But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.

    • (1971)• Some Notes Concerning a Green Box • (1971)• Why Johnny Can't Speed • (1971)• The Emoman • [Humanx Commonwealth • 4] • (1972)• Space Opera • (1973)• The Empire of T'ang Lang • (1973)• A Miracle of Small Fishes • (1974)• Dream Done Green • (1974)• He • (1976)• Polonaise • (1976)• Wolfstroker • (1977)• Ye Who Would Sing • (1976)

    The title story, "Unicorn Variation", was written as a result of Zelazny having been asked to contribute to two different upcoming anthologies — one collecting stories set in bars, and one collecting stories about unicorns. When Zelazny mentioned these requests to his close friend George R. R. Martin, the other told Zelazny of a third upcoming anthology — one which would collect stories about chess — and jokingly suggested that Zelazny write a story about playing chess against a unicorn in a bar, so that he could sell the story three times. Zelazny did just that and then went on to win a Hugo Award for the story.Contents:Introduction (Unicorn Variations) [essay] (1983)Unicorn Variation (1981)The Last of the Wild Ones [Sam Murdock] (1981)Recital (1981)The Naked Matador (1981)The Parts That Are Only Glimpsed: Three Reflexes [essay] (1978)Dismal Light [Francis Sandow] (1968)Go Starless in the Night (1979)But Not the Herald (1965)A Hand Across the Galaxy (1967)The Force That Through the Circuit Drives the Current (1976)Home is the Hangman [Nemo] (1975)Fire and/or Ice, Exeunt Omnes, A Very Good Year ... [essay] (1983)Fire and/or Ice (1980)Exeunt Omnes (1980)A Very Good Year ... (1979)My Lady of the Diodes (1970)And I Only Am Escaped to Tell Thee (1981)The Horses of Lir (1981)The Night Has 999 Eyes (1964)Angel, Dark Angel (1967)Walpurgisnacht (1981)The George Business (1980)Some Science Fiction Parameters: A Biased View [essay] (1975)

    showed that the projectile has passed the atmospheric strata, for the diffused light spread in the air would have been reflected on the metal walls, which reflection was wanting. This light would have lit the window, and the window was dark. Doubt was no longer possible; the travelers had left the earth. "I have lost," said Nicholl. "I congratulate you," replied Ardan. "Here are the nine thousand dollars," said the captain, drawing a roll of paper dollars from his pocket. "Will you have a receipt for it?" asked Barbicane, taking the sum. "If you do not mind," answered Nicholl; "it is more business-like." This is the legendary novel of technological speculation and social satire that launched an entire genre of adventure fiction: Verne's From the Earth to the Moon and 'Round the Moon is the first story of space exploration and remains a beloved work of daring exploits-and surprisingly accurate scientific conjecture. When the members of the Baltimore Gun Club-bored Civil War veterans-decide to fill their time by embarking on a project to shoot themselves to the moon, the race is on to raise money, overcome engineering challenges, and convince detractors that they're anything but "Lunatics." With this work, Verne inspired the first science fiction film, 1902's Le Voyage dans la lune, and accurately predicted that that ideal location for a spacebase is in Florida. First published in France in 1865, this replica 1918 edition includes the sequel, 1870's Round the Moon. Also available from Cosimo Classics: Verne's Five Weeks in a Balloon OF INTEREST TO: science fiction fans, readers of 19th-century literature French author JULES GABRIEL VERNE (1828-1905) is considered the father of modern science fiction. Among his many groundbreaking books are Journey to the Center of the Earth (1864), 20,000 Leagues Under the Sea (1870), and Around the World in Eighty Days (1872).

