Gavin Burke is a young citizen of Belfast with Nationalist heritage and a desire to join the ARP during WWII. Against his family’s wishes, he leaves Belfast, admitting that “War was freedom, freedom from futures” – a nod to the stagnant religious pressures that existed in Northern Ireland since the Partition of Ireland in 1921. Moore, too, left Belfast in 1943 to join the British Ministry of War Transport and worked for a period with the ARP. The novel takes you through Gavin’s journey as he grows up in a city that restricts him, realising that his presupposed enemies were his only opportunity to escape.

    Book annotation not available for this title.

    Recreation Department twenty-fourth annual one-act play tournament, The Arts Club Players present "The Dear Departed," by Stanley Houghton, directed by Herman P. Riess.

    Dostoevsky's crocodile, cruelly displayed in a traveling sideshow, gobbles whole a pretentious high-ranking civil servant. But the functionary survives unscathed and seizes his new unique platform to expound to the fascinated public. Dostoevsky's Crocodile is a matchless, hilarious satire.Hernandez's Crocodile, on the other hand, while also terribly funny, is a heartbreaker. A pianist struggling to make ends meet as a salesman finds success when he begins to weep before clients and audience alike, but then he can't stop the crocodile tears.

    Including poets as diverse as John Betjeman and Ted Hughes, Siegfried Sassoon and Allan Ahlberg, and subjects from all avenues of life - war, family life, love, death, religion, the countryside, animals and comedy - the whole breadth of the nation's life during the 20th century is encapsulated here. Compiled and edited by Griff Rhys Jones as part of the successful The Nations Favourite Poems series, this book brings together the wealth of new and innovative poetry styles that flourished in the 20th Century.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Within a year of his death, two posthumous collections were published. At the time of this death, as Leon Stokesbury asserts in his introduction, “Stanford was the best poet in America under the age of thirty-five.”The Light the Dead See collects the best work from those nine volumes and six previously unpublished poems. In the earlier poems, Stanford creates a world where he could keep childhood alive, deny time and mutability, and place a version of himself at the center of great myth and drama.Later, the denial of time and mutability gives way to an obsessive and familiar confrontation with death. Although Stanford paid an enormous price for his growing familiarity with Death as a presence, the direct address to that presence is a source of much of the striking originality and stunning power in the poetry.

    Color illustrations.

    Mary is a gripping tale of youth, first love, and nostalgia--Nabokov's first novel.  In a Berlin rooming house filled with an assortment of seriocomic Russian émigrés, Lev Ganin, a vigorous young officer poised between his past and his future, relives his first love affair.  His memories of Mary are suffused with the freshness of youth and the idyllic ambience of pre-revolutionary Russia.  In stark contrast is the decidedly unappealing boarder living in the room next to Ganin's, who, he discovers, is Mary's husband, temporarily separated from her by the Revolution but expecting her imminent arrival from Russia.

    Far below him in the gaping crowd stands his wife, Anna, to whom he has made a solemn promise: This wire walk will end his career. In this daring moment, Steven Galloway opens his riveting novel about Salvo Ursari, whose life begins in 1919 amid a Transylvanian boyhood inhabited by gypsy folklore and inspired by the bravery of his persecuted people. Salvo's story moves irresistibly from a tragic fire that envelops his family, to street life in Budapest, where he learns the skills of a wire walker, to the carnivals of Europe and the competitive world of the American circus. Most fulfilled when living with paradox, Salvo feels safest while performing startling feats of balance on a wire high above the dangerous world; and most endangered if performing above a net. With compassion, warmth, and blazing originality, Ascension combines jaw-dropping storytelling, and fantastical symbolism with mesmerizing detail of Romany and circus culture, and an unforgettable walk with the amazing Salvo Ursari.

    Enter Nothing Nice to Say. Mitch Clem's Nothing Nice to Say leaves no mohawked, leather-jacket-clad stone unturned in its mission to expose the awesomeness and the absurdity of punk culture. Sometimes esoteric and always hilarious, Nothing Nice is so punk you'd think the book was bound with safety pins.

    Born in 1926 in Dublin, he was educated at Presentation College, Dun Laoghaire. He is an award winning playwrite and screenwriter, and was literary Editor at the Abbey Theatre, Dublin 1976-77. He now lives in Dalkey in County Dublin.

    This volume features a wide selection of Wilde’s literary output, including the comic masterpiece The Importance of Being Earnest, an immensely popular play filled with satiric epigrams that mercilessly expose Victorian hypocrisy; The Portrait of Mr. W. H., a story proposing that Shakespeare’s sonnets were inspired by the poet’s love for a young man; The House of Pomegranates, the author’s collection of fairy tales; lectures Wilde delivered, first in the United States, where he exhorted his audiences to love beauty and art, and then in England, where he presented his impressions of America; his two major literary-theoretical works, “The Decay of Lying” and “The Critic as Artist”; and a selection of verse, including his great poem The Ballad of Reading Gaol, in which Wilde famously declared that “each man kills the thing he loves.” A testament to Wilde’s incredible versatility, this collection displays his legendary wit, brilliant use of language, and penetrating insight into the human condition.

    Now it’s catching up with her.Wherever Oakland goes, the mystery caller finds her, the one who breathes down the line, who calls her at any time of day or night, who somehow always seems to know where she is.Moving all the way from London, Oakland settled on Liars Island, finally feeling safe enough to put down roots. Running Harborside Books, a quaint little shop by the harbor, she’s content with her quiet life. For the first time since she was seventeen years old, no one has harassed her. Until one day, she picks up the phone and hears that rasping breath one more time. But this time, it’s worse, someone is following her. She finds a threatening note in the bookstore. She’s convinced that there are eyes in the shadows, watching her every move.There is a person out there who hates Oakland O'Neill more than anyone in the world, and that person is on Liars Island, waiting for their opportunity to strike…Welcome to Liars Island… a stand-alone series of interconnected, novella-length domestic thrillers set in the picture-perfect community of Liars Island. Here, nothing is quite as it seems.On this island, families, and friendships are more than meets the eye … secrets, deceptions, and jealousies threaten to ruin everything these influential people have built. But it isn’t only the rich that live here … and power comes in all shapes and sizes. Everyone here is a liar … just how far would you go to get what you want?

    There are the usual inline tables of contents and links after each text/chapter to get back to the respective tables. The dates of first publication are noted.-------------Typee: A Romance of the South Seas. (1846)Omoo: Adventures in the South Seas. (1847)Mardi: and A Voyage Thither. (1849)Redburn: His First Voyage. (1849)White-Jacket: or, The World in a Man-of-War. (1850)Moby-Dick: or, The Whale. (1851)Pierre: or, The Ambiguities. (1852)Israel Potter: His Fifty Years of Exile. (1855)The Piazza Tales (1856): The Piazza, Bartleby, Benito Cereno, The Lightning-Rod Man, The Encantadas; or, Enchanted Isles, The Bell-TowerThe Confidence-Man: His Masquerade. (1857)Battle-Pieces and Aspects of the War. (1866)Clarel: A Poem and Pilgrimage in the Holy Land. (1876)John Marr and Other Sailors with Some Sea Pieces. (1888)Timoleon and Other Ventures in Verse. (1891)The Apple-Tree Table, and Other Sketches (1922): The Apple-Tree Table, Jimmy Rose, I and my Chimney, The Paradise of Bachelors and The Tartarus of Maids, Cock-a-Doodle-Doo!, The Fiddler, Poor Man’s Pudding and Rich Man’s Crumbs, The Happy Failure, The ’Gees.Billy Budd, and Other Prose Pieces (1924): Billy Budd, Sailor (An Inside Narrative), The Two Temples, Daniel Orme.Weeds and Wildings, With a Rose or Two. (1924)Essays: Fragments from a Writing Desk No. 1 & 2, Etchings of a Whaling Cruise, Authentic Anecdotes of “Old Zack,” Mr Parkman’s Tour, Cooper’s New Novel, A Thought on Book-Binding, Hawthorne and His Mosses.Uncollected Poems: Marquis de Grandvin at the Hostelry, Naples in the Time of Bomba, Immolated, Madam Mirror, The Wise Virgins to Madam Mirror, The New Ancient of Days, The Rusty Man, Thy Aim, Thy Aim?, The Old Shipmaster and his Crazy Barn, Camoens, Camoens in the Hospital, Montaigne and his Kitten, Falstaffs Lament over Prince Hal, Shadow at the Feast, Merry Ditty of the Sad Man, Honor, Fruit and Flower Painter, The Medallion, Time’s Long Ago!, In the Hall of Marbles, Gold in the Mountain, In Shards the Sylvan Vases Lie, In the Jovial Age of Old, A Spirit Appeared to Me, Give Me the Nerve, My Jacket Old, In the Old Farm-House, To ——, A Battle Picture, Old Age in his Ailing, Hearts-of-Gold, Pontoosuce, Epistle to Daniel Shepherd, Inscription for the Slain at Fredericksburgh, The Admiral of the White, To Tom, Suggested by the Ruins of a Mountain-Temple in Arcadia, Puzzlement, The Continents, The Dust-Layers, A Rail Road Cutting near Alexandria in 1855, A Reasonable Constitution, Rammon, Ditty of Aristippus, In A Nutshell, Adieu.