Evocative and vivid descriptions of the early stages of the conflict populate these pages, from which the reader can gain lessons of the conditions of the stagnant front.Originally published in 1915, the set of tales within this book offer sobering accounts from various battlefields which took place during the early stages of the war. Although the war was not even halfway over by the time these stories found publication, the horrors of the conflict were already a fact of life, with casualties rapidly mounting on both sides.At that time public opinion hadn’t yet fully turned against the war, and in Britain – the nationality of all the soldiers here – the need for showing progress was essential to sustain civilian and military morale. All of the soldiers in these pages were already serving in their regiments, or had volunteered for service, when the war commenced. They were commonly professional soldiers, possessed of a natural – even ingrained - patriotism, and more accepting of the official narrative than the increasingly sceptical and fearful citizenry back home. There is however no doubt that many were already disillusioned, and that the stories here are taken from an already thinning group of soldiers still possessed of some shred of belief in the war as a noble, or even glorious, conflict.Despite the mood which underpins the pages here, one can read between the lines for a picture. The stories are honest: thing got worse between those elated first weeks wherein the French welcomed their allies so gladly, and the war that was to be over by Christmas 1914 was nowhere near ending, and it is in these stories that we witness the germinal seeds of disillusion and hatred of conflict. The majority of the illustrations which originally accompanied these accounts prioritise the heroism of their subjects, while a few offer a toned down presentation of the horrific battlefields. In this modern edition, we include a number of relevant photographic illustrations alongside the original drawings which accompanied the stories when they were first published. While the imagery of World War I is generally quite ingrained in our minds, these supplementary pictures are designed as on-the-spot reminders of how war was more than a century ago, as well as to provide demonstration of the weapons and technology of the era.

    The golem's task was to vanquish those who persecuted the Jews of Prague, and he performed it almost too well. Retold from traditional sources and accompanied by masterly cutpaper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It offers a thought-provoking look at the consequences of unleashing power beyond human control.Winner of the 1997 Caldecott Medal.

    T. Barnum's career of showmanship and charlatanry was marked by a surprising undercurrent of honesty and forthrightness. His exuberant autobiography forms a happy combination of all those traits, revealing the whole story of his world-famous hoaxes and publicity stunts. Here is a pageant of nineteenth-century America's gullibility and thirst for marvels, as told by the master of revels himself.A born storyteller, Barnum recalls his association with Tom Thumb, his audience with Queen Victoria, and his trouble keeping Jenny Lind's angelic image intact during a trying tour. He tells of Jumbo, the most famous elephant in history, from the creature's heroic arrival in America to its tragic death in a railroad accident; of his attempts to transfer Shakespeare's house and Madame Tussaud's Waxworks from England to New York; and of his triumphant reentry into public life after financial failure and five disastrous fires had all but wiped him out. The true-life tale of a man of boundless imagination and indomitable energy, Barnum's autobiography embodies the spirit of America's most exciting boom years.

    Who are these people? Over more than 200 years, the American voters have sent a platoon of rogues, cowards, drunks, featherweights, doddering geriatrics, bigots, and atrocious spellers to Washington D.C. to sit one bullet, cerebral hemorrhage, or case of pneumonia away from the highest office in the land. Veeps tells the sordid, head-scratching, perversely-entertaining stories of these men we've chosen to ride shotgun in the biggest rig in democracy, without ever seriously considering the possibility that they might have to take the wheel.

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.

    Longtime skateboard artist Sean Cliver put together this staggering survey of over 1,000 skateboard graphics from the last 30 years, creating an indispensable insiders' history as he did so.Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as: Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk.The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face.

    Now, a former Senior Editor for "Maxim gives a crash course on the men behind our favorite labels, including:

    We spend our days catching buses and trains, tapping away at computers, shopping, queuing, lying on sofas... But we know almost nothing about these activities. Exploring the history of these subjects as they come up during a typical day, starting with breakfast and ending with bedtime, Joe Moran shows that they conceal all kinds of hidden histories and meanings. By looking closely at the normally unobserved, he tells a story about social and cultural change in Britain and the Western world, in particular since the Second World War. And along the way connections become apparent between what seem unrelated phenomena - pubs and the weather forecast, or sandwiches and commuting, or smoking and gossip.Drawing on his academic research on everyday life, but writing with wit and lucidity for a popular audience, Joe Moran shows that we know less about ourselves than we think...

    You may find it hard to believe that the majority of envelopes arrived at their intended destinations, but they did, and all have postmarks to prove it! Their safe delivery is a tribute to the heroic postal employees who rose to the challenge.

