But as Cemil Aydin explains in this provocative history, it is a misconception to think that the world s 1.5 billion Muslims constitute a single religio-political entity. How did this belief arise, and why is it so widespread? The Idea of the Muslim World searches for the intellectual origins of a mistaken notion and explains its enduring allure for non-Muslims and Muslims alike.Conceived as the antithesis of Western Christian civilization, the idea of the Muslim world emerged in the late nineteenth century, when European empires ruled the majority of Muslims. It was inflected from the start by theories of white supremacy, but Muslims had a hand in shaping the idea as well. Aydin reveals the role of Muslim intellectuals in envisioning and essentializing an idealized pan-Islamic society that refuted claims of Muslims racial and civilizational inferiority.After playing a key role in the politics of the Ottoman Caliphate, the idea of the Muslim world survived decolonization and the Cold War, and took on new force in the late twentieth century. Standing at the center of both Islamophobic and pan-Islamic ideologies, the idea of the Muslim world continues to hold the global imagination in a grip that will need to be loosened in order to begin a more fruitful discussion about politics in Muslim societies today.

    Khushwant Singh tells the story of the land and its people from the earliest time to the present day. In broad, vivid sweeps he encapsulates the saga of the upheavals of a sub-continent over five millennia, and how their interplay over the centuries has molded the India of today. More, Khushwant Singh offers perceptive insights into everything Indian that may catch one's eye or arouse curiosity: its ethnic diversity, religions, customs, philosophy, art and culture, political currents, and the galaxy of men and women who have helped shape its intricately inlaid mosaic. He is also an enlightening guide to much else: India's extensive and varied architectural splendors, its art and classical literature. Khushwant Singh's own fascination with the subject is contagious, showing through on every page, and in every sidelight that he recounts. India: An Introduction holds strong appeal for just about anyone who has more than a passing interest in the country, Indians as well as those who are drawn to it from farther afield. And for a traveller, it is that rare companion: erudite, intelligent, lively

    Rumi was a 13th-century Persian mystic who believed that all human beings can, if they surrender themselves to the power of love, live in a condition of infinite bliss. Raficq Abdulla uses rhythm and powerful imagery to recreate the ecstatic state which Rumi considered so crucual to reach enlightenment.

    A history of the evolution and ideals of Islam, with a life of the prophecy. Contents: Life and Ministry of the Prophet: Mohammed the prophet; Hegira; prophet at Medina; hostility of the Koreish and the Jews; invasion of Medina; prophets clemency; diffusion of the faith; year of deputations; fulfillment of the prophet's work; apostolical succession; Spirit of Islam: ideal of Islam; religious spirit of Islam; idea of future life in Islam; church militant of Islam; status of women in Islam; bondage in Islam; political spirit of Islam; political divisions and schisms of Islam; literary and scientific sprit of Islam; rationalistic and philosophical spirit of Islam; idealistic and mystical spirit in Islam.

    In suburban America, Azadeh lived in two worlds. At home, she was the daughter of the Iranian exile community, serving tea, clinging to tradition, and dreaming of Tehran. Outside, she was a California girl who practiced yoga and listened to Madonna. For years, she ignored the tense standoff between her two cultures. But college magnified the clash between Iran and America, and after graduating, she moved to Iran as a journalist. This is the story of her search for identity, between two cultures cleaved apart by a violent history. It is also the story of Iran, a restive land lost in the twilight of its revolution. Moaveni's homecoming falls in the heady days of the country's reform movement, when young people demonstrated in the streets and shouted for the Islamic regime to end. In these tumultuous times, she struggles to build a life in a dark country, wholly unlike the luminous, saffron and turquoise-tinted Iran of her imagination. As she leads us through the drug-soaked, underground parties of Tehran, into the hedonistic lives of young people desperate for change, Moaveni paints a rare portrait of Iran's rebellious next generation. The landscape of her Tehran -- ski slopes, fashion shows, malls and cafes -- is populated by a cast of young people whose exuberance and despair brings the modern reality of Iran to vivid life.

    Suhrawradi, Semnani, Najm alDin Kubra and other Sufis.

    The Jewish kingdom, composed of ethnic Arabs who had converted to Judaism more than a century before, had launched a bloody pogrom against Christians in the region. The ruler of Ethiopia, who claimed descent from the union of Solomon and the Queen of Sheba and even was rumored to possess an object no less venerable than the Ark of the Covenant, aspired both to protect the persecuted Christians and to restore Ethiopian control in the Arabian Peninsula. Though little known today, this was an international war that involved both the Byzantine Empire, who had established Christian churches in Ethiopia beginning in the fourth century, and the Sasanian Empire in Persia, who supported the Jews in a proxy war with Byzantium. Our knowledge of these events derives mostly from an inscribed throne at the Ethiopian port of Adulis seen and meticulously described by a Christian merchant known as Cosmos in the sixth century. Trying to decipher and understand this monument takes us directly into religious conflicts that occupied the nations on both sides of the Red Sea in late antiquity. Using the writings of Cosmas and archaeological evidence from the period, historian G. W. Bowersock offers a narrative account of this fascinating but overlooked chapter in pre-Islamic Arabian history. The extraordinary story told in Throneof Adulis provides an important and much neglected background for the rise of Islam as well as the collapse of the Persian Empire before the Byzantines.

