To Tim Robertson, they're his worst nightmare From the Queen of Scream comes a novel that will raise the hair on the back of your neck. Not every grandmotherly type bakes cookies.What's more frightening than finding out that the kindly old ladies living across the street from you are anything but?As a child, Tim Robertson is selling cookies with his best friend Damien when they knock on the door of the house across the street from him. Two old ladies open the door and Tim never sees his best friend again.Twenty years later, Tim has tried to move on and forget what happened back then. He is married, has a son, and just bought the house of his dreams in small town Cocoa Beach. When the house across the street from them is sold, they are all looking forward to getting new neighbors, until Tim realizes the old ladies are back to haunt him and the rest of the town. To Hell in a Handbasket is Willow Rose, when she is at her most horrifying. Every page of this book is oozing with dread, and this novel stands shoulder to shoulder with the very best of Koontz and King. Anyone who has read a Willow Rose book knows it's harder to put the book down than to just finish it.

    Built from the spoils of a massive timber fortune, the legendary family mansion is constructed of giant, whole trees, and is set on a huge estate overlooking Puget Sound. Trevor’s bankrupt parents have begun a trial separation, and his father, Jones Riddell, has brought Trevor to Riddell House with a goal: to join forces with his sister, Serena, dispatch Grandpa Samuel—who is flickering in and out of dementia—to a graduated living facility, sell off the house and property for development into “tract housing for millionaires,” divide up the profits, and live happily ever after.But Trevor soon discovers there’s someone else living in Riddell House: a ghost with an agenda of his own. For while the land holds tremendous value, it is also burdened by the final wishes of the family patriarch, Elijah, who mandated it be allowed to return to untamed forestland as a penance for the millions of trees harvested over the decades by the Riddell Timber company. The ghost will not rest until Elijah’s wish is fulfilled, and Trevor’s willingness to face the past holds the key to his family’s future.A Sudden Light is a rich, atmospheric work that is at once a multigenerational family saga, a historical novel, a ghost story, and the story of a contemporary family’s struggle to connect with each other. A tribute to the natural beauty of the Pacific Northwest, it reflects Garth Stein’s outsized capacity for empathy and keen understanding of human motivation, and his rare ability to see the unseen: the universal threads that connect us all

    Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    Are you listening?On a sunny August morning, in 1935, thirteen-year-old Sophia Gray finds her friend, Rosemary wandering in the woods. Rosemary’s yellow dress is tattered and stained, she walks with a strange lurch, and her eyes are vacant and glassy. She beckons to Sophia, desperate to show her something, and Sophia follows. In an abandoned cabin, beneath a tattered blanket, Sophia discovers Rosemary’s body. It was not Rosemary who led her there, but Rosemary’s ghost. Step into the Northern Michigan Asylum for the InsaneTwenty years after Sophia discovers Rosemary’s body, she finds herself trapped in the sprawling, and eerily beautiful, Northern Michigan Asylum for the Insane, in the hands of a malevolent doctor who preys on patients who exhibit paranormal abilities. Sometimes the dead don’t restIn present day 1965, Hattie, much like her mother, thirty years before, is led by a ghost. A newspaper hidden in an attic reveals a secret that has shaped the lives of Hattie and her siblings. Hattie with her sister, Jude, embark on a crusade to remedy the wrongs of the past and discover the tale of deception that stole their mother a decade before. Hattie and Jude are in a race against time to discover a murderer and save their mother from a horrific fate. Get lost in a uniquely chilling story that spans the life of a family and the ghosts who haunt them.

    Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts—threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom. As Elizabeth's due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed—and some secrets are safer locked away forever.

    What terror waits around the next corner?

    A bereaved father. Alone with his loss, Ian Colmes has driven away everyone he loves. But when he begins to see his dead son again, is it because the boy is reaching out from beyond? Or has Ian's anguish finally given way to dementia?With a masterful hand, suspense newcomer Adam J Nicolai paints a picture of grief, madness, and the furious strength of a father's love for his son.

    But in this genre-bending YA thriller, she must first manage to avoid becoming a target herself.For Adele, the dead aren’t really dead. She can see them and even talk to them. But she’s spent years denying her gift. When she encounters her ex best friend Tori in a shallow grave in the woods and realizes that Tori is actually dead -- that gift turns into a curse. Without an alibi, Adele becomes the prime suspect in Tori’s murder. She must work with Tori’s ghost to find the real killer. But what if the killer finds Adele first?Master mystery-write April Henry adds a chilling paranormal twist to this incredibly suspenseful young adult novel.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    A memo to her boss that's replaced by obscene insults. Amanda—a successful architect in a happy marriage—finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.The new voice in Amanda's head, the one that tells her to steal things and talk to strange men in bars, is strange and frightening, and Amanda struggles to wrest back control of her life. Is she possessed by a demon, or is she simply insane? Described as “a new kind of psychological thriller” by George Pelecanos and “this year's scariest novel” by Time Out New York, Come Closer has become a modern classic “with a kick that will stay with the reader for days afterward” (The Dallas Morning News).

    . .Expectant parents Karen and Mike Houston are excited about restoring their old rambling Victorian mansion to its former glory. With its endless maze of rooms, hallways, and hiding places, it's a wonderful place for their nine-year-old daughter Leslie to play and explore. Unfortunately, they didn't listen to the stories about the house's dark history. They didn't believe the rumors about the evil that lived there. . . .The Nightmare Begins. It begins with a whisper. A child's voice beckoning from the rose garden. Crying out in the night. It lures little Leslie to a crumbling storm door. Down a flight of broken stairs. It calls to their unborn child. It wants something from each of them. Something in their very hearts and souls. Tonight, the house will reveal its secret. Tonight, the other child will come out to play. . .

    When they meet at a fair, Alison invites Colette at once to join her on the road as her personal assistant and companion. Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside. It is not long before the place beyond black threatens to uproot their lives forever. This is Hilary Mantel at her finest--insightful, darkly comic, unorthodox, and thrilling to read.

    The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

    Their L.A. neighborhood is an oasis of serenity. Nearby is a star studded cemetery, a tribute to the myth and glamor of a Hollywood that has never really died. There is even an eerie legend about their house that the Moores find quaint--until their son and daughter vanish.