Her alleged murderer—a minister's son—hanged himself in his jail cell. The case is closed. But the dead girl's father has come to Matthew Scudder for answers, sending the unlicensed private investigator in search of terrible truths about a life that was lived and lost in a sordid world of perversion and pleasures.

    Here, the released convict and his ride pal Kelp plot to steal the $500,000 Balaboma Emerald. The former British colony has recently become independent and split. The Akinzi have the stone, the Talabwo want it back, and their UN rep will pay for retrieval.

    It's a tough-guy mystery to please even the most bloodthirsty of fans!

    But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up.THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

    A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past. And his good and pure love for a crusading woman lawyer has been corrupted and may not survive. But even without the authority of a badge, Fred Underhill knows that his only hope for redemption lies in following the investigation to its grim conclusion. And the Hell to which he has been consigned for his sins is the perfect place to hunt for a killer who hungers but has no soul.

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.

    His latest gig comes replete with an illegally squatting B-movie actress who rants about hit men who specialize in making deaths look like accidents. Unfortunately, it's the real deal. Hardie finds himself squared off against a small army of the most lethal men in the world: The Accident People.It's nothing personal-the girl just happens to be the next name on their list. For Hardie, though, it's intensely personal. He's not about to let more innocent people die. Not on his watch.

    Now Kurtz needs a job, and the price is going to be higher. Out of prison, out of touch, Kurtz signs on with the Byron Farino, Don of a Mob family whose son Kurtz had been protecting on the inside. Farino enlists Kurtz's help to track down the Family's missing accountant -- a man with too much knowledge of Family business to have on the loose. But someone doesn't want the accountant found -- and with enemies inside the Family vying for his throne, and turf warfare just around the corner, Farino needs an outsider like Kurtz to flush out who's really behind this latest affront. As the story twists and turns and the body count rises, Kurtz no longer knows who he can trust. Everyone seems to be after something, from the mob boss's sultry yet dangerous daughter, to a hit man named The Dane, an albino killer who is good with a knife, and a dwarf who is armed to the teeth and hell-bent on revenge. Kurtz has always been an ace investigator. Now he's about to discover that to get at the truth, sometimes you have to go after it -- hard.

    It's where crease was beaten, jailed, and kicked clear of the town line ten years earlier.Now Crease is back. He's been undercover for so long that most days he feels more like a mobster than a cop. He doesn't mind much: the corrupt life is easier to stomach than a wife who can't understand him, a son who hates him, and a half-dozen adopted kids he can't even name anymore. He's also just gotten his drug-dealing, knife-wielding psycho boss Tucco's mistress pregnant.A fine time to decide to settle old scores and resolve a decade-old mystery.With Tucco hot on his tail, Crease has to find his answers fast. Who kidnapped little mary? Who really killed her? Was his own father guilty? And what happened to the paltry fifteen grand ransom that seems to spell salvation to half the population of Hangtree? The town still has a taste for his blood and secrets it wants to keep. Crease has a single hope; a raw and raging fever driving him toward the truth that might just burn him up along the way.

    Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner.  She wants Burke to find a monster for her—so she can kill him with her bare hands.In this cauterizing thriller, Andrew Vachss's renegade investigator teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.  Fearfully knowing, crackling with narrative tension, and written in prose as forceful as a hollow-point slug, Flood is Burke at his deadliest—and Vachss at the peak of his form.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    But the beating turns to murder, and the murder into lust and desperation between Lydia and an underworld clean-up man. Meanwhile, overgrown frat boy car thieves take up cop killing as a side hobby. When these paths cross, a horror show of violence unfolds as they all slide into a hell of their own design, surrounded by the neon and noise of the casino strip on the Mississippi Gulf Coast. Violent, vivid, life at hyper-speed. This debut novel from the editor of Plots with Guns is a noir nightmare that asks how much is too much in a relationship, and what is the cost of leaving? Ken Bruen calls it the darkest song I've ever read.

    After years of trouble and rebellion that enraged his father and nearly cost him his life, he has a steady job in his father's company, he's seriously dating a woman he respects, and, aside from the distrust that lingers in his father's eyes, his mistakes are firmly in the past.One day on the job, Chris and his partner come across a temptation almost too big to resist. Chris does the right thing, but old habits and instincts rise to the surface, threatening this new-found stability with sudden treachery and violence. With his father and his most trusted friends, he takes one last chance to blast past the demons trying to pull him back. Like Richard Price or William Kennedy, Pelecanos pushes his characters to the extremes, their redemption that much sweeter because it is so hard fought. Pelecanos has long been celebrated for his unerring ability to portray the conflicts men feel as they search and struggle for power and love in a world that is often harsh and unforgiving but can ultimately be filled with beauty.

    . .All Denny Malone wants is to be a good cop.He is "the King of Manhattan North," a highly decorated NYPD detective sergeant and the real leader of "Da Force." Malone and his crew are the smartest, the toughest, the quickest, the bravest, and the baddest, an elite special unit given carte blanche to fight gangs, drugs, and guns. Every day and every night for the eighteen years he’s spent on the Job, Malone has served on the front lines, witnessing the hurt, the dead, the victims, the perps. He’s done whatever it takes to serve and protect in a city built by ambition and corruption, where no one is clean—including Malone himself.What only a few know is that Denny Malone is dirty: he and his partners have stolen millions of dollars in drugs and cash in the wake of the biggest heroin bust in the city’s history. Now Malone is caught in a trap and being squeezed by the Feds, and he must walk the thin line between betraying his brothers and partners, the Job, his family, and the woman he loves, trying to survive, body and soul, while the city teeters on the brink of a racial conflagration that could destroy them all.This is the great cop novel of our time and a book only Don Winslow could write: a haunting story of greed and violence, inequality and race, crime and injustice, retribution and redemption that reveals the seemingly insurmountable tensions between the police and the diverse citizens they serve. A searing portrait of a city on the edge and of a courageous, heroic, and deeply flawed man who stands at the edge of its abyss, The Force is a masterpiece of urban realism full of shocking and surprising twists, leavened by flashes of dark humor, a morally complex and utterly riveting dissection of modern American society and the controversial issues confronting us today.

    His riskiest feat, however, was witnessing a Dixie-style mob execution while atop his diving platform. Robert Taylor saw the hit also. A blues-loving Detroit hustler touring the Southland in a black Jaguar, Taylor's got his own secret agenda re the "Cornbread Cosa Nostra," and he wants Dennis in on the game. But there's a lot more in Robert Taylor's pocket than a photo of his lynched great-grandfather. And high-diver Dennis could be about to take a long, fatal fall -- right into a mess of hoop skirts, Civil War play-acting ... and more trouble than he ever dreamed possible.