    Passion is the keynote as you encounter the Harlequin and his nemesis, the dreaded Tictockman, in one of the most reprinted and widely taught stories in the English language; a pyretic who creates fire merely by willing it; the last surgeon in a world of robot physicians; a spaceship filled with hideous mutants rejected by the world that gave them birth. Touching and gentle and shocking stories from an incomparable master of impossible dreams and troubling truths.Contents:7 · New Introduction: Your Basic Crown of Thorns · in 19 · Spero Meliora · in 24 · Paingod · ss Fantastic Jun ’64 35 · “Repent, Harlequin!” Said the Ticktockman · ss Galaxy Dec ’65 49 · The Crackpots [Kyben] · nv If Jun ’56 89 · Sleeping Dogs · ss Analog Oct ’74 100 · Bright Eyes · ss Fantastic Apr ’65 112 · The Discarded [“The Abnormals”] · ss Fantastic Apr ’59 125 · Wanted in Surgery · nv If Aug ’57 156 · Deeper Than the Darkness · nv Infinity Science Fiction Apr ’57

    For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the many who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.Contents: Introduction (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Eumenides in the Fourth Floor Lavatory (1979) / novelette by Orson Scott Card Quietus (1979) / short story by Orson Scott Card Deep Breathing Exercises (1979) / short story by Orson Scott Card Fat Farm (1980) / short story by Orson Scott Card Closing the Timelid (1979) / short story by Orson Scott Card Freeway Games (1979) / short story by Orson Scott Card A Sepulchre of Songs (1981) / novelette by Orson Scott Card Prior Restraint (1986) / short story by Orson Scott Card The Changed Man and the King of Words (1982) / novelette by Orson Scott Card Memories of My Head (1990) / short story by Orson Scott Card Lost Boys (1989) / short story by Orson Scott Card Afterword (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Introduction (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card A Thousand Deaths [Tales of Capitol] (1978) / novelette by Orson Scott Card Clap Hands and Sing (1982) / short story by Orson Scott Card Dogwalker (1989) / novelette by Orson Scott Card But We Try Not to Act Like It (1979) / short story by Orson Scott Card I Put My Blue Genes On (1978) / short story by Orson Scott Card In the Doghouse (1978) / short story by Orson Scott Card and Jay A. Parry The Originist [Foundation] (1989) / novella by Orson Scott Card Afterword (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card Introduction (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Unaccompanied Sonata (1979) / short story by Orson Scott Card A Cross-Country Trip to Kill Richard Nixon (1980) / novelette by Orson Scott Card The Porcelain Salamander (1981) • short story by Orson Scott Card Middle Woman (1981) / short story by Orson Scott Card The Bully and the Beast (1979) / novella by Orson Scott Card The Princess and the Bear (1980) / novelette by Orson Scott Card Sandmagic [Mither Mages] (1979) / novelette by Orson Scott Card The Best Day (1984) / short story by Orson Scott Card A Plague of Butterflies (1981) / short story by Orson Scott Card The Monkeys Thought 'Twas All in Fun (1979) / novelette by Orson Scott Card Afterword (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Introduction (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Mortal Gods (1979) / short story by Orson Scott Card Saving Grace (1987) / short story by Orson Scott Card Eye for Eye (1987) / novella by Orson Scott Card St. Amy's Tale (1980) / novelette by Orson Scott Card Kingsmeat (1978) / short story by Orson Scott Card Holy (1980) / novelette by Orson Scott Card Afterword (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Introduction (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card Ender's Game [Ender Wiggin] (1977) / novelette by Orson Scott Card Mikal's Songbird (1978) / novelette by Orson Scott Card Prentice Alvin and the No-Good Plow [The Alvin Maker Saga] (1989) • poem by Orson Scott Card Malpractice (1977) / short story by Orson Scott Card Follower (1978) / short story by Orson Scott Card Hitching (1978) / short story by Orson Scott Card Damn Fine Novel (1989) / short story by Orson Scott Card Billy's Box (1978) / short story by Orson Scott Card The Best Family Home Evening Ever (1978) / short story by Orson Scott Card Bicicleta (1977) / short story by Orson Scott Card I Think Mom and Dad Are Going Crazy, Jerry (1979) / short story by Orson Scott Card Gert Fram (1977) / short story by Orson Scott Card Afterword (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card

