Discover hidden stories behind movies you love (and, er, don't love so much), and find out just why the most dangerous place to be is in a Tom Hanks film.Fascinating, surprisingly and hugely entertaining, this leftfield movie guide is gold for film buffs, and might just bring out the geek - hidden or otherwise - within you...Includes:Alternative movie endings that were binned Movie sequels you didn't know existedMassive box office hits that were huge gamblesThe collateral damage of Tom Hanks moviesHidden subtexts in family moviesDisastrous things that went wrong on modern movie sets...and much, much more!

    As Michael Curtis indicates in his introduction to this edition. Public Opinion qualifies as a classic by virtue of its systematic brilliance and literary grace. The work is divided into eight parts, covering such varied issues as stereotypes, image making, and organized intelligence. The study begins with an analysis of "the world outside and the pictures in our heads, " a leitmotif that starts with issues of censorship and privacy, speed, words, and clarity, and ends with a careful survey of the modern newspaper. The work is a showcase for Lippmann's vast erudition. He easily integrated the historical, psychological, and philosophical literature of his day, and in every instance showed how relevant intellectual formations were to the ordinary operations of everyday life. Public Opinion is of enduring significance for communications scholars, historians, sociologists, and political scientists.

    How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.

    He rose from poverty in the city's East End to amass a vast fortune from crime and, when he died in 2007, his empire stretched from Glasgow to the Canaries. When he was alive, few would talk openly about the man known as 'The Licensee'. But now his incredible, untold story can finally be revealed. Real stories about the time McGraw cheated The Godfather, risking his life to end a dynasty. How he was behind the UK's biggest coke heist and who paid the price. Who killed the six Doyles in the Ice Cream Wars. Why the BarL Team was never caught even with MI5 on their case. Armed jail breakouts - who arranged them, who grassed them. There are hit contracts, backstabbings, vendettas and scores to settle with everyone from The Godfather to The Devil, M Family, Specky Boyd and Paul Ferris. McGraw did all that and much more yet was never caught. Why? He was The Licensee. Licensed to Commit Crime.

    The failure of the drug war, the betrayal of the working class, the bureaucratization of the culture and the cost to individual dignity -- such are the themes of the drama's first two seasons. And with every new episode of season three and beyond, another layer of modern urban life will be revealed. Gritty, densely layered, and realistic, "The Wire" is series television at its very best, told from the point of view of the Baltimore police, their targets, and many of those caught in the middle.Rafael Alvarez -- a reporter, essayist, and staff writer for the show -- brings the reader inside, detailing many of the real-life incidents and personalities that have inspired the show's storylines and characters, providing the reader with insights into the city of Baltimore -- itself an undeniable character in the series. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authorsGeorge Pelecanos, Laura Lippman, and Anthony Walton, here is an invaluable resource for both fans of the show and viewers who have yet to discover "The Wire."Hollywood has long used the cop drama to excite andentertain, and Hollywood has always dictated the terms. But "The Wire" is filmed entirely in Baltimore, conceived by Baltimoreans, and written by rust-belt journalists and novelists intimately familiar with the urban landscape. It's as close as television has yet come to allowing an American city to tell its own tale.

    It arrived in India by multiple routes—in the south, in the eighth and ninth centuries CE, with traders from Arabia, and in the north, in the tenth and eleventh centuries, with invaders, rulers, and mystics, largely from Central Asia. Once it was established in India, it morphed and evolved through the centuries until it took on the distinctive contours of the religion that is practised here at present. The author takes a clear-eyed look at every aspect of Islam in India today. She examines the factors that have stalled the socio-economic and intellectual growth of Indian Muslims and attributes both internal factors—such as a disproportionate reliance on the ulema—as well as external ones that have contributed to the backwardness of the community. She shows at length, and with great empathy and understanding, what it is like to live as a Muslim in India and offers suggestions on how their lot might be improved. Weaving together personal memoir, history, reportage, scholarship, and interviews with a wide variety of people, the author highlights how an apathetic and sometimes hostile government attitude and prejudice at all levels of society have contributed to Muslim vulnerability and insecurity.Born a Muslim goes beyond stereotypes and news headlines to present an extraordinarily compelling and illuminating portrait of one of the largest and most diverse communities in India.

