Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Klinger's brilliant new annotations of Sir Arthur Conan Doyle's 56 short stories in 2004 created a Holmes sensation. Here, in this eagerly awaited third volume, Klinger reassembles Doyle's four seminal novels in their original order, with over 1,000 new notes, 350 illustrations and period photographs, and tantalizing new Sherlockian theories. Inside, readers will find: A Study in Scarlet (1887)—a tale of murder and revenge that tells of Holmes and Dr. Watson's first meeting; The Sign of Four (1889)—a cinematic tale of lost treasure; The Hound of the Baskervilles (1901)—hailed as the greatest mystery novel of all time; and The Valley of Fear (1914)—a fresh murder scene that leads Holmes to solve a long-forgotten mystery. Whether as a stand-alone volume or as a companion to the boxed short stories, this classic work illuminates the timeless genius of Conan Doyle for an entirely new generation. Slipcased hardcover; two-color text; 300 illustrations.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    A whole family sat for hours around the fire in the middle of the room. That fire gave the only light. Shadows flitted in the dark corners. Smoke curled along the high beams of the ceiling. The children sat on the dirt floor close by the fire. The grown people were on a long narrow bench that they had pulled up to the light and warmth. Everybody's hands were busy with wool. As the family worked in the red fire-light, the father told of the kings of Norway, of long voyages to strange lands, of good fights. And in farmhouses all through Iceland these old tales were told over and over until everybody knew them and loved them. Men who could sing and play the harp were called "skalds," and they called their songs "sagas." Eventually these stories were written down on sheepskin or vellum so that we can enjoy them today. We follow the fortunes of Harald from the time he is acknowledged by his father as a baby and given his own thrall at the cutting of his first tooth, through his exploits as a viking adventurer, to his crowning as King of Norway. It is when Harald is King of Norway that population pressures at home and eagerness for adventure and booty from other lands combine to drive some of the bolder Vikings to set forth from their native land. Sailing ever westward across the Atlantic, they hop along the chain of islands that loosely connects Norway with America-Orkneys and Shetlands, Faeroes, Iceland, and Greenland. It is from link to link of this chain that the characters in our story sail in search of home and adventure. Discoveries are made by accident. Ships are driven by the wind into unknown ports, resulting in landings and settlements in Iceland, Greenland, and America. The crude courage of these men and strangeness of their adventures appeal strongly to children, while their love of truth, hardy endurance, and faithfulness to the promised word make them characters to emulate. Suitable for children ages 9 and up to read to themselves and for children as young as 6 as a read-aloud.

    A wind-blasted rock of fishing boats and sheep’s wool, where the only book was the Bible and girls stayed in their homes until mothers themselves, the island was a gift for some, a prison for others. Oona was barely more than a girl, but promised herself she would leave the tall tales behind and never return.The Island Child tells two stories: of the child who grew up watching births and betrayals, storms and secrets, and of the adult Oona, desperate to find a second chance, only to discover she can never completely escape. As the strands of Oona’s life come together, in blood and marriage and motherhood, she must accept the price we pay when we love what is never truly ours . . . Rich, haunting and rooted in Irish folklore, The Island Child is spellbinding debut novel about identity and motherhood, freedom and fate and the healing power of stories.

    Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

    From Homer’s Odyssey and Hans Christian Andersen’s fairytale The Little Mermaid to T.S. Eliot’s "The Love Song of J. Alfred Prufrock" and the Disney animated film The Little Mermaid, this sea vixen has long seduced popular imagination. Cosmetic companies have drawn inspiration for their makeup lines from mermaids, as have designers throughout fashion history, from Jean Patou to Jean Paul Gaultier and Alexander McQueen. The fishtail dress is a perennial long red-carpet staple, favored by the likes of Marion Cotillard, Sofia Vergara, and Blake Lively.Divided into four sections—Fashion and Beauty; Arts and Culture; Real Mermaids and Where to Find Them; and Food, Entertaining and Stories of the Sea—The Mermaid Handbook is a unique and sumptuous compilation filled with creative ideas for decorating and living inspired by these beauties from the deep. Learn to make a sailor’s valentine; a mermaid comb and crown; and a pearl and sequin paillette necklace. There are recipes for mermaid-themed poke bowls, aquatic-themed honey gingerbread cookies, and the official cocktail of the 1960s-era mermaid attraction Aquarama.Folklore expert Carolyn Turgeon also includes profiles of true modern mermaids, tail makers, and mermaid bars; visits mermaid attractions like Weeki Wachee Springs; and provides tips on getting beachy mermaid hair and creating an alluring eye. This collector’s item also includes an inset image on the front cover; ornate metallic blue foil patterning on the front, spine, and back; blue stained edges; a satin bookmark, and quality paper.

