An illicit visit to the Grand Canyon reveals a vastness even more profound. A couple weekending in Maine try to recapture the ardor that has disappeared from their life together. And on a spring evening, a young wife tells her husband of her affair with the host of the dinner party they’re about to join. The rigorous intensity Ford brings to these vivid, unforgettable dramas marks this as his most powerfully arresting book to date–confirming the judgment of the New York Times Book Review that “nobody now writing looks more like an American classic.”

    

    H. Lawrence]- The Phantom of the Opera [Gaston Leroux]- The Call of the Wild [Jack London]- The Great God Pan [Arthur Machen]- Moby Dick [Herman Melville]- Swann's Way [Marcel Proust]- Frankenstein [Mary Shelley]- The Red and the Black [Stendhal]- The Strange Case Of Dr. Jekyll And Mr. Hyde [Robert Louis Stevenson]- Dracula [Bram Stoker]- The Art of War [Sun Tzu]- Gulliver's Travels [Jonathan Swift]- Vanity Fair [William Makepeace Thackeray]- Anna Karenina [Leo Tolstoy]- The Death of Ivan Ilyich [Leo Tolstoy]- War and Peace [Leo Tolstoy]- The Adventures of Huckleberry Finn [Mark Twain]- The Picture of Dorian Gray [Oscar Wilde]Also available : 50 Masterpieces you have to read before you die Vol: 2 (Golden Deer Classics)

    In a range of work including novels of literary suspense that test both their protagonists’ souls and their readers’ nerves to the breaking point, Graham Greene explored a territory located somewhere on the border between despair and faith, treachery and love.

    Like an expert curator, he populates the vastness of human experience—from its bizarre fringes and lonely, breathtaking pinnacles to the hopelessly mediocre and desperately below average—with brilliant scientists, reluctant soldiers, workaholic artists, female explorers, depraved murderers, and deluded losers, all wholly convincing and utterly fascinating.A “black world” operative at Los Alamos isn’t allowed to tell his wife anything about his daily activities, but he can’t resist sharing her intimate confidences with his work buddy. A young Alpine researcher falls in love with the girlfriend of his brother, who was killed in an avalanche he believes he caused. An unlucky farm boy becomes the manservant of a French nobleman who’s as proud of his military service with Joan of Arc as he’s aroused by the slaughter of children. A free-spirited autodidact, grieving her lost sister, traces the ancient steps of a ruthless Middle Eastern sect and becomes the first Western woman to travel the Arabian deserts. From the inventor of the Godzilla epics to a miserable G.I. in New Guinea, each comes to realize that knowing better is never enough.Enthralling and unfailingly compassionate, You Think That’s Bad traverses centuries, continents, and social strata, but the joy and struggle that Shepard depicts with such devastating sensitivity—all the heartbreak, alienation, intimacy, and accomplishment—has a universal resonance.

    Their stories capture the range of emotions and situations of our human universe: tragedy, comedy, fantasy, satire, dramas of sexual love and of war in different continents and cultures. They are not about HIV / AIDS. But all twenty-one writers have given their stories--chosen by themselves as representing some of the best of their lifetime work as storytellers--without any fee or royalty.Telling Tales is being published in more than twelve countries. The publisher's profits from the sales of this book will go to HIV / AIDS preventive education and for medical treatment for people living with the suffering this pandemic infection brings to our contemporary world.ContentsAcknowledgementsIntroductionBulldog (Arthur Miller)The Centaur (José Saramago)Down the Quiet Street (Es´kia Mphahlele)The Firebird´s Nest (Salman Rushdie)Cell Phone (Ingo Schulze)Death Constant Beyond Love (Gabriel García Márquez)The Age of Lead (Margaret Atwood)Witnesses of an Era (Günter Grass)The Journey to the Dead (John Updike)Sugar Baby (Chinua Achebe)The Way of the Wind (Amos Oz)Warm Dogs (Paul Theroux)The Ass and the Ox (Michel Tournier)Death of a Son (Njabulo S. Ndebele)The Letter Scene (Susan Sontag)To Have Been (Claudio Magris)A Meeting, At Last (Hanif Kureishi)Associations in Blue (Christa Wolf)The Rejection (Woody Allen)The Ultimate Safari (Nadine Gordimer)Abandoned Children of This Planet (Kensaburo Oe)The ContributorsSource Notes----21 weltberühmte Autorinnen und Autoren erzählen ihre Lieblingsgeschichten; ein Short-Story-Band der Superlative

    He told tales of good and evil, of men struggling with the darkest parts of their souls. Acclaimed Scottish writer Robert Louis Stevenson was a master whose works offer compelling insight into our hearts and minds. His novels should be studied and treasured, kept in every home library. Featuring the full texts of Treasure Island, Prince Otto, Strange Case of Dr. Jekyll and Mr. Hyde, Kidnapped, The Black Arrow, The Master of Ballantrae, and David Balfour, this Canterbury Classics edition of Robert Louis Stevenson collects his greatest yarns in an elegant, leather-bound book. With gilded edges, a ribbon bookmark, and other exciting enhancements, as well as introduction by a renowned Stevenson scholar that illuminates his meanings and intentions, this new edition is the perfect gift or keepsake. Readers will want to keep Robert Louis Stevenson forever--and go on a never-ending adventure!

