He’s a good-looking, smooth-talking former pro-basketball player, but he has a problem: He has never been satisfied with just one woman. Then he meets Terri and everything changes. Sort of.Genesis knows that Terri is perfect for him, and they become engaged. But Genesis just can’t seem to stop cheating on Terri nearly every chance he gets. Genesis’s best friend, Prodigy, constantly warns him that he’s going to mess up the best thing ever to happen to him, but Genesis is not ready to listen.After dealing with a family crisis, Genesis realizes the importance of his relationship with Terri, and he begins to change his cheating ways. He knows that once he says, “I do,” everything will fall into place. But it may be too late, because one of his past indiscretions comes back to haunt him, and Terri has a few surprises of her own for Genesis.

    After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.

    Some stories need to be told.When seventeen-year-old Rowan Chase finds a skeleton on her family’s property, she has no idea that investigating the brutal century-old murder will lead to a summer of painful discoveries about the past, the present, and herself.One hundred years earlier, a single violent encounter propels seventeen-year-old Will Tillman into a racial firestorm. In a country rife with violence against blacks and a hometown segregated by Jim Crow, Will must make hard choices on a painful journey towards self discovery and face his inner demons in order to do what’s right the night Tulsa burns.

    W. E. B. Du Bois (1868–1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression.Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.

    The magic of the drum remains alive in Africa today, and with her magnificent second novel, Berry brings those powerful beats to the streets of Harlem.Harry "Freedom" Hudson is the hottest hip-hop producer in New York City, earning unbelievable fees for his tunes and the innovative sound that puts his artists on the top of the charts. Harry is used to getting what he wants, so when he's irresistibly drawn to a house in Harlem, he assumes he'll be moving in as soon as the papers can be drawn up. The house, after all, has been abandoned for years. Or has it? Rumors are rife in the neighborhood that the house is haunted; that mysterious music, shouts, and sobbing can be heard late at night. Ava, Harry's strong-willed, no-nonsense agent, dismisses it all as "old folks" tales-until she opens the door and finds an eerie, silent group of black people, young and old, all gathered around a man holding an ancient African drum. They are waiting for Harry and bear a warning that touches his very soul: "We gave the drum back to your generation in the form of rap, but it's being used to send the wrong message." The Haunting of Hip Hop is a reminder of the importance of honoring the past as a means of moving safely and firmly into the future. It is sure to raise eyebrows and stir up controversy about the impact, good and bad, of rap culture.

    from Middle English "wenchel," 1 a: a girl, maid, young woman; a female child.Tawawa House in many respects is like any other American resort before the Civil War. Situated in Ohio, this idyllic retreat is particularly nice in the summer when the Southern humidity is too much to bear. The main building, with its luxurious finishes, is loftier than the white cottages that flank it, but then again, the smaller structures are better positioned to catch any breeze that may come off the pond. And they provide more privacy, which best suits the needs of the Southern white men who vacation there every summer with their black, enslaved mistresses. It's their open secret.Lizzie, Reenie, and Sweet are regulars at Tawawa House. They have become friends over the years as they reunite and share developments in their own lives and on their respective plantations. They don't bother too much with questions of freedom, though the resort is situated in free territory–but when truth-telling Mawu comes to the resort and starts talking of running away, things change.To run is to leave behind everything these women value most–friends and families still down South–and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances–all while they are bearing witness to the end of an era.An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.

    At the beginning of Pudd'nhead Wilson a young slave woman, fearing for her infant son's life, exchanges her light-skinned child with her master's.  From this rather simple premise Mark Twain fashioned one of his most entertaining, funny, yet biting novels.  On its surface, Pudd'nhead Wilson possesses all the elements of an engrossing nineteenth-century mystery:  reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution.  Yet it is not a mystery novel.  Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes.  Written in 1894, Pudd'nhead Wilson glistens with characteristic Twain humor, with suspense, and with pointed irony:  a gem among the author's later works.

    Randall is rich, handsome, and charming -- the true-to-life dream lover of these smart, independent women who all find themselves passionately involved with him during the same seven-month period.There's Medora Jackson, an artist who has loved Randall since college and is now desperately trying to cut him loose. But turning Randall Hollis out of her life will end up being far more difficult than she thinks. There's Ana Reese-Mitchell, a wealthy widow and art collector who is haunted by the death of her best friend and the specter of her cruel late husband. She hopes Randall Hollis will be her second chance at love. And there's ambitious Taylor Benedict, a graduate student in art history who is coming to terms with her parents' divorce and problems from her childhood that she can't chase away. She's sure that Randall Hollis will be the first rung on her ladder to success.Randall Hollis is a man for all seasons, representing a different fantasy for each of the women who love him. As the novel unfolds, each woman will discover more about herself than she bargained for. And each, along with the errant Randall himself, will finally know the true meaning of love and the peace that comes with forgiveness.

    I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.Percival Everett’s hilarious new novel follows Not Sidney’s tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: “What’s your name?” a kid would ask. “Not Sidney,” I would say. “Okay, then what is it?”

    The bombing killed eleven people and started a fire that destroyed sixty other houses. At the center of the story is Cudjoe, a writer and exile who returns to his old neighborhood after spending a decade fleeing from his past, and his search for the lone survivor of the fire — a young boy who was seen running from the flames. An impassioned, brutally honest journey through the despair and horror of life in urban America, "Philadelphia Fire isn't a book you read so much as one you breathe" (San Francsisco Chronicle).

    As Kezi becomes another immortalized victim in the fight against police brutality, Happi begins to question the idealized way her sister is remembered. Perfect. Angelic.One of the good ones.Even as the phrase rings wrong in her mind—why are only certain people deemed worthy to be missed?—Happi and her sister Genny embark on a journey to honor Kezi in their own way, using an heirloom copy of The Negro Motorist Green Book as their guide. But there's a twist to Kezi's story that no one could've ever expected—one that will change everything all over again.

    As the emotionally scarred Lovejoys prepare for their mother’s funeral, the spirit of the selfish and manipulative Mudear hovers above them, complaining about her daughters’ “ugly ways” in death as she did in life.

    As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence. Quicksand , Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life.

    Franklin Frazier’s Black Bourgeoisie was simultaneously reviled and revered—revered for its skillful dissection of one of America’s most complex communities, reviled for daring to cast a critical eye on a section of black society that had achieved the trappings of the white, bourgeois ideal. The author traces the evolution of this enigmatic class from the segregated South to the post-war boom in the integrated North, showing how, along the road to what seemed like prosperity and progress, middle-class blacks actually lost their roots to the traditional black world while never achieving acknowledgment from the white sector. The result, concluded Frazier, is an anomalous bourgeois class with no identity, built on self-sustaining myths of black business and society, silently undermined by a collective, debilitating inferiority complex.

    The advance team for an ambitious American research project arrives, and the tense ambivalent relationships that evolve -- between natives and foreigners, blacks and whites, haves and have-nots -- keenly dramatize the vicissitudes of power.