    She received scores of hateful tweets, including a death threat. A picture of Ginger heavily pregnant alongside her husband and two-and-half year old daughter appeared on a fascist website. Understandably she was terrified, but once the attack subsided, she found herself curious. Who were these trolls? How and why did they coordinate such an attack? And how does someone fight back against a troll?Over the next five years  Gorman spoke to psychologists, trolling victims, law enforcement, academics and, most importantly, the trolls themselves, embedding herself into their online communities and their psyches in ways she had never anticipated. What she discovered was both profoundly shocking and fascinating. Syndicates of highly organised predator trolls across the globe systematically set out to disrupt and disturb. Some want to highlight the media's alleged left-wing bias, some want to bring down capitalism, and some just want to have fun. Even if it means destroying someone's life...An intense and compelling read, Troll Hunting is an important window into not just the mindset and motivation of trolls, but the history of this kind of aberrant behaviour. Ginger Gorman has gained unprecedented access to trolls, even formed strange and enduring relationships with them, and her comprehensive investigation into what makes them tick has given us a brilliant book that is impossible to put down.

    Boorstin’s prophetic vision of an America inundated by its own illusions has become an essential resource for any reader who wants to distinguish the manifold deceptions of our culture from its few enduring truths.Cover design by Matt Dorfman.

    The longest-serving TV news anchor in Canadian history, first on CBC and then on CTV, Robertson remains one of the most accomplished journalists of our time. His career is truly the story of Canada over the past half century, as he told us about key events like the moon landing, JFK’ s assassination, Trudeaumania, Terry Fox’ s run, the Montreal Massacre, 9/11 and the royal weddings.In The Kind of Life It’ s Been, Robertson shares the inside story and the insights he has gained over his long career, from breaking into the business in his hometown of Stratford, Ontario, to joining the CBC, to his highly public departure for CTV to his career as senior editor of CTV News. Filled with fascinating and often hilarious anecdotes about Robertson’ s career, this book captures the essential tales of our time and is a must for any Canadian interested in the inner workings of a frenetic newsroom.

    For the Stones, nothing would ever be the same again.For ten days on that tour, the Rolling Stones traveled by train and bus to play two shows a night in many of the same small town halls and theaters where they had begun their career. Performing brand new songs like "Bitch," "Brown Sugar," "Wild Horses," and "Can't You Hear Me Knockin'" from their as-yet-unreleased album Sticky Fingers live on stage for the very first time, they also played classics like "Midnight Rambler," "Honky Tonk Women," "Satisfaction," "Street Fighting Man," and Chuck Berry's "Little Queenie" and "Let It Rock."Because only one journalist—Robert Greenfield—was allowed to accompany the Stones on this tour, there has never before been a full-length account of the landmark event that marked the end of the first chapter of the Rolling Stones' extraordinary career.In a larger sense, Ain't It Time We Said Goodbye is the story of two artists on the precipice. For Mick Jagger and Ketih Richards, as well as those who traveled with them, the Rolling Stones' farewell tour of England was the end of the innocence. No laminates. No backstage passes. No security. No sound checks and no rehearsals. Just the Rolling Stones on the road playing rock 'n' roll the way it was truly meant to be seen and heard.Based on Greenfield's first-hand account as well as new interviews with many of the key players, Ain't It Time We Said Goodbye is a vibrant and thrilling look at the way it once was and would never be again in the world according to the Rolling Stones.

    In Volume 4 of True Crime, prepare for crimes like never before, as we examine what makes people snap and commit gruesome, calculated and disturbing crimes that will have you wondering about human nature.Inside these pages, you will encounter some of America's worst excesses in human behavior with notorious criminals like: - Priscilla Ford- Adam Lanza- Michael Kenneth McLendon- Dana Ewell- Christopher Harper-Mercer- And more

    She chronicles their journeys as they struggle to "go straight" and find respect in a city that fears and rejects them.