    That led many people to underestimate the Nildoror and their obviously more fearsome commensals, the Sulidoror.But aliens should never be judged by human standards, as the Company learned to its cost when Holman's World, now once again known as Belzagor, was given back to the natives and the Company sent packing. Now Edmund Gunderson, once head of the Company's operation on this world, has come back across the galaxy to settle old scores with the Nildoror. If he can even get them to acknowledge his existence. Cover Artist: Gene Szafran

    Pak's Preschool" a woman discovers that her baby has been called upon to work while still in the womb.  In "NatuLife" a married couple finds their relationship threatened by the wonders of sex by simulation.  In "Sshhh . . . " the arrival of benevolent aliens on Earth leads to frenzy, madness . . . and unimaginable joy.  In "Bubbles" a sentient starcraft reaches the limits of the universe--and dares to go beyond.  These are but a few of the challenging speculations in Otherness, from the pen of an author whose urgent and compelling imaginative fiction challenges us to wonder at the shape and the nature of the universe--as well as at its future.• The Giving Plague • (1988)• Myth Number 21 • (1990)• Story Notes (Transitions) • (1994)• Dr. Pak's Preschool • (1989)• Detritus Affected • (1993)• The Dogma of Otherness • [Editorial (Analog)] • (1986)• Sshhh ... • (1988)• Story Notes (Contact) • (1994)• Those Eyes • (1994)• What to Say to a UFO • (1994)• Bonding to Genji • (1992)• The Warm Space • (1985)• Whose Millennium? • (1994)• NatuLife ® • (1994)• Piecework • (1990)• Science versus Magic • (1990)• Bubbles • (1987)• Story Notes (Cosmos) • (1994)• Ambiguity • (1989)• What Continues ... And What Fails ... • (1991)• The Commonwealth of Wonder • (1990)

    a land of medieval forests, stonewalled cities, and railways reaching into the mountains where the old gods dwell. A country where life is harsh, dreams are gentle, and people feel torn by powerful forces and fight to remain whole. In this enchanting collection, Ursula K. Le Guin brings to mainstream fiction the same compelling mastery of word and deed, of story and character, of violence and love, that has won her the Pushcart Prize, and the Kafka and National Book Awards.

    As the secrets of the artifact are revealed, Sparta uncovers a mystery that may lead her to the truth about her own identity.

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    David wants to make his mummy happy, and tell her he loves her, but can't quite seem to find the words.His verbal communication center is giving him trouble again. He may have to go back to the factory.For more than four decades Brian Aldiss has been confounding the limits of satire, poetry, and science fiction, creating stories from the well of dreamscapes that come up sharp against the cutting edge of our technological society.

