Gerda Panofsky-Soergel has updated the commentary in the light of new material, and the bibliography that she has prepared reflects the scholarship on St.-Denis in the last three decades. She has obtained some additional and more recent photographs, and the illustrations include a new ground plan and a new section of the chevet of the Abbey Church, both drawn under the supervision of Sumner McKnight Crosby.

    Two nations. One crown. 1328. After years of civil unrest between England and France, Charles IV dies, leaving no apparent heir. His closest heir to the throne is Edward III of England, but it passes instead to Charles' cousin, Phillip, spurring both countries on to war.1346. Landing at Normandy, Edward's immense army makes inroads into French territory, burning everything in their path. But the mysterious assassination of an English knight reveals a terrible truth: there is a traitor in their midst. The king charges Simon Merrivale, the Prince of Wales’ herald, with solving the case.As the army marches on towards its destiny, at the awesome scenes of the Battle of Crécy, Simon will uncover a conspiracy that goes to the heart of the warring nations. Among the ashes and the rubble, their fate will be decided: on the battlefield... and in the shadows.

    Britain's underbelly was exposed.The Dark Ages had begun... Rome had abandoned Britannia, leaving its people undefended. Anglo Saxon warriors, previously employed as mercenaries, now saw themselves as conquerors. The scene was set, as more war bands crossed the North Sea to take British gold, slaves, and land. One Briton, alone in the forest, wanting only to live as a hunter and trapper, was about to have his life changed forever. Dominic would become the hope of abandoned Britons. Dominic the wolf slayer would become the nemesis of any evil that entered his forest realm.

    We need not walk far, because paradise is right around the corner." --Hundertwasser Friedrich Stowasser, born in Vienna in 1928, called himself Friedensreich Hundertwasser Regentag Dunkelbunt. True to the colorful variety of his names, he has pursued many activities as a painter, architect, and ecologist, and as "one who awakens identities." This presentation of Hundertwasser's work in all of its different facets is guided by the artist's own view of himself and his purpose. And, because his work is, by nature, virtually inseparable from his biography, his artistic and political actions, and equally so from the "stories" of his (ostensibly) private life, a vivid portrait of the artist takes shape before the reader's eyes. Excerpts from conversations between the author and the artist lend a sense of immediacy and authenticity to the narration.

    Interestingly, abstract expressionism is considered to be the first movement originating in America to have a worldwide influence. Two very different sub-categories of the movement developed: action painting (exemplified notably by Willem de Kooning and Jackson Pollock) and color field painting, made most famous by Mark Rothko. Abstract expressionists strove to express pure emotion directly on canvas, via color and especially texture (the surface quality of the brushstroke), by embracing accidents, and celebrating painting itself as a communicative action. Artists featured: William Baziotes, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Philip Guston, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, Joan Mitchell, Robert Motherwell, Barnett Newman, Jackson Pollock, Ad Reinhardt, Mark Rothko, David Smith, Theodoros Stamos, Clyfford Still, Mark Tobey, Bradley Walter Tomlin.

    Before he did, he carefully eliminated all obstacles in his way—or so he thought. Despite all his efforts, a wide network of spies and soldiers are planning to remove him from power and put his niece, the First Princess, on the throne.Fourteen-year-old Ellery Rider is an orphan living in a frontier village cut off from the terror Jadeth has caused. When a knight arrives to recruit men for the army massing against the king, her only worry is that her cousin and only friend will be dragged into the war.When the knight gives her an emerald necklace, Ellery discovers that she has much bigger things to worry about. The emerald is a dragonstone, and Ellery has become one of the Draikon, the mythical race of dragon shapeshifters who are the shadow king’s only enemies. Despised throughout Prell for abandoning Jadeth’s eldest brother in his hour of need, they are nevertheless the only thing that stands between the shadow king and absolute power.

