A woman had wanted to leave him. You're not going anywhere, he told her. Later that day, a police officer reports to the house and finds some human tissue and organs in a bag left out for garbage. The person of interest in the case is a steelworker named Sam Pirrera, who lives in the house. But who is the victim? Sam's current estranged wife, Danielle? It is known that they had a stormy relationship; Sam had assaulted her as his coke addiction returned. Forensic detectives find traces of blood in the basement, and then the entire corpse, dismembered, the parts hidden behind a false wall and packed in boxes, each of the parts wrapped and doused in gasoline. The victim's identity is discovered through prints to be a prostitute named Maggie Karer. The dismemberment, defensive mutilation, is so calculated and deliberate, the detectives wonder, are there more victims? But Pirrera's first wife was named Beverly, and a woman named Lesa Davidson shows up at the police station to say she hasn't heard from her daughter-Beverly-in eight years. And Sam's estranged wife, Danielle, who is in fact alive, tells police that Sam had once told her he had killed his first wife and dumped her parts in a vat of molten steel at a steel plant. Detectives now pursue a double murder case, led by veteran homicide detective Peter Abi-Rashed, who had once chased a young Sam Pirrera on the streets of Hamilton's east end many years before. The outcome is shocking - and a mystery remains.

    A neatly typed letter explained that the box contained 1,000 pounds of dynamite. It was the largest improvised explosive device in American history—and its creator promised to explain how to remove it safely if the casino delivered $3 million by helicopter to a remote landing site in the mountains. “Do not try to move, disarm, or enter the bomb,” the letter warned. “It will explode.” The bomb maker was one Janos “Big John” Birges, a Hungarian political refugee who had worked his way up from nothing to become a successful entrepreneur in Fresno, California—only to see his life unraveled in middle age by divorce, cancer, and gambling debts. By 1980, he owed hundreds of thousands of dollars to Harvey’s. And he had roped his two teenage sons—who were as eager to please their father as they were terrified of him—into a plot to get the money back. But the bomb he planted in the casino that August wasn’t just an extortion scheme. It was a brilliant feat of engineering—an intricate and deadly puzzle that Birges hoped would prove once and for all just how badly the world had underestimated him. In A Thousand Pounds of Dynamite, Adam Higginbotham draws from interviews with federal agents and Birges’s co-conspirators—as well as never-before-released FBI records—to tell the true story of the race to stop one of history’s most bizarre extortion plots. By turns action-packed and darkly hilarious, A Thousand Pounds of Dynamite is an engrossing tale of genius at its most deranged. Praise for A Thousand Pounds of Dynamite: “A simple plan and a hell of a lot of explosives pay off in a galloping true crime tale that speaks in the language of ’70s SoCal dirt-bags, dreamers and G-men. Stranger still, beneath the pyrotechnics lies a poignant story of family. Higginbotham’s skills as a journalist and storyteller left me banging the plate for more.” —Charles Graeber, author of The Good Nurse “Of all the spectacular crimes that plagued America at the tail end of the Me Decade, none was more bizarre or more ambitious than the plot to bomb Harvey’s Wagon Wheel Casino. Adam Higginbotham brings this bonkers caper to vivid life in A Thousand Pounds of Dynamite, a tale that explores the very fine line between criminal genius and criminal insanity. You’ll devour this rollicking yarn in one sitting, then spend the next few months regaling your friends with all the astonishing details.” —Brendan I. Koerner, author of The Skies Belong to Us

    Although Italian-American criminals are covered, this is not just another Italian mafia book. The book covers the Jewish gangsters as well (who truly were the pioneers of organized crime) and the Irish gangs, who were one of the first ethnic groups to run the New York City rackets. Joe even presents a few "lady gangsters" too.Most of all, “ Mobsters, Gangs, Crooks and Other Creeps-Volume 1- New York City" is easy to read. The short-chapter format is a stroke of genius. It is interesting, informative, entertaining, and to the point. You won't be bored reading it. Joe Bruno has hit the mark in presenting Old New York the way it really was. Rough and bloody! Mathew J. Mari - Criminal Attorney

    An improvised game of cricket was often the circuit-breaker Harry and his team needed after the tension of operations. He began a tradition of organising matches wherever he was sent, whether it was in the mountains of East Timor with a fugitive rebel leader, or on the dusty streets of Baghdad, or in exposed Forward Operating Bases in the hills of Afghanistan. Soldiers, locals and even visiting politicians played in these spontaneous yet often bridge-building games.As part of the tradition, Harry also started to take a cricket bat with him on operational tours, eleven of them in total. They'd often go outside the wire with him and end up signed by those he met or fought alongside. These eleven bats form the basis for Harry's extraordinary memoir. It's a book about combat, and what it takes to serve in one of the world's most elite formations. It's a book about the toll that war takes on soldiers and their loved ones. And it's a book about the healing power of cricket, and how a game can break down borders in even the most desperate of circumstances.

