mary? This thorough exploration includes an author's note, timeline, annotated source notes, and bibliography.

    It was a voice that made people sit up, stand up, and take notice.So what do you do with a voice like that?Barbara took her voice to places few African American women had been in the 1960s: first law school, then the Texas state senate, then up to the United States congress. Throughout her career, she persevered through adversity to give voice to the voiceless and to fight for civil rights, equality, and justice.

    She was a talented player, but she wasn't welcome in the segregated All-American Girls Pro Baseball League due to the color of her skin. However, a greater opportunity came her way in 1953 when Johnson signed to play ball for the Negro Leagues' Indianapolis Clowns, becoming the first female pitcher to play on a men's professional team. During the three years she pitched for the Clowns, her record was an impressive 33-8. But more importantly, she broke ground for other female athletes and for women everywhere.