“Fascinating, brave & sometimes infuriating” (Time), this dark history is more than a chronicle of religion. It's the central tragedy of Western civilization, its fault lines reaching deep into our culture to create “a deeply felt work” (San Francisco Chronicle) as Carroll wrangles with centuries of strife & tragedy to reach a courageous & affecting reckoning with difficult truths.

    This book equips readers with principles of interpretation, then moves on to apply those principles to specific genres and contexts. This second edition now contains an updated bibliography, a new chapter on inspiration and canon, and new exercises.

    Its rather absurd to identify a first-century homeless Jew as God revealed, but a bunch of us do anyway. In this book, Tripp Fuller examines the historical Jesus, the development of the doctrine of Christ, the questions that drove christological innovations through church history, contemporary constructive proposals, and the predicament of belief for the church today.Recognizing that the battle over Jesus is no longer a public debate between the skeptic and believer but an internal struggle in the heart of many disciples, he argues that we continue to make christological claims about more than an event or simply the Jesus of history. On the other hand, C. S. Lewiss infamous liar, lunatic, and Lord scheme is no longer intellectually tenable. This may be a guide to Jesus, but for Christians, Fuller is guiding us toward a deeper understanding of God. He thinks its good newsgood news about a God who is so invested in the world that God refuses to be God without us.

    Originally a rebel leader, Josephus changed sides after he was captured to become a Rome-appointed negotiator, and so was uniquely placed to observe these turbulent events, from the siege of Jerusalem to the final heroic resistance and mass suicides at Masada. His account provides much of what we know about the history of the Jews under Roman rule, with vivid portraits of such key figures as the Emperor Vespasian and Herod the Great. Often self-justifying and divided in its loyalties, The Jewish War nevertheless remains one of the most immediate accounts of war, its heroism and its horrors, ever written.

    Lewis, get your daily dose of inspiration from this one-of-a-kind devotional collecting 365 readings from the beloved Chronicles of Narnia. C.S. Lewis channeled his profound spiritual understanding into The Lion, the Witch and the Wardrobe, Prince Caspian, The Voyage of the Dawn Treader, and the other books in his seminal fantasy series. This enthralling anthology (with lavish illustrations by Pauline Baynes) is the perfect gift for fans of the beloved children's books, and a peerless set of meditations for anyone looking to step through that secret door to their own world of devotion.

    You find yourself wanting to point people to Jesus but also feeling a desire to be noticed and praised, to make yourself the center of attention.Stephen Miller is the worship pastor for a large church of young, energetic Christians. He and his band record albums and lead worship for conferences all over the country. He knows the temptation to make himself the show, to pursue fame, to seek the applause of other people. And he has learned to want nothing to do with it.In this book, Miller exhorts his fellow worship leaders to make Jesus the center of all their efforts. He teaches how to do this with Scripture, teaching, prayer, story, and song. In all, Miller’s call for worship leaders is to lead worship, whole-hearted and whole-minded exalting of God, rather than making a spectacle out of it.Worship Leaders, We’re Not Rock Stars will encourage and challenge worship leaders by clarifying their purpose and identity, and by doing so will bless those they lead.

    When The Prophets was first published in 1962, it was immediately recognized as a masterpiece of biblical scholarship.The Prophets provides a unique opportunity for readers of the Old Testament, both Christian and Jewish, to gain fresh and deep knowledge of Israel's prophetic movement. The author's profound understanding of the prophets also opens the door to new insight into the philosophy of religion.

    This thoughtful cultural analysis probes important turning-points of biblical theology, describes successful contemporary evangelism, and exposes readers to the strategy and practice of Christian thinkers who are reaching the postmodern world.

    In What Christians Ought to Believe Michael Bird opens our eyes to the possibilities of the Apostle’s Creed as a way to explore and understand the basic teachings of the Christian faith.Bringing together theological commentary, tips for application, and memorable illustrations, What Christians Ought to Believe summarizes the basic tenets of the Christian faith using the Apostle’s Creed as its entryway. After first emphasizing the importance of creeds for the formation of the Christian faith, each chapter, following the Creed’s outline, introduces the Father, the Son, and the Spirit and the Church. An appendix includes the Apostles’ Creed in the original Latin and Greek.What Christians Ought to Believe is ideally suited for both the classroom and the church setting to teach beginning students and laypersons the basics of what Christians ought to affirm if they are to be called Christians.

    Looking to right the balances, Kevin DeYoung presents a popular-level treatment of sanctification and union with Christ, helping readers to see what matters most—being like Jesus. He shows how one can be like Christ in being joined to Christ. The market is ready for DeYoung’s timely book, ready to avoid legalism and ambivalence, and they are ready for someone to articulate the inextricable relationship between grace and holiness.

    But the powerful influence of the blues, with its dramatic, artful storytelling about the elemental experience of being alive, is found in the works of some of our most important literary voices as well. This volume -- a companion to the groundbreaking seven-part documentary series "Martin Scorsese Presents The Blues" -- represents a literary sampler every bit as vibrant and original and diverse as the films and music that inspired it. Included in this stunning collection are newly commissioned essays by David Halberstam, Hilton Als, Suzan-Lori Parks, Elmore Leonard, Luc Sante, John Edgar Wideman, and others; timeless archival pieces by the likes of Stanley Booth, Paul Oliver, and Mack McCormick; evocative color illustrations and rare vintage photography; illuminating and in-depth conversations and portraits of musicians, ranging from Robert Johnson and Bessie Smith to John Lee Hooker and Eric Clapton; lyrics of legendary blues compositions; personal essays by the series directors Martin Scorsese, Charles Burnett, Richard Pearce, Wim Wenders, Marc Levin, Mike Figgis, and Clint Eastwood; and excerpts from such literary masters as James Baldwin and Ralph Ellison, Eudora Welty and Zora Neale Hurston, Langston Hughes and William Faulkner. The result is a unique and timeless celebration of the blues, from writers and artists as esteemed and revered as the music that moved them. In these pages one not only reads about the blues, one hears them, feels them, lives them. "Martin Scorsese Presents The Blues" is more than atimeless collection of great writing to be savored and shared: it is an unforgettable initiation into the very essence of American music and culture.

    

    The subject of substitution is vital to our Christian faith. Christ was made sin for us, He suffered God's wrath for us, we are made righteous in Him. These truths are expounded here in a warm and powerful manner.

    

    Mark Hitchcock's book is that comprehensive resource for the twenty-first century The End will do for eschatology what Randy Alcorn's Heaven did for people's understanding of heaven. It will provide a solid biblical foundation for Christians to explore the essential truths around this topic--the end of the world.