    The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.

    A divorced mother has a secret love affair with a travelling priest. A widower miraculously finds a three-minute video recorded by his wife before she died. A tree lopper's heart falls in a forest. A working mum contemplates taking the photographs of her late husband down from the fridge. A girl writes her last letter to the man she loves, then sets it on fire. An ageing gigolo regrets the one that got away. A palliative care nurse helps a dying woman converse with the angel at the end of her bed. A renowned 100-year-old scientist ponders the one great earthly puzzle he was never able to solve: 'What is love?'Endless stories. Human stories. Love stories.Inspired by a personal moment of profound love and generosity, bestselling author – and one of Australia's finest journalists – Trent Dalton spent two months in 2021 pounding city pavements, speaking to Australians from all walks of life and asking them one simple and direct question: 'Can you please tell me a love story?' For two straight weeks he sat at a desk with a sky-blue 1960s Olivetti typewriter, on the bustling corner of Adelaide and Albert streets, Brisbane, with a sign saying, 'Sentimental writer collecting love stories. Do you have one to share?'The result is Love Stories – a warm, wise, poignant, funny and moving book about love in all its guises, including stories, observations and reflections on lovers in parks; people in cemeteries, hospital wards, pubs and bingo halls; and newlyweds walking out of registry offices. There will be stories of people falling into love, falling out of love, and never letting go of the loved ones in their hearts. And woven through it all will be remembrances of Trent's own special moments, and of the people whose love stories have made him the man and writer he is today.A heartfelt, deep, funny, wise and tingly tribute to the greatest thing we will never understand and the only thing we will ever really need: love.

    Swiss tells the heartbreaking, horrifying, and ultimately triumphant story of the women exiled from the British Isles and forced into slavery and savagery-who created the most liberated society of their time. Agnes McMillan and Janet Houston were convicted for shoplifting. Bridget Mulligan stole a bucket of milk; Widow Ludlow Tedder, eleven spoons. For their crimes, they would be sent not to jail, but to ships teeming with other female convicts. Tin tickets, stamped with numbers, were hung around the women's necks, and the ships set out to carry them to their new home: Van Diemen's Land, later known as Tasmania, part of the British Empire's crown jewel, Australia. Men outnumbered women nine to one there, and few "proper" citizens were interested in emigrating. The deportation of thousands of petty criminals-the vast majority nonviolent first offenders-provided a convenient solution for the government. Crossing Shark-infested waters, some died in shipwrecks during the four-month journey, or succumbed to infections and were sent to a watery grave. Others were impregnated against their will by their captors. They arrived as nothing more than property. But incredibly, as the years passed, they managed not only to endure their privation and pain but to thrive on their own terms, breaking the chains of bondage, and forging a society that treated women as equals and led the world in women's rights.The Tin Ticket takes us to the dawn of the nineteenth century and into the lives of Agnes McMillan, whose defiance and resilience carried her to a far more dramatic rebellion; Agnes's best friend Janet Houston, who rescued her from the Glasgow wynds and was also transported to Van Diemen's Land; Ludlow Tedder, forced to choose just one of her four children to accompany her to the other side of the world; Bridget Mulligan, who gave birth to a line of powerful women stretching to the present day. It also tells the tale of Elizabeth Gurney Fry, a Quaker reformer who touched all their lives. Ultimately, it is the story of women discarded by their homeland and forgotten by history-who, by sheer force of will, become the heart and soul of a new nation.

