So when an invitation arrives from her twin sister, Cecily, to join her at a sprawling country estate, she jumps at the chance. Thinking she'll be able to relax and enjoy her beloved English countryside while her sister snags the handsome heir of Edenbrooke, Marianne finds that even the best laid plans can go awry. From a terrifying run-in with a highwayman to a seemingly harmless flirtation, Marianne finds herself embroiled in an unexpected adventure filled with enough romance and intrigue to keep her mind racing. Will Marianne be able to rein in her traitorous heart, or will a mysterious stranger sweep her off her feet? Fate had something other than a relaxing summer in mind when it sent Marianne to Edenbrooke.

    Prudish, self-righteous, and incredibly beautiful, she is to be sent to London to capture a wealthy husband. But Minerva doesn't know the first thing about flirting. The London dandies find her moralizing appalling and concoct a plan to assault her virtue—an assault that will scandalize all London society. Meanwhile. Lord Sylvester Comfrey, whom she met earlier through her father, has been keeping a careful eye on the girl. A fact which she resents. She dislikes Lord Sylvester. There is something about him that disturbs her. Now the plan to destroy Minerva's reputation begins to unfold. And Minerva stumbles headlong into the trap. But the plotters have reckoned without Lord Sylvester....

    Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

    Now she discovers that the late Earl of Riverdale was her father and that she has inherited his fortune. She is also overjoyed to learn she has siblings. However, they want nothing to do with her or her attempts to share her new wealth. But the new earl’s guardian is interested in Anna…Avery Archer, Duke of Netherby, keeps others at a distance. Yet something prompts him to aid Anna in her transition from orphan to lady. As London society and her newfound relatives threaten to overwhelm Anna, Avery steps in to rescue her and finds himself vulnerable to feelings and desires he has hidden so well and for so long.

    From their earliest days, children of aristocrats learn how to address an earl and curtsey before a prince—while other dictates of the ton are unspoken yet universally understood. A proper duke should be imperious and aloof. A young, marriageable lady should be amiable… but not too amiable.Daphne Bridgerton has always failed at the latter. The fourth of eight siblings in her close-knit family, she has formed friendships with the most eligible young men in London. Everyone likes Daphne for her kindness and wit. But no one truly desires her. She is simply too deuced honest for that, too unwilling to play the romantic games that captivate gentlemen.Amiability is not a characteristic shared by Simon Basset, Duke of Hastings. Recently returned to England from abroad, he intends to shun both marriage and society—just as his callous father shunned Simon throughout his painful childhood. Yet an encounter with his best friend’s sister offers another option. If Daphne agrees to a fake courtship, Simon can deter the mamas who parade their daughters before him. Daphne, meanwhile, will see her prospects and her reputation soar.The plan works like a charm—at first. But amid the glittering, gossipy, cut-throat world of London’s elite, there is only one certainty: love ignores every rule...

    After all, the last time she was the center of attention, it ended badly—so badly that she changed her name to escape her scandalous past. Wallflowers may not be the prettiest of blooms, but at least they don't get trampled. So when a handsome duke comes to town, the last thing she wants is his attention.But that is precisely what she gets.Because Robert Blaisdell, the Duke of Clermont, is not fooled. When Minnie figures out what he’s up to, he realizes there is more to her than her spectacles and her quiet ways. And he’s determined to lay her every secret bare before she can discover his. But this time, one shy miss may prove to be more than his match...

    When her father gambles away his fortune, the duke's only chance for recouping his losses lies in marrying off Lady Helen to any man wealthy enough to take a bride with nothing to recommend her but a lovely face and an eight-hundred-year-old pedigree. Enter Mr. Ethan Brundy, once an illegitimate workhouse orphan, now owner of a Lancashire textile mill and one of England's richest men. When he glimpses Lady Helen at Covent Garden Theatre, he is instantly smitten and vows to marry her. But this commonest of commoners will have his work cut out for him if he hopes to win the heart of his aristocratic bride.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    He’s a rake and an atheist, and the rumours about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)Guy Frisby and his sister Amanda live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder. Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind—and dangerously attractive. In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist...and so is Philip. But all too soon the rural rumour mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet—but does he dare lose his reputation too?

    . . no matter what it takes. Proud and beautiful Annabelle Peyton could have her pick of suitors—if only she had a dowry. Her family is on the brink of disaster, and the only way Annabelle can save them is to marry a wealthy man. Unfortunately her most persistent admirer is the brash Simon Hunt, a handsome and ambitious entrepreneur who wants her as his mistress.Annabelle is determined to resist Simon's wicked propositions, but she can't deny her attraction to the boldly seductive rogue, any more than he can resist the challenge she presents. As they try to outmaneuver each other, they find themselves surrendering to a love more powerful than they could have ever imagined. But fate may have other plans—and it will take all of Annabelle's courage to face a peril that could destroy everything she holds dear.

    It seems that her Aunt Zoe has fallen victim to a sinister blackmailer and only Iphiginia can hope to stop the culprit before he can do more harm. Her plan is inspired: Imitating history's most legendary beauties--Cleopatra, Helen of Troy, Aphrodite--the former schoolmistress will remake herself, and descend upon London Society as the dazzling mistress of Marcus Valerius Cloud, the infamous Earl of Masters. Rumors hint that the Earl has disappeared at the blackmailer's hands, and by posing as his unknown mistress, Iphiginia is convinced she can ferret out the villain. Overnight, Iphiginia is transformed into a vision with a host of eager admirers, including one she does not expect -- the Earl of Masters himself, who strides into a shimmering ballroom one evening to cooly reclaim his "mistress". He is everything they say he is... arrogant, attractive, devastatingly seductive, and Iphiginia can't help but be enthralled. But when Marcus agrees to play along with her charade, she doesn't know that the determined earl has plans of his own: to tease and tempt her, until the beautiful deceiver becomes more than his mistress in name only.

    Now there’s a new item on the list. He needs an heir—which means he needs a wife. When Emma Gladstone, a vicar’s daughter turned seamstress, appears in his library wearing a wedding gown, he decides on the spot that she’ll do.His terms are simple:- They will be husband and wife by night only.- No lights, no kissing. - No questions about his battle scars.- Last, and most importantly… Once she’s pregnant with his heir, they need never share a bed again.But Emma is no pushover. She has a few rules of her own:- They will have dinner together every evening.- With conversation.- And unlimited teasing.- Last, and most importantly… Once she’s seen the man beneath the scars, he can’t stop her from falling in love…

    After all, right now they're under the rather awkward guardianship of the perpetually tipsy Duke of Holbrook. But just when she begins to think that all might end well, one of her sisters bolts with a horse-mad young lord, and her own fiancé just plain runs away.Which leaves Tess contemplating marriage to the sort of man she wishes to avoid -- one of London's most infamous rakes. Lucius Felton is a rogue whose own mother considers him irredeemable! He's delicious, Annabel points out. And he's rich, Josie notes. But although Tess finally consents to marry him, it may be for the worst reason of all. Absurd as she knows it to be, she may have fallen utterly in love . . .

    But all is not as joyous as it seems.Lord Bradley has just learned a terrible secret, which, if exposed, will change his life forever. When he glimpses a figure on the grounds, he fears a spy or thief has overheard his devastating news. He is stunned to discover the intruder is a scrap of a woman with her throat badly injured. Fearing she will spread his secret, he gives the girl a post and confines her to his estate. As Olivia and Lord Bradley's secrets catch up with them, will their hidden pasts ruin their hope of finding love?

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.