Paralyzed by grief and unable to put his thoughts into words, Nick, a fire captain, seeks out the help of a writer to compose eulogies for the colleagues and friends he lost in the catastrophic events of September 11, 2001. As Joan, an editor by trade, draws Nick out about “the guys,” powerful profiles emerge, revealing vivid personalities and the substance and meaning that lie beneath the surface of seemingly unremarkable people. As the individual talents and enthusiasms of the people within the small firehouse community are realized, we come to understand the uniqueness and value of what each person has to contribute. And Nick and Joan, two people who under normal circumstances never would have met, jump the well-defined tracks of their own lives, and so learn about themselves, about life, and about the healing power of human connection, through talking about the guys.

    Now, here is the complete shooting script of this extraordinary film from Universal Pictures, Dreamworks Pictures, and Spyglass Entertainment, featuring a foreword from "Seabiscuit" author Laura Hillenbrand and thirty full-color still photos from the motion picture. An American epic of triumph and perseverance set during the Great Depression, this stunning adaptation brilliantly dramatizes the story of the three men and the down-and-out racehorse that took them and the entire nation on the ride of a lifetime.

    In his tales of terror, ordinary people find themselves in the most extraordinary circumstances—and, as readers, we share their spine-tingling tension every step of the way. Here, collected for the first time, are four of his most nail-biting novellas.Eyes That Watch YouGreedy Vera Miller plots her husband’s murder right under the nose of her mute, paralyzed mother-in-law. After all, the old lady won’t be able to tell anyone about the crime. Or will she?The Night I DiedNice guy Ben Cook, goaded by his scheming common-law wife, fakes his own suicide and moves to another town—all to trick his life insurance company into making a large payout. No one en route or at the new address will recognize him, will they?You’ll Never See Me AgainEd Bliss’s new bride, miffed by her husband’s insults about her biscuits, promises that Ed will never have to see her again—and storms out! When she doesn’t return within a few days, Ed begins to suspect foul play—but when he reports the crime to the police, he’s the first one they suspect!Murder Always Gathers MomentumFor his wife’s sake, Dick Paine approaches a former employer for back wages he is owed—but things go terribly wrong and the old boss ends up dead. Now the guilt-ridden Paine, who’d never before committed a crime, is convinced that people will figure out what happened. As his paranoia gathers momentum, anyone he meets is at risk of becoming his next victim.

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    But as she becomes part of his world and his work, their growing intimacy spreads tension and deception in the ordered household and, as the scandal seeps out, into the town beyond.Falling AngelsJanuary 1901, the day after Queen Victoria's death. Two families become inextricably linked when their daughters become friends. The Waterhouses revere the late Queen and cling to Victorian traditions; the Colemans look forward to a more modern society. As the girls grow up and a new role for women emerges, as cars replace horses and electricity outshines gas lighting, the nation emerges from the shadows of oppressive Victorian values to a golden Edwardian summer.

    Lost Tribe features stories and commentary from a brilliant mixture of critically acclaimed and emerging writers.Steve AlmondAimee BenderGabriel BrownsteinJudy BudnitzNathan EnglanderJonathan Safran FoerMyla GoldbergEhud HavazeletDara HornRachel KadishGloria DeVidas KirchheimerBinnie KirshenbaumJoan LeegantMichael LowenthalEllen MillerTova MirvisPeter OrnerJon PapernickNelly ReiflerBen SchrankSuzan ShermanGary ShteyngartAryeh Lev StollmanEllen UmanskySimone Zelitch

    To find each work in the anthology, you must go to the "Go To" section of your Nook, and then select "Chapter." It might get a blank screen--if it does, then hit the page forward button and the work will appear. Nikolai Gogol is considered the fathern of modern Russian realism; collected here are his best known works.Works include:Dead SoulsThe Inspector-GeneralTaras Bulba, et. al

    January cold coming in off two rivers. Hart is broke, freezing, looking for a place to lay low from the cops. If he can't find somewhere soon he might do something rash - like steal an overcoat and accept a wallet containing $11,000 from a man dying from gunshot wounds in the street. Whoever killed him might have a bed, though, even if that means hanging out with a bunch of thieves and drifters while the heat blows over. Lucky for Hart he's handy with his fists. And if he can use his looks and smarts to get in with the gang, maybe he can ride this out and score big on his own. Originally published in 1954, Black Friday is one of David Goodis's leanest, meanest melancholy thrillers. In the character of Hart, it features one of his classic, tortured romantic heroes, a man who becomes mired in circumstances from which there is no escape. In this edition, Black Friday is combined with short stories, unpublished since they were first written for pulp magazines in America over 50 years ago.

    Cited as an influence by such envelope-pushing directors as Spike Jonze and P. T. Anderson, Altman has created a genre all his own, notable for its improvised, overlapping dialogue and creative cinematography. One of the key moviemakers of the 1970s--commonly considered the heyday of American film--Altman's irrepressible combination of unorthodox vision and style is most clearly evidenced in the fourteen movies he released across that decade. By fine-tuning his talent in a diverse array of genres, including westerns, thrillers, and loopy, absurdist comedies--all subtly altered to fit his signature métier--he cemented his place as one of our most esteemed directors.In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.

    Includes the Academy Award winning screenplay. The original controversial ending of the novel. Many exclusive photos never published before.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    Directed by Sidney Lumet, the film tells the story of a jury made up of 12 men as they deliberate the guilt or innocence of a defendant on the basis of reasonable doubt. The film is notable for its almost exclusive use of one set: with the exception of two short scenes at the beginning and the end of the film set on the steps of the court building and two short scenes in an adjoining washroom, the entire movie takes place in the jury room. The total time spent outside of the jury room is eight minutes out of the full 96 minutes of the movie.

    This is the story of Alaska before statehood, in all its glory, beauty and bleakness...where men pitted themselves against the elements and the wilds, only to find the greatest threat is from "outside." Edna Ferber is one of the best-selling novelists of this century, including her Pulitzer Prize novel SO BIG.

    Since the Boston police are investigating the death of one of their own, Bogie believes his trip will be a short condolence visit and a chance to meet his secret love child. Although Bogie wants to contact his ex-lover, Bailey Hampfield, he’s reluctant to do so since Bailey dumped him four years earlier. Knowing that Bailey had his child after she cut him loose, Bogie thinks it’s time to establish a relationship with the three year old daughter he’s never met. While he considers his options, Bailey gets in touch with him and asks for protection. Someone is trying to kill her. Bogie doesn’t want to get involved in the BPD investigation into his brother’s death, but he continues to be drawn into it while trying to discover who is attempting to kill Bailey Hampfield. The investigations seem to parallel each other, then intersect and become intertwined. As the story develops, Isabella, a precocious child obsessed with martial arts, slowly becomes the focus. The underlying theme of this fast-paced mystery is lies. Everyone seems to be runing on lies and half truths. The only true character is The Girl in White Pajamas.

    While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours – Abigail’s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts’ barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. ‘Goose-Pimples’, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet – and misunderstand – one another spectacularly.