    In timbered halls, for days on end, heaps of meat and bread were washed down with gallons of beer and mead. And in between the meals, when bellies were stuffed and spirits high, the storyteller rose and spun his tales of times long past. He told of lords, bold and generous. He told of ladies, grand and glorious. He told of friends, brave and faithful. But of all he told about, no friend was more reliable than Manawydan, son of Llyr. No lady was more admirable than Rhiannon. And no lord was more honorable than Pwyll, King of Dyfed. The halls are now long gone -- yet some tales were written down and gathered in a book we call today The Mabinogion. And so the tales live on. . . . For ages 10 and up. Not illustrated! ///////////////////////////////////////////////// Aaron Shepard is the award-winning author of -The Baker's Dozen, - -The Sea King's Daughter, - -Lady White Snake, - and many more children's books. His stories have appeared often in Cricket magazine, while his Web site is known internationally as a prime resource for folktales, storytelling, and reader's theater. Once a professional storyteller, Aaron specializes in lively retellings of folktales and other traditional literature, which have won him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. Cover artist Suzanne Hankins has illustrated frequently for Cricket, Spider, and other popular children's magazines. ///////////////////////////////////////////////// -Highly recommended . . . . A brief yet exciting and exotic fable of heroes striving to make their mark and protect those most dear to them in a fantastic world.- -- Children's Bookwatch (Midwest Library Review), Jan. 2007 -Written in a lyrical voice that channels the ghosts of storytellers past. . . . Great for a librarian or teacher to read to a class.- -- Sheila Ruth, Wands and Worlds, Jan. 2007 -A clear, simple, beautiful retelling. Those familiar with the source material will recognise how masterly a piece of work Shepard has crafted from notoriously challenging material. . . . Best of all, the language has retained the full richness of the underlying Celtic music.- -- Louise Owen, Celtic Cafe ///////////////////////////////////////////////// SAMPLE The next day, after the midday meal, Pwyll said to Manawydan, -Let us walk again on the mount. But this time, we'll bring my horse along.- So once more they climbed the mount. And they had not sat long when they saw the same lady, in the same dress and veil, on the same horse, on the same road, coming at the same slow, steady pace. Pwyll speedily mounted his horse, but as he reached the foot of the mount, she was already riding past the spot. Then he let his horse prance after, thinking to easily overtake her. When he did not, he gave his horse the rein. It began to trot, yet fell even farther behind. Then he spurred it to a gallop -- but at its greatest speed, it lost more ground than ever. And still the lady rode no faster than a walk. At last his horse began to fail, and he called out, -Lady, in the name of the man you hold dearest, please halt.- -I will, - she said. -And for the sake of your horse, you could have asked it sooner.-

    It is a fictional memoir of an aged prophetess at Delphi, the most sacred oracle of ancient Greece, just prior to Greece's domination by the Roman Empire. As a young girl, Arieka is ugly, unconventional, a source of great shame to her uppity parents, who fear they'll never marry her off. But she is saved by Ionides, the High Priest of the Delphic temple, who detects something of a seer (and a friend) in her and whisks her off to the shrine to become the Pythia - the earthly voice of the god Apollo. Arieka has now spent a lifetime at the mercy of a god, a priest, and her devotees, and has witnessed firsthand the decay of Delphi's fortunes and its influence in the world. Her reflections on the mysteries of the oracle, which her own weird gifts embody, are matched by her feminine insight into the human frailties of the High Priest himself, a true Athenian with a wicked sense of humor, whose intriguing against the Romans brings about humiliation and disaster. This extraordinary short novel, left in draft at the author's death in 1993, is a psychological and historical triumph. Golding has created a vivid and comic picture of ancient Greek society as well as an absolutely convincing portrait of a woman's experience, something rare in the Golding oeuvre. Arieka the Pythia is one of his finest creations.Left in draft at the author's death in 1993, this extraordinary short novel is a psychological and historical triumph. An aged prophetess at Delphi, the most sacred oracle in ancient Greece, looks back over her strange life as the Pythia, the voice of the god Apollo. Golding was the author of Lord of the Flies, and a Nobel Laureate.

    Here you will find Shangri-La and El Dorado; Utopia and Middle Earth; Wonderland and Freedonia. Here too are Jurassic Park, Salman Rushdie's Sea of Stories, and the fabulous world of Harry Potter. The history and behavior of the inhabitants of these lands are described in loving detail, and are supplemented by more than 200 maps and illustrations that depict the lay of the land in a host of elsewheres. A must-have for the library of every dedicated reader, fantasy fan, or passionate browser, Dictionary is a witty and acute guide for any armchair traveler's journey into the landscape of the imagination.

    These include brownies, kelpies, trolls, mermen, and other beings from the unseen world that pop up again and again to assist, annoy, and otherwise meddle in the lives of simple country folk.This treasury was assembled by a noted folklorist who heard these picturesque traditional tales over a century ago while visiting in rural homes throughout Scotland. Recounted in their native vernacular, they include nursery tales and animal fables, stories of fairies, accounts of witchcraft, comic and literary lore, and more.Included in this collection are clever and imaginative stories of "The Strange Visitor," "How the Wolf Lost His Tail," "The Smith and the Fairies," "The Scottish Brownie," "The Witches of Delnabo," "The Witty Exploits of Mr. George Buchanan," "The Haunted Ships," and scores of other delightful tales. Together, they offer folklore lovers, readers, and listeners of all ages hours of imaginative storytelling entertainment.

    Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    Enjoy the rich mythical history of Ireland from the arrival of the Tuatha De Danann on the island and their great battles with the Fomorians, right up to the modern day fairy tales of Irish storytelling. Including the Ulster Cycle, The Fenian Cycle and featuring heroes such as Cúchulainn and Fionn Mac Cumhaill and many traditional favourites such as The Children of Lir.