When the fragile peace between them is shattered, a young boy, exiled to a distant land, rises to become worshipped as the falcon-headed god. This is his prophecy. This is his story.This is how it all began.

    Beneath the red cliffs of Botswanaland a magnificent unknown civilization has remained buried for millennia. But the magic of uncovering a lost culture is harshly interrupted by the violence of terrorists, love, intrigue and the breathtaking secrets of centuries.

    He’s also a former professor of American Studies who writes in-depth profiles about film and music legends who changed our culture.Few film actors had the lasting popularity of John Wayne, especially in westerns. During his lifetime, Wayne was a top-ten box office star for twenty-four years. Three decades after his death, a 2012 Harris poll continued to place him among the top 5 most-liked film actors. In this comprehensive essay, award-winner David Morrell analyzes Wayne’s career in westerns and explores his fascinating personality, including his Latin studies in high school and his skills as a chess player. Even Wayne’s most knowledgeable fans will be surprised by this insightful study.Morrell’s fascination with Wayne motivated him to use this iconic actor as the inspiration for the main character of a historical novel LAST REVEILLE, which dramatizes America’s 1916 invasion of Mexico, supposedly to pursue the Mexican bandit, Pancho Villa, but actually to practice military exercises for America’s entry into World War I.Critical reaction:“John Wayne: the name still conjures political reaction and cinematic fascination. In this excellent e-essay, author David Morrell (First Blood) presents a thorough and evenhanded consideration of Wayne and his Westerns, from THE BIG TRAIL (1930) to THE SHOOTIST (1976). He’s precise about the narrative problems in THE SEARCHERS, insightful regarding the remarkable emotional range Wayne demonstrates in THE MAN WHO SHOT LIBERTY VALANCE, and mystified at the meaning critics find in RIO BRAVO. While also examining Wayne’s drinking (16 martinis before a Thanksgiving dinner), smoking (five packs a day on THE ALAMO) and expertise as a chess player, Morrell allows us to appreciate and understand how Wayne, ‘an undeniable phenomenon,’ helped create that unique film category: John Wayne Westerns.”—Tom Clagett, ROUNDUP MAGAZINE (WESTERN WRITERS OF AMERICA)David Morrell is the award-winning author of First Blood, the novel in which Rambo was created. A former professor of American literature at the University of Iowa, he has written numerous New York Times bestsellers, including the classic Brotherhood of the Rose spy trilogy. The main character in Morrell’s western novel, Last Reveille, was inspired by Wayne’s career. “David Morrell is, to me, the finest thriller writer living today, bar none.”—Steve Berry, New York Times bestselling author of The Columbus Affair“Morrell, an absolute master of the thriller, plays by his on rules and leaves you dazzled.”—Dean Koontz, New York Times bestselling author of 77 Shadow Street

    Discovering that the queen is missing, the scribe ties the queen’s disappearance to a mysterious Medjay warrior, Suti travels the length of the Two Lands in search of the missing queen and her escort, Lord Imhotep. After braving the treacherous cataract at the far reaches of the river Iteru, Suti falls prey to the corrupt governor of Ta-Seti and a murderous giant. Beaten and tortured, the young scribe escapes to continue his search for the queen. When at last he discovers the truth, Suti realizes that he possesses a secret that could end the reign of the world’s most powerful leader.

    Looking back to the glamorous Egypt of the pashas and King Faruk, Serageldin moves forward to the police state of the colonels who seized power in 1952 and the disastrous consequences of Nasser's sequestration policies.Through well-chosen portraits and telling descriptions of the era's fashions and furnishings, Serageldin conveys detailed social and cultural information. She offers a glimpse of the beach at Agami in the 1960s and conveys the change in mood through the Sadat years. Serageldin's fictional treatment of recent Egyptian history includes key events leading to the rise of Islamic fundamentalism, such as the assassination of writer Yussef Siba'yi and the harassment of theologian Nasr Abu Zayd.Serageldin's heroine goes into exile in Europe and the United States but returns to Egypt in an attempt to reconcile her past and present. Charting fresh territory for the American reader, this semi-autobiographical novel is one of the most sensitive and accessible documents of historical change in Egyptian life. The book will appeal to a general audience and will be particularly useful to students interested in the social customs of the upper class in Egypt in the Nasser and Sadat years.

    Youssef Rakha’s provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.