    The printing press had yet to be invented, and books were rare and costly, painstakingly lettered by hand and illuminated with exquisite paintings. Finn is a master illuminator who works not only for the Church but also, in secret, for John Wycliffe of Oxford, who professes the radical idea that the Bible should be translated into English for everyone to read. Finn has another secret as well, one that leads him into danger when he meets Lady Kathryn of Blackingham Manor, a widow struggling to protect her inheritance from the depredations of Church and Crown alike. Finn's alliance with Lady Kathryn will take us to the heart of what Barbara Tuchman once called the calamitous fourteenth century.Richly detailed and irresistibly compelling, Brenda Rickman Vantrease's The Illuminator is a glorious story of love, art, religion, and treachery at an extraordinary turning point in history.

    The Highland Mist series continues . . . Once sworn enemies, the fearsome knight Sir Galen de Ogilvy and the beautiful, headstrong Scotswoman, Laoghaire MacKinnon, have been ordered by Robert the Bruce to wed one another in order to end the blood feud between their two families. And though their marriage is born of ancient hatreds, beneath the newlyweds’ fiery exchanges an explosive passion simmers. But Laoghaire soon discovers a far more dangerous enemy lurking in the shadows, one who will stop at nothing to sever the burgeoning bond between her and Galen. When the treachery is finally revealed, it will put their love and their lives in deadly peril. HER SCOTTISH WARRIOR is a sensuous and spirited tale in which swords and hearts clash, as a formidable warrior and a bold-hearted bride discover that love, and not revenge, is the one thing worth fighting for.ABOUT THE AUTHOR: Kate Wingo is the pseudonym of a two-time Golden Heart finalist. Born in Washington DC, she graduated from George Mason University with a degree in art history. Although Kate began her writing career in the romance genre, she switched gears several years ago, making the leap to thrillers. Having completed an esoteric thriller series for Penguin UK under the pen name C.M. Palov, she has happily returned to her romance roots. Kate lives and writes from her home in Virginia’s Shenandoah Valley.

    When they are unable to fend off the invading army, the leader of their enemies claims Christiana was promised to him as his wife, along with her home and her family's lands. Betrothed to another, she fights him, but finds herself married quickly.Roland joined William of Normandy for the potential to become a land owner. A second son, he knows the only way he will ever own anything is by joining forces with the powerful ruler. He's told there are three sister witches defending their home and the oldest is his promised bride. Both Christiana and Roland are used to being in charge. Will the sisters be able to fight off the coming evil to fulfill their destiny? Is it possible for two headstrong people from different cultures to find a way to live as husband and wife?

    Where the legend ends, the story begins... Lancashire, England, AD 1480 The story of England's last wolf plays a large part in Kate's life. The man who killed the wolf is her father, Sir John Harrington, lord and master of Wraysholme Manor. Strangely, though, her knowledge of the tale is all second-hand. Her father, for unknown reasons, refuses to speak of exactly what happened the day the wolf was killed. Nor will he speak of Kate's mother, who died soon after giving birth. So, Kate is left to wonder about her past, although lately her curiosity has been overshadowed by a series of unusual dreams. Indeed, her lonely heart has been captured by the handsome stranger who speaks to her in sleep. But he is not the only man who haunts her nights. There is another who lurks in the shadows of her subconscious. Who is he, and why does she feel so threatened by him? When Kate is brutally snatched from her home, she begins to understand the meaning behind her dreams and the incredible truth about her past. Her captor is a man void of emotion and without conscience, yet Kate finds herself irresistibly drawn to his dark charisma. As the reason for her kidnapping is revealed, Kate is faced with a decision. Will she find the courage to make the right choice? Can the love of a gentle heart hope to save an unfeeling and corrupted soul? Perhaps – especially if their destinies were preordained long ago. The death of the wolf, it seems, is part of an much older legend.

    Venice's rich history is explored by a resident historian, and descendent from a patrician Ventian family in this beautifully illustrated study.  Readers are guided from 5th century Venice to present day, uncovering historical facts, legends and catching glimpses into the lives of it's people, many of which are the authors own colorful ancestors.

    Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.