    Pure Drivel is a collection of pieces, most of them written for the New Yorker, that demonstrate Martin's playful way with words and his unerring ability to create a feeling of serendipitous improvisation even on the printed page. Here's a passage from a piece that announces a shortage of periods in the Times Roman font: "Most vulnerable are writers who work in short, choppy sentences," said a spokesperson for Times Roman, who continued, "We are trying to remedy the situation and have suggested alternatives, like umlauts, since we have plenty of umlauts--and, in fact, have more umlauts than we could possibly use in a lifetime! Don't forget, umlauts can really spice up a page with their delicate symmetry--resting often midway in a word, letters spilling on either side--and not only indicate the pronunciation of a word but also contribute to a writer's greater glory because they're fancy, not to mention that they even look like periods, indeed, are indistinguishable from periods, and will lead casual readers to believe that the article actually contains periods!" Although some of these pieces flirted with topicality when they first appeared, Martin is most successful when he leaves the real world behind and gives his wit free rein. This collection preserves the best (so far) of his glorious improvisations. --Simon Leake

    For instance:AND I AWOKE AND FOUND ME HERE ON THE COLD HILL'S SIDEMan seeks to get into bed with anything new and different, or die trying. But when the new and different was not human...would he die trying?THE MAN WHO WALKED HOME - The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past...I'M TOO BIG BUT I LOVE TO PLAY - If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human - and what is merely identical?Contents:And I Awoke and Found Me Here on the Cold Hill's Side (1972)The Snows Are Melted, the Snows Are Gone (1969)The Peacefulness of Vivyan (1971)Mamma Come Home (1968)Help (1968)Painwise (1972)Faithful to Thee, Terra, in Our Fashion (1969)The Man Doors Said Hello To (1970)The Man Who Walked Home (1972)Forever to a Hudson Bay Blanket (1972)I'll Be Waiting for You When the Swimming Pool Is Empty (1971)I'm Too Big but I Love to Play (1970)Birth of a Salesman (1968)Mother in the Sky with Diamonds (1971)Beam Us Home (1969)

    The scope and fire of Dante's genius in a single volume.Includes "The Divine Comedy," "The New Life," and other selected poems, prose, and letters accompanied by biographical and introductory sections.

    The issues it tackled, from the failures of the drug war and criminal justice system to systemic bias in law enforcement and other social institutions, have become more urgent and central to the national conversation. The show's actors, such as Idris Elba, Dominic West, and Michael B. Jordan, have gone on to become major stars. Its creators and writers, including David Simon and Richard Price, have developed dedicated cult followings of their own. Universities use the show to teach everything from film theory to criminal justice to sociology. Politicians and activists reference it when discussing policy. When critics compile lists of the Greatest TV Shows of All Time, The Wire routinely takes the top spot. It is arguably one of the great works of art America has produced in the 20th century.But while there has been a great deal of critical analysis of the show and its themes, until now there has never been a definitive, behind-the-scenes take on how it came to be made. With unparalleled access to all the key actors and writers involved in its creation, Jonathan Abrams tells the astonishing, compelling, and complete account of The Wire, from its inception and creation through its end and powerful legacy.

    During her increasingly long lunch breaks, she began to obsessively read the PennySaver, the iconic classifieds booklet that reached everywhere and seemed to come from nowhere. Who was the person selling the “Large leather Jacket, $10”? It seemed important to find out—or at least it was a great distraction from the screenplay.Accompanied by photographer Brigitte Sire, July crisscrossed Los Angeles to meet a random selection of PennySaver sellers, glimpsing thirteen surprisingly moving and profoundly specific realities, along the way shaping her film, and herself, in unexpected ways.Elegantly blending narrative, interviews, and photographs with July’s off-kilter honesty and deadpan humor, this is a story of procrastination and inspiration, isolation and connection, and grabbing hold of the invisible world.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    They, forming the Friends of Darkover, have joined with Marion Zimmer Bradley to create this anthology of new stories of Darkover, written by its most talented followers. Here are stories that span the whole of Darkover history -- from the days after the original landfall, through the Ages of Chaos, the Pact of the Comyn, and the coming of the Terrans. Included are three original stories by Marion Zimmer Bradley and her editorial commentaries on each story.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.