    Fate paves a strange and mystical path through dark and uncertain times, when the split powers of Upper and Lower Egypt compete for sovereignty over a realm plagued by instability, rebellion and fear. Two kings and their kingdoms battle over one dream—-a dream threatened by shifting allegiances and foreign invasion. Khu is a story of a boy who becomes a warrior amid tragedy and triumph. It is a tale of virtue vice and valor, where the destiny of a divided nation is inextricably linked to that of the boy Khu, in the struggle to restore Egypt to a unified and glorious kingdom.

    In a bar brawl, he accidentally kills the vizier's eldest son. For punishment, the king renders an unusual verdict: life in the service of the dead at the weryt, the walled-off embalming compound.At the same time, young ladies at the pharaoh's court drop dead without obvious cause. When the corpses are brought to the weryt, Hori, now trained in embalming and organ removal, discovers the girls were murdered. Only he can't leave the place without turning his life sentence into a death sentence—or can he? An adventurous investigation unfolds.

     The ancient civilisation is enjoying unprecedented prosperity during the 18th Dynasty under some of Egypt’s most famous Pharaohs – Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. But every empire has its rivals – here the Hittites, the Mittani, Nubians and Assyrians – and every royal family its enemies. Smenkhkare is the youngest son of Amenhotep III and brother to Akhenamun – later to become the ruler Akhenaten – and Thutmose, plus three older sisters. The scheming Akhenamun dismisses Smenkhkare as a mere stripling, but the wise warrior Thutmose takes the boy under his wing and sets out to make a man of him. This is crucial for Smenkhkare whose father has decided that the only role for the boy will be through a marriage of convenience to the beautiful Mittani princess Taduheppa. The bride is ravishing – but older and more worldly – and refuses to consummate the coupling. Full of sympathy for his little brother, Thutmose advises patience and also invites Smenkhkare to accompany him on a raid to hunt down bandits who have attacked a caravan in the desert. It is a fateful moment. Thutmose is killed by an arrow through the neck, igniting a calamitous chain of events as Smenkhkare discovers the arrow did not come from a bandit’s bow. Who, then, did fire the fatal missile? Who would benefit most from the death of the man next in line for the pharoah’s throne? Could the murderer be within his own family? Or was someone else close to the family plotting to seize power? Can Smenkhkare trust his favourite sister Nebetah with his thoughts? Can trusted general Coreb help him in his bid to avenge the death of Thutmose? Who would try to eliminate Smenkhkare by placing a deadly cobra in a basket under his bed? And what are the ghastly contents in two other baskets thrust under Smenkhkare’s nose? David Adkins’ absorbing historical re-imagining The Forgotten Pharaoh, explores the extraordinary and dangerous life and times of a real but little known figure from history – from his child-marriage to exile and then reinstatement in Thebes as pharaoh of one of the most influential dynasties of the ancient civilised world. David Adkins is a retired civil servant who worked for many years at English Heritage. He lives in Letchworth Garden City with his wife. His other historical fiction books to date are The Eagle’s Nest and the Wolf’s Lair, The End of a Dynasty and Season of the Gladiatrix.

    M. Ironside's saga of the Thutmosides of ancient Egypt. This set contains: The Sekhmet Bed: Book 1 Thirteen-year-old Ahmose is given as Great Royal Wife to the new king, to legitimize his rule. But her elder sister Mutnofret has been raised to expect the privileged station. As Ahmose fights the currents of Egypt's politics and Mutnofret's vengeful anger, her youth and inexperience carry her beyond her depth and into the realm of sacrilege. To right her wrongs and save Egypt from the gods' wrath, Ahmose must face her most visceral fear: bearing an heir. But the gods of Egypt are exacting, and even her sacrifice may not be enough to restore the Two Lands to safety. The Crook and Flail: Book 2 Hatshepsut longs for power, but a woman on the throne defies the sacred order. As God's Wife of Amun, she believes she has found the perfect balance of peace and order. But when the powerful men of Egypt plot to replace her, she must decide whether to surrender her birthright to a man, or take for herself the throne of the Pharaoh. Sovereign of Stars: Book 3 Never in Egypt's long history has a woman reigned as king. As Hatshepsut wrestles with foreign enemies and domestic politics, her heart grows ever more troubled, for her daughter Neferure is haunted by a brutal and demanding god. Hatshepsut's fight to retain her hold on power, peace, and Neferure will carry her on an incomparable journey to the legendary kingdom of Punt. There, in the god's own valley, she must confront the bleakness of fate and the terrible frailty of eternity. The Bull of Min: Book 4 Conspiracy and treason simmer in the Two Lands. When an unexpected challenger to the succession arises, the royal family must face impossible choices. To protect what she most loves, the young queen Meryet will match wits against a demon from the past. Hatshepsut stands on the brink of the ultimate sacrifice. And Thutmose, torn between throne and family, must commit an unthinkable act against Hatshepsut...or allow Egypt to fall into the hands of an unpredictable killer.