    Widely praised for its balanced and comprehensive account, Ira Lapidus' work has been fully revised in its coverage of each country and region of the Muslim world through 2001. It incorporates the origins and evolution of Islamic societies and brings into focus the historical processes that gave shape to the manifold varieties of contemporary Islam. The concluding chapters survey the growing influence of the Islamist movements within national states and in their transnational or global dimensions, including the Islamic revival, Islamist politics and terrorism. An updated discussion of the roles of women in Islamic societies is added, with new sections about Afghanistan and Muslims in Europe, America, and the Philippines. Ira M. Lapidus is Professor Emeritus of History at the University of California at Berkeley. His many books and articles include Islam, Politics and Social Movements (University of California Press, 1988) and Muslim Cities in the Later Middle Ages (Cambridge, 1984).

    Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women. Nine Parts of Desire is the story of Brooks' intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. Defying our stereotypes about the Muslim world, Brooks' acute analysis of the world's fastest growing religion deftly illustrates how Islam's holiest texts have been misused to justify repression of women, and how male pride and power have warped the original message of a once liberating faith.

    The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors.Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all emerge as vividly as the characters in a great novel. In an Antique Land is an inspired work that transcends genres as deftly as it does eras, weaving an entrancing and intoxicating spell.

    Most people who hold these beliefs are Christian and assume they are the age-old teachings of the Bible. But eternal rewards and punishments are found nowhere in the Old Testament and are not what Jesus or his disciples taught. So where did the ideas come from? In clear and compelling terms, Bart Ehrman recounts the long history of the afterlife, ranging from The Epic of Gilgamesh up to the writings of Augustine, focusing especially on the teachings of Jesus and his early followers. He discusses ancient guided tours of heaven and hell, in which a living person observes the sublime blessings of heaven for those who are saved and the horrifying torments of hell for the damned. Some of these accounts take the form of near death experiences, the oldest on record, with intriguing similarities to those reported today. One of Ehrman’s startling conclusions is that there never was a single Greek, Jewish, or Christian understanding of the afterlife, but numerous competing views. Moreover, these views did not come from nowhere; they were intimately connected with the social, cultural, and historical worlds out of which they emerged. Only later, in the early Christian centuries, did they develop into the notions of eternal bliss or damnation widely accepted today. As a historian, Ehrman obviously cannot provide a definitive answer to the question of what happens after death. In Heaven and Hell, he does the next best thing: by helping us reflect on where our ideas of the afterlife come from, he assures us that even if there may be something to hope for when we die, there is certainly nothing to fear.

    A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” They are as representative of the world of Islam today as the conservatives and extremists we see every night on the news. Heavy metal, punk, hip-hop, and reggae are each the music of protest, and in many cases considered immoral in the Muslim world. This music may also turn out to be the soundtrack of a revolution unfolding across that world. Why, despite governmental attempts to control and censor them, do these musicians and fans keep playing and listening? Partly, of course, for the joy of self-expression, but also because, in this region, everything is political. In Heavy Metal Islam, Mark LeVine explores the influence of Western music on the Middle East through interviews with musicians and fans, introducing us young Muslims struggling to reconcile their religion with a passion for music and a desire for change. The result is a revealing tour of contemporary Islamic culture through the evolving music scene in the Middle East and Northern Africa. Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music just might be the true democratizing force.

    George Saliba follows the rise and fall of the Islamic scientific tradition, and the relationship of Islamic science to European science during the Renaissance.

    For good and for evil, religion is the single greatest influence in the world. We accept as self-evident that competing economic systems (capitalist or communist) or clashing political parties (Republican or Democratic) propose very different solutions to our planet's problems. So why do we pretend that the world's religious traditions are different paths to the same God? We blur the sharp distinctions between religions at our own peril, argues religion scholar Stephen Prothero, and it is time to replace naÏve hopes of interreligious unity with deeper knowledge of religious differences. In Religious Literacy, Prothero demonstrated how little Americans know about their own religious traditions and why the world's religions should be taught in public schools. Now, in God Is Not One, Prothero provides readers with this much-needed content about each of the eight great religions. To claim that all religions are the same is to misunderstand that each attempts to solve a different human problem. For example: –Islam: the problem is pride / the solution is submission –Christianity: the problem is sin / the solution is salvation –Confucianism: the problem is chaos / the solution is social order –Buddhism: the problem is suffering / the solution is awakening –Judaism: the problem is exile / the solution is to return to God Prothero reveals each of these traditions on its own terms to create an indispensable guide for anyone who wants to better understand the big questions human beings have asked for millennia—and the disparate paths we are taking to answer them today. A bold polemical response to a generation of misguided scholarship, God Is Not One creates a new context for understanding religion in the twenty-first century and disproves the assumptions most of us make about the way the world's religions work.

    Even as “shari‘a” became a loaded word and an all-encompassing explanation, most of us remained ignorant of its true meaning. And we were doing this at our peril. In Heaven on Earth, Kadri brings lucid wit and analytical skill to the thrilling and turbulent story of Islam’s foundation and expansion. He shows how legal ideas gradually evolved out of thousands of reports about the Prophet Mohammad, most of which were not even written down until two centuries after his death. And he explains how, just in the last forty years, the shari‘a has been appropriated and transformed by hardliners desperate to impose their oppressive vision. In the second half of the book, Kadri takes us on an extraordinary journey through more than half a dozen countries in the Islamic world, where he explores, in striking detail, how the shari‘a is taught, read, reinterpreted, reverenced, and challenged—beginning at the eight-hundred-year old Indian grave of his Sufi mystic ancestor, and ending in Cairo’s City of the Dead, where one of Islam’s greatest legal scholars still gets daily requests for legal miracles twelve centuries after his death. Heaven on Earth is a brilliantly iconoclastic tour through one of history’s great collective intellectual achievements, as complex as the religion that brought it to life. The shari‘a continues to shape both explosive political circumstances and the daily life of more than a billion Muslims, and Sadakat Kadri has given us a compelling and clarifying portrait of a changeable world of faith, reason, and justice.