I am pureAppetite. You are a phantomIn that far-off city where daylightClimbs cathedral walls, stone by stolen stone.--from "Self-Portrait as the Letter Y"Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

    Encounters like this occur thousands of times across the United States in nail salons increasingly owned and operated by Asian immigrants. This study looks closely for the first time at these intimate encounters, focusing on New York City, where such nail salons have become ubiquitous. Drawing from rich and compelling interviews, Miliann Kang takes us inside the nail industry, asking such questions as: Why have nail salons become so popular? Why do so many Asian women, and Korean women in particular, provide these services? Kang discovers multiple motivations for the manicure-from the pampering of white middle class women to the artistic self-expression of working class African American women to the mass consumption of body-related services. Contrary to notions of beauty service establishments as spaces for building community among women, The Managed Hand finds that while tentative and fragile solidarities can emerge across the manicure table, they generally give way to even more powerful divisions of race, class, and immigration.

    Following the Filipino tradition of writing letters to the ghosts of ancestors, Bong Bong Luwad begins to write letters to the ghost of Montgomery Clift, at first asking to be reunited with his family, but as he undergoes the pains of adolescence, sexual discovery, and mental illness, the letters form a journal of self-discovery.

    He keeps passing out. His cat is dead. His wife and daughter have left him. He’s estranged from his adoptive family. People bump into him on the street as if he isn’t there.He is pretty sure he’s disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt. Except the other Matt was superior in every way. He was clever, successful, generous, and beloved—until one day he suddenly and completely vanished without warning. How can Matt Kim protect his existence when a better version of him wasn’t able to? Or is his worse life a reason for his survival?Set in a troubling time in which a presidential candidate is endorsed by the KKK and white men in red hats stalk Harvard Square, Disappear Doppelgänger Disappear is a haunting and frighteningly funny novel about Asian American stereotypes, the desires that make us human, puns, and what happens to the self when you have to become someone else to be seen.

    But the racist bullies of Arkin, Minnesota, will never let her forget that she’s different—the youngest member of the only Korean-American family in town.At the start of senior year, Ellen finds herself falling for Tomper Sandel, a football player who is popular and blond and undeniably cute…and to her surprise, he falls for her, too. Now Ellen has a chance at life she never imagined, one that defies the expectations of hanging out with her core group of friends or pleasing her parents. But is her romance with Tomper strong enough to withstand hometown bigotry and her family’s disapproval?

    Her parents have crumbled under the weight of her father’s infidelity; he has left the family, and mental illness has rendered her mother nearly catatonic. So Joon, at the age of thirteen, decides she would be better off on her own, a choice that commences a harrowing and often tragic journey that exposes the painful difficulties of a life lived on the margins. Joon’s adolescent years take her from a homeless shelter to an escort club, through struggles with addiction, to jobs selling newspapers and cosmetics, committing petty crimes, and, finally, toward something resembling hope.

    It wasn't easy... But here, London, is my home.'Yumiko is a young Japanese woman who has made London her home. She has a job, a boyfriend; Japan seems far away. Then, out of the blue, her brother calls to tell her that her father has died in a mountaineering accident.Yumiko returns to Tokyo for the funeral and finds herself immersed in the rituals of Japanese life and death - and confronting a decision she hadn't expected to have to make.Just So Happens is a graphic novel by a young artist and storyteller of rare talent. Fumio Obata's drawing, in particular, is marvellous in its power and delicacy.

    Evincing the power of translation as a poetic device to navigate historical and linguistic borders, it explores Edward Said's notion of "the intertwined and overlapping histories" in regards to South Korea and the United States through innovative deployments of voice, story, and poetics. Like its sister book, Hardly War, it holds history accountable, its very presence a resistance to empire and a hope in humankind.

    But deeper under the surface are his observations on war, environmental degradation, language, and history, as a father—troubled by violence and human mismanagement of the world—offers advice to a newborn son.

    As she and her boys begin to settle in to life in America, she continues to send letters and tapes back to Cong, hopeful that they will be reunited and her children will grow up with a father.But with time, Huong realizes she will never see her husband again. While she copes with this loss, her sons, Tuan and Binh grow up in their absent father's shadow, haunted by a man and a country trapped in their memory and imagination. As they push forward, the three adapt to life in America in different ways: Huong takes up with a Vietnamese car salesman who is also new in town; Tuan tries to connect with his heritage by joining a local Vietnamese gang; and Binh, now going by Ben, embraces his adopted homeland and his burgeoning sexuality. Their search for identity--as individuals and as a family--threatens to tear them apart. But then disaster strikes the city they now call home, and they must find a new way to come together and honor the ties that bind them. A stunning debut novel about an immigrant Vietnamese family who settles in New Orleans and struggles to remain connected to one another as their lives are inextricably reshaped.

    Dad’s new delivery boy, Rory, is a welcome distraction and even though she knows that things aren’t right at home, she’s starting to feel like she could just be a normal teen.But when Mum finally gets out of bed, things go from bad to worse. And as Mum’s condition worsens, Anna and her family question everything they understand about themselves and each other.

    imperialism. Constantino provides a penetrating analysis of the productive relations and class structure in the Philippines, and how these have shaped―and been shaped by―the role of the Filipino people in the making of their own history. Additionally, he challenges the dominant views of Spanish and U.S. historians by exposing the myths and prejudices propagated in their work, and, in doing so, makes a major breakthrough toward intellectual decolonization. This book is an indispensible key to the history of conquest and resistance in the Philippine.

    In fact, he’d give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming—like many—that Blade will become just like his father.In reality, the only thing Blade has in common with Rutherford is the music that lives inside them. But not even the songs that flow through Blade’s soul are enough when he’s faced with two unimaginable realities: the threat of losing Chapel forever, and the revelation of a long-held family secret, one that leaves him questioning everything he thought was true. All that remains is a letter and a ticket to Ghana—both of which could bring Blade the freedom and love he’s been searching for, or leave him feeling even more adrift.

    . . . Lynn Nottage’s beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports.”—Linda Winer, Newsday“An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world’s brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won’t expect.”—David Cote, Time Out New YorkA rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage’s extraordinary new play. The establishment’s shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already “ruined” by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht’s Mother Courage.Lynn Nottage’s plays include Crumbs from the Table of Joy, Fabulation, and Intimate Apparel, winner of the American Theatre Critics’ Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with Intimate Apparel receiving more productions than any other play in America during the 2005-2006 season.

    As Cherry journeys from Los Angeles to her family’s homeland to bring him back, she embarks on a quest to uncover the mysteries and lies in her family’s past—hidden loves, desperate choices, and lives torn apart by the march of war and currents of history. Spanning three generations, The Reeducation of Cherry Truong tells the sweeping stories of the Truong and Vos families, their escape from Vietnam during the war, the forces that separated them, and the ties that bind them over three continents. Aimee Phan’s debut novel introduces readers to a fiercely defiant family who still yearn for reconciliation and redemption in each other’s hearts.