    It was a burglary that went wrong, and four culprits were soon arrested. Their trial was concluded swiftly, their punishments were decisive, and society breathed a sigh of relief.In Ashraf El-Ashmawi's telling, there was a fifth accomplice, Abbas, who fled to his home in the countryside to lay low until the murder trial blew over. However, he did not escape empty-handed and kept stolen documents from Cicurel's villa, ones that he imagined would lead him to a hidden safe. Abbas hatched a plan to return to the capital, find the safe, and make his fortune. The first step was to place his sister Zeinab with Cicurel's widow, Paula.Abbas’s rags-to-riches story unfolds as a tale of modern Egypt, taking in the Second World War, the 1952 revolution and rise of Nasser, the 1967 war, and the Sadat and Mubarak eras. Spanning the 1920s to the 1990s, El-Ashmawi deftly weaves together history with fiction in this intriguing English-language debut.

    President Mubarak has just been ousted from power. The oldest city in the world is reeling from political revolution, its consequent hopes and fears, its violence, triumphs, and defeats. But for the people actually living there, daily life has not slowed down but become wilder, more dangerous, and, occasionally, freeing. Live from Cairo is the exuberant, dazzling story of these people: Dalia, a strong-willed Iraqi refugee who finds herself trapped in Egypt after her petition to resettle in America with her husband is denied. Charlie, her foolhardy attorney, whose frustration with the legal bureaucracy and complicated feelings for Dalia have led him to forge a not entirely legal plan to get her out. Aos, Charlie’s fastidious translator and only friend, who spends his days trying to help people through the system and his nights in Tahrir Square protesting against it. And Hana, a young and disenchanted Iraqi-American resettlement officer; she is the worker assigned to Dalia’s case, deciding whether to treat her plight as merely one more piece of paperwork, or as a full-blooded human crisis. As these individuals come together, a plot is formed to help Dalia. But soon laws are broken, friendships and marriages are tested, and lives are risked—all in an effort to protect one person from the dangerous sweep of an unjust world. A vibrant portrait of a city in all its teeming chaos and glory, Live from Cairo is an exhilarating, electrifying debut, and a stunning testament to the unconquerable desire of people to rise above tragedy to seek love, friendship, humor, and joy.

    Their lives entwined since childhood, they grow ever closer as adults. Yet Serena's hand has been promised not to Mark, but to his brother, Greg. As World War II speeds closer to Cairo, a shocking accident gives these young lovers a second chance—but with this chance comes terrible danger. Egypt is threatened not only by the German army but by nationalist forces within Cairo determined to end the British occupation at any cost. The country torn apart, and enemies everywhere, Mark and Serena's love is tested to the limit.

    She camps in the Sahara with a Bedouin "desert fox," is mistaken for a spy in Turkey, takes a lesson in beauty from a Kurdish family, and falls in love with a poet. She experiences souks and mosques, open-air lingerie bazaars and nightclubs grooving to hip-hop. In a region associated with terrorist havens, Masood meets ordinary Muslim men and women navigating the politics of culture, religion, and identity. Zaatar Days, Henna Nights offers a street-savvy take on the contemporary Arab world that's seldom seen on the evening news. This is a story of discovery and faith, of making bonds and breaking stereotypes, and of finding oneself where one least expects to.

    Starting with the unique role enjoyed by Egypt's women in the ancient world, the book goes on to present a biographical portrait of every queen, supplemented by a wealth of pictorial detail, datafiles, genealogical trees, timelines, and special features—from Childbirth to Wigs—highlighting different aspects of Egyptian culture.The queen of Egypt was, first and foremost, a supportive wife and mother, but in times of dynastic crisis she was expected to act as her husband's deputy. The queen might be required to marshal troops, or to rule on behalf of an infant son. She might even be called upon to rule in her own right in the absence of a suitable king. The female pharaohs Hatshepsut and Tawosret, the sun queens Tiy and Nefertiti, the seductive Nefertari and Cleopatra: many of Egypt's queens have left an indelible mark on their country's history.And what of Egypt's lesser queens, the numerous wives and daughters maintained in pampered seclusion in the harem palaces? These women are generally forgotten, their graves lost in the desert sands. But the anonymous ladies occasionally stepped from the security of the harem to influence the royal succession, and their stories too are told.