     It was the spring of 1987, and crack cocaine had turned whole swaths of Detroit into veritable combat zones. The city thought it had seen everything—until one evening that May, when the police arrested a 17-year-old kid named Rick Wershe. They called him White Boy Rick. In a city known for its fraught racial divide, Wershe had somehow joined the ranks of the drug kingpins on the predominantly black East Side before he was old enough to shave. He flew in kilos of cocaine from Miami and drove a white Jeep with THE SNOWMAN emblazoned across the back. An incredulous judge once compared him to the gangster “Baby Face” Nelson. He seemed more an urban legend than a real person—and then his story got even stranger. Years later, while he was in prison for cocaine possession, Wershe claimed he had been working with the FBI since he was 14. Was one of Detroit’s most notorious criminals also one of the feds’ most valuable informants in the city? Journalist Evan Hughes set out to untangle fact from fiction in Wershe’s improbable story, tracking down the dealers, cops, and federal agents who shared the streets with him and eventually meeting Wershe himself at the rural Michigan prison where he remains incarcerated. The Trials of White Boy Rick is a gripping true-crime saga of hidden motives and betrayed trust—and reveals never-before-reported information suggesting why Wershe is still behind bars. Praise for "The Trials of White Boy Rick" “For anyone who lived in Detroit in the ’80s, the drug dealer known as White Boy Rick remains legend. But the true story of Rick’s epic rise and fall, as exhaustively reported by Evan Hughes, reads like a lost Elmore Leonard story. Essential, infuriating, wildly entertaining. Free Richard Wershe now!” —Mark Binelli, Rolling Stone staff writer and author of Detroit City Is the Place to Be: The Afterlife of an American Metropolis “Highly recommend new Evan Hughes opus from The Atavist. Crooked cops. White Boy Rick. An Ellroy novella set in Detroit.” —Patrick Radden Keefe, The New Yorker staff writer “Holy crap, this Evan Hughes story in The Atavist is mind-blowing.” —Wil S. Hylton, writer for The New York Times Magazine and New York. “Worth every nickel.” —Don Van Natta Jr., ESPN and ESPN The Magazine “This astonishing Evan Hughes piece on Detroit is Pulitzer Prize-caliber reporting and writing.” —Michael Lindgren, book reviewer for The Washington Post

    When he finally achieved his ambition, becoming one of only a dozen full-time undercover officers, the reality of covert work turned his life into a nightmare.To catch criminals, Christian bought and sold drugs with taxpayers' money, was beaten up, arrested at gunpoint and barricaded in a pub by a gang of marauding travellers - all in a day's work. At one stage, he was running almost a dozen mobile phones to keep track of his different identities and had so many aliases that he nearly forgot who he was. He put his life on the line for the job but was to find that being the 'best of the best' wasn't all it was cracked up to be. The pressure became so intense that he even contemplated suicide.Crossing the Line is a visceral, gripping account of what it really takes to be an undercover cop, going behind the scenes to reveal the harsh realities of modern covert police work.

    Eye-opening and fast-paced, Game Over exposes the lies, willful ignorance, and cover-ups that may have allowed a sexual predator to use his position and status to prey on vulnerable young victims for years. Its explosive new discoveries shatter the illustrious image of “Happy Valley”—State College, Pennsylvania, home to one of the nation’s most successful and highly lucrative college football programs.Moushey, Dvorchak, and Pulitzer craft a story that is as compelling as it is unsettling. Probing beneath the male-dominated football culture, they share the untold stories of the mothers and wives, the sisters and daughters associated with the scandal. They trace the rise and fall of hometown hero and national icon Joe Paterno—the Nittany Lion’s legendary head coach with the most wins in the history of college football, including two national championship titles—juxtaposing Penn State’s success and glory with the hidden anguish of former coach Jerry Sandusky’s accusers. As it details the rise and fall of the individuals associated with the scandal, it also makes clear the larger implications for the university, its vaunted football program, the community, and all of us.An exploration of the messy morality of pride and loyalty, silence and bearing witness, Game Over will leave readers pondering their own values and their beliefs in right and wrong.