    The Pilgrims probably landed here first, and recorded history got the geography wrong, because really, everything started here. We have the Yankees and the Mets, plus the Giants and the Jets, even if they are, for some weird reason, in New Jersey. And we have trout, lots of cows, the Catskills, the Baseball Hall of Fame, a really big waterfall, and we're the birthplace of Martin Van Buren and Millard Fillmore, for Pete's sake.But there's something else, something we've got so much more of. We've got a great big quantity of . . . weirdness. Yes, our level of bizarreness is so high that we enticed an out of stater to become a New Yorker and chronicle it all. With notepad in hand and apples in pocket for nourishment, author Chris Gethard scouted the state's highways and byways in search of the odd and the offbeat. He tracked down impossible-to-believe tales, only to discover odd grains of truth that give the stories just enough credibility to make one feel . . . slightly uneasy.So turn the pages and visit Long Island's Big Duck, travel down Moan and Groan Road in, of all places, a town called Hope, and sample the Jell-O Museum in Le Roy. Drive by the abandoned insane asylums that blanket the state?big surprise. By all means avoid the screaming and gunshots of House Road, but do coast up Spook Rock Road, say hi to Jumper and Grumpy at America's largest pet cemetery, and knock on Eunice Welsh's crypt (she might knock back). Be lured into the water, if you're really dumb, by the Lady of Lake Ronkonkoma, and next time you're in Staten Island, beware of Bigfoot?he's found his way out there.Yes, it's a grand state, and it's clear why we all sing "I Love New York" with such fervor. A brand-new entry in the best-selling Weird U.S. series, Weird New York is filled with all the good stuff your history teacher never taught you. So get on the road with Chris for a great adventure. We guarantee it'll make you love New York that much more.Chris Gethard served as the associate editor of Weird NJ magazine for over four years. While there he helped write and edit the book, Weird NJ, and co-authored its follow-up, Weird U.S. Chris is also an actor and comedian, has contributed writing to shows on Comedy Central, and has acted on a number of TV programs, including Late Night with Conan O'Brien. He is a performer and teacher at the Upright Citizens Brigade Theater in Manhattan.Chris grew up in West Orange, New Jersey, a few short blocks from the laboratory where Thomas Edison once put on public electrocutions of a variety of animals. Now he lives in Astoria, Queens, just a stone's throw from the Hell Gate section of the East River where over one thousand people perished in the General Slocum steamboat fire of 1904.

    Now officially the longest reigning monarch in British history, Elizabeth II has spent over half a century on the throne, rarely taking a sick day and, in her tenth decade, remains amazingly comfortable in her own skin. How does she do it?For the first time, step behind palace doors to unlock the little-known secrets behind the Queen's remarkable self-preservation and continued radiance. Investigating the six lifestyle spheres that have kept her going strong for decades, you'll learn how to channel your inner royal - whether at work or at the table - in this fascinating plunge into the House of Windsor's famous fountain of youth.Extensively researched and delightfully revelatory, it's the story of how one strong queen can make stronger, happier, healthier subjects of us all. Long live you!

    It was the first Brian Eno album tobe composed almost completely in the confines of a recording studio,over a scant few months in the summer of 1975. The album was a proofof concept for Eno's budding ideas of "the studio as musicalinstrument," and a signpost for a bold new way of thinking aboutmusic.In this book, Geeta Dayal unravels Another Green World's abundantmysteries, venturing into its dense thickets of sound. How was analbum this cohesive and refined formed in such a seemingly ad hoc way?How were electronics and layers of synthetic treatments used to createan album so redolent of the natural world? How did a deck of cardsfigure into all of this? Here, through interviews and archivalresearch, she unearths the strange story of how Another Green Worldformed the link to Eno's future -- foreshadowing his metamorphosisfrom unlikely glam rocker to sonic painter and producer.

    Tudor histories are rife with "facts" about Henry VIII's life and health, but as a medical anthropologist, Kyra Kramer, author of Blood Will Tell, has learned one should never take those "facts" at face value. In Henry VIII's Health in a Nutshell, Kramer highlights the various health issues that Henry suffered throughout his life and proposes a few new theories for their causes, based on modern medical findings. Known for her readability and excellent grasp of the intricacies of modern medical diagnostics, Kyra Kramer gives the reader a new understanding of Henry VIII's health difficulties, and provides new insights into their possible causes.

    Here, set against the backdrop of America struggling through the Depression, is the world of magic, a realm of stars, sleight of hand, and sin where dreams could be realized-or stolen away. Following the Crash of '29, Dai Vernon, known by magicians as "the man who fooled Houdini," is tramping down Midwestern backroads, barely making ends meet. While swapping secrets with a Mexican gambler, he hears of a guy he doesn't quite believe is real-a legendary mystery man who deals perfectly from the center of the deck and who locals call the greatest cardsharp of all time. Determined to find the reclusive genius, Vernon sets out on a journey through America's shady, slick, and sinful side-from mob-run Kansas City through railroad towns that looked sleepy only in the daytime. Does he find the sharp? Well, Karl Johnson did-after years of research into Vernon's colorful quest, research that led him to places he never knew existed. Johnson takes us to the cardsharp's doorstep and shows us how he bestowed on Vernon the greatest secret in magic. The Magician and the Cardsharp is a unique and endlessly entertaining piece of history that reveals the artistry and obsession of a special breed of American showmen.

    Picardie's unprecedented research illuminates Chanel’s path from little-known seamstress to the aristocracy of style in this stunning look at the fashion icon, illustrated with more than sixty color and black-and-white images.