    Martin and Gardner Dozois, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called Songs of the Dying Earth, to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel.Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    Forget minor hazards like nuclear bombs. The discovery of time travel means that everything we know, anyone we know, might not only vanish, but never even have existed. Against that possibility stand the men and women of the Time Patrol, dedicated to preserving the history they know and protecting the future from fanatics, terrorists, and would-be dictators who would remold the shape of reality to suit their own purposes. But Manse Everard, the Patrol's finest temporal trouble-shooter, bears a heavy burden. The fabric of history is stained with human blood and suffering which he cannot, must not do anything to alleviate, lest his tampering bring disastrous alterations in future time. Everard must leave the horrors of the past in place, lest his tampering or that of the Patrol's opponents, the Exaltationists, erase all hope of a better future, and instead bring about a future filled with greater horrors than any recorded by past history at its darkest and most foul. Contents: * Time Patrol [Time Patrol • 1] (1955) / novelette by Poul Anderson: In the mid-20th century Manse Everard answers a job ad and gets hired as a time cop. Time travel will be invented centuries in the future; untold centuries beyond that mankind has evolved into a species called the Danellians, who persuaded the early time travellers to set up the Time Patrol with the aim of protecting all of time from any alteration by interfering temponauts that might risk the Danellians' existence. Manse's first mission is to go back to the late 19th century to correct the circumstances that led to the appearance of an anachronistic item in an old burial mound * Brave to Be a King [Time Patrol • 2] (1959) •/ novelette by Poul Anderson: A Time Patrol friend of Manse's, Keith, has gone missing in 6th-century Iran, and Keith's wife begs Manse to go find him. Trouble is, Manse has always had the serious hots for the wife, despite her somewhat whiny voice, so it's very tempting not to try very hard -- to assume that Keith has landed on his feet and is happy where he is, sort of thing. But his honourable self knows better. He discovers Keith has been forced to adopt the persona of Cyrus the Great; rescuing him while preserving the course of history proves to be a far more tortuous business than one might imagine. * Gibraltar Falls [Time Patrol • 3] (1975) / short story by Poul Anderson: What must have been the most remarkable spectacle of known prehistory, the collapse of the isthmus at the Gates of Hercules and the inundation of the basin that is now the Mediterranean Sea by the waters of the Atlantic * The Only Game in Town [Time Patrol • 4] (1960)/ novelette by Poul Anderson: Manse and a friend manage to head off the Chinese colonization, pre-Columbus, of the Americas. 8 Delenda Est [Time Patrol • 5] (1955) / novelette by Poul Anderson: Manse and a friend return from a holiday in the Pleistocene to their own time, only to discover it considerably changed; clearly there's been an unauthorized change to history. Eventually they trace it to an incident during the Punic Wars, which incident made it possible for Hannibal to defeat Rome. They succeed in reversing the change, but know that in so doing they're wiping out all the people they've befriended in the alternative 1950s. They succeed, though, in saving the laughing-eyed Hoirish colleen whom Manse's friend has fallen for. * Ivory, and Apes, and Peacocks [Time Patrol • 6] (1983) / novella by Poul Anderson: Tells of the Exaltationists, the 23rd-century cult whose obsessive pursuit of hedonism renders them unimpressed by the effects their vicious power-and pleasure-seeking could do to the timestream, including the possibility of their wiping the existence of their own culture out of history. Pummairam, a youth who takes Manse under his wing when first the patrolman arrives in Tyre, engineers much of the tricksterism Manse must use to thwart the baddies. * The Sorrow of Odin the Goth [Time Patrol • 7] (1983) / novella by Poul Anderson: A history prof, Carl Farness, has allowed himself to become the personification of the god Odin to a 4th-century tribe of Goths; he has also allowed himself to become far too personally involved with the people whom he's there to study, marrying one of them (with the knowledge of his 20th-century wife) and keeping an eye on the usually somewhat messy fates of his children, grandchildren, etc. Manse gets involved because incarnations of gods are the kind of thing that cause history to be altered; in fact, as Carl points out, all kinds of Goth tribes were convinced they'd been visited by various deities, and their stories were usually quickly dismissed as myths, then forgotten. Still, he must extract himself from the situation with care. * Star of the Sea [Time Patrol • 8] (1991) / novella by Poul Anderson: Europe in the 1st century, and various peoples, led by the likes of Civilis, are rebelling against corrupt Roman rule -- with the violence continuing even after it becomes clear that an honourable peace could be struck. A major factor keeping them at war is the zeal of a visionary/prophetess called Veleda, who for reasons unknown has had a far greater and longer influence in a revealed timeline than she had in the known history of the period. Manse and a historian called Floris, who becomes his first real love, manage to sort out the situation. * The Year of the Ransom [Time Patrol • 9] (1988) / novel by Poul Anderson: Heroine Wanda Tamberley's Uncle Steve, living among Pizarro's brutal conquistadors at the time of the ransoming of Atahuallpa, is attacked by the Exaltationists and then abducted into a very distant past by a quick-witted Spanish soldier who believes him to be a demon. Manse and Wanda to the rescue, of course. * Death and the Knight [Time Patrol] (1995) / novelette by Poul Anderson: how to rescue an errant time agent without changing history. Hugues Marot, a time traveler from the future who towers over most men with his great height, is a member of the Templars. He has accurately predicted some future events: when he is arrested and detained by his fellow Templars, he grasps a crucifix which is a "...symbol and source of help from beyond this world". A source of help indeed, as it conceals his Time Patrol communicator..