    Carrying out a genocidal plundering of the Congo, he looted its rubber, brutalized its people, and ultimately slashed its population by ten million--all the while shrewdly cultivating his reputation as a great humanitarian. Heroic efforts to expose these crimes eventually led to the first great human rights movement of the twentieth century, in which everyone from Mark Twain to the Archbishop of Canterbury participated. King Leopold's Ghost is the haunting account of a megalomaniac of monstrous proportions, a man as cunning, charming, and cruel as any of the great Shakespearean villains. It is also the deeply moving portrait of those who fought Leopold: a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure and unexpectedly found themselves witnesses to a holocaust. Adam Hochschild brings this largely untold story alive with the wit and skill of a Barbara Tuchman. Like her, he knows that history often provides a far richer cast of characters than any novelist could invent. Chief among them is Edmund Morel, a young British shipping agent who went on to lead the international crusade against Leopold. Another hero of this tale, the Irish patriot Roger Casement, ended his life on a London gallows. Two courageous black Americans, George Washington Williams and William Sheppard, risked much to bring evidence of the Congo atrocities to the outside world. Sailing into the middle of the story was a young Congo River steamboat officer named Joseph Conrad. And looming above them all, the duplicitous billionaire King Leopold II. With great power and compassion, King Leopold's Ghost will brand the tragedy of the Congo--too long forgotten--onto the conscience of the West

    Wilder was handsome and charming, and time and time again he managed to convince beautiful young women that he was a fashion photographer looking to help them start a career in modelling. What followed were some of the most brutal, sadistic crimes the world has ever seen – as well as a years-long police operation, dogged by missed opportunities and bad decisions, to track the killer down. Featuring new evidence unearthed from case files and interviews with FBI agents, witnesses and survivors, some of whom have spoken for the first time since the horrendous crimes were committed, The Pretty Girl Killer takes us right into the mind and moment of one of Australia’s most heinous exports.

    Once the old, cantankerous Sam Clevenger and his wife, Charlotte, hired Frank Willson and John Johnson to help with the move, their fate took a dark turn. These true events were documented by journalists through the 1887 trial and well into the 1900s, and stories have been told of Sam’s unfound treasure for nearly 130 years. But, this is the first detailed, documented, and vetted account of their bizarre and fascinating tale.

    It is real-life police procedural, courtroom drama, family saga, investigative journalism, social history, archival treasure hunt - a meditation, too, on how the past shapes the present, and the present the past.On a warm evening in December 1949, two young people met by chance under the clocks at Flinders Street railway station. They decided to have a night on the town. The next morning, one of them, twenty-year-old typist Beth Williams, was found dead on Albert Park Beach. When police arrested the other, Australia was transfixed: twenty-four-year-old John Bryan Kerr was a son of the establishment, a suave and handsome commercial radio star educated at Scotch College, and Harold Holt's next-door neighbour in Toorak.Police said he had confessed. Kerr denied it steadfastly. There were three dramatic trials attended by enormous crowds, a relentless public campaign proclaiming his innocence involving the first editorials against capital punishment in Australia. For more than a decade Kerr was a Pentridge celebrity, a poster boy for rehabilitation – a fame that burdened him the rest of his life. Then, shortly after his death, another man confessed to having murdered Williams. But could he be believed?

    Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence.The popular fascination with the Borden murders and its central, enigmatic character has endured for more than a hundred years, but the legend often outstrips the story. Based on transcripts of the Borden legal proceedings, contemporary newspaper articles, previously withheld lawyer's journals, unpublished local reports, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is a definitive account of the Borden murder case and offers a window into America in the Gilded Age, showcasing its most deeply held convictions and its most troubling social anxieties.

    When she was 18 her family moved to Broome, and it was the first time she'd ever used a telephone or seen a television.A year later, only hours after being railroaded into marriage by a fast-talking Yank, Sheryl locked eyes with Bob McCorry, a drover and buffalo shooter. When her marriage ended after only a few months, they began a love affair that would last a lifetime and take them to the Kimberley's harshest frontiers.Sheryl became the only woman in a team of stockmen. She soon learned how to run rogue bulls and to outsmart the neighbours in the toughest game of all – mustering cattle. The playing field was a million acres of unfenced, unmarked boundaries.Sheryl went on to become the first woman in the Kimberley to run two million-acre cattle stations, but her life was not without its share of tragedy. Her story is an epic saga of life in one of the toughest and most beautiful terrains in Australia – a story of hardship, drought, joy and triumph.

    

    Following on from Our Story, Ron Kray fills in the gaps and gives his version of the murders of Jack The Hat McVitie and George Cornell, describing his bisexuality and his marriage in Broadmoor and clarifying many of the misconceptions about the years when he and Reg ruled the London underworld, shot enemies at will and simultaneously socialized with some of the most glittering politicians, celebrities and hostesses of the time.