"Read the memoir first . . . (or) you might select one of my mother's recipes and foolishly believe that because the recipe is included in a cookbook, it must be something to eat".--Pat McManus.

    Whether she's writing about date rape or political adultery or writers from John Updike to Gillian Flynn, Mary Gaitskill reads her subjects deftly and aphoristically and moves beyond them to locate the deep currents of longing, ambition, perversity, and loneliness in the American unconscious. She shows us the transcendentalism of the Talking Heads, the melancholy of Bjork, the playfulness of artist Laurel Nakadate. She celebrates the clownish grandiosity and the poetry of Norman Mailer's long career and maps the sociosexual cataclysm embodied by porn star Linda Lovelace. And in the deceptively titled "Lost Cat," she explores how the most intimate relationships may be warped by power and race.Witty, tender, beautiful, and unsettling, Somebody with a Little Hammer displays the same heat-seeking, revelatory understanding for which we value Gaitskill's fiction.

    

    That's what I would give to you." -Fanni Victoria Green-Lemons, in conversation with her daughter, Danyealah Green-Lemons In "Mom," Dave Isay-StoryCorps's founder and the editor of the project's bestselling collection, "Listening Is an Act of Love"-presents a celebration of American mothers. Featuring StoryCorps's most revelatory stories on the subject, "Mom" looks across a diversity of experience to present an entirely original portrait of motherhood. Through conversations between parents and children, husbands and wives, siblings and friends, the life of the American mother unfolds. In stories that take us from the woods of New Hampshire to urban Detroit and beyond, we meet mothers and children from all walks of life-an immigrant mother instilling in her children the importance of education, adult children caring for an elderly parent, a woman remembering the sound of her mother's laugh, and mothers and children of all ages learning to grow into new roles over time. Visiting families in moments of profound joy and sadness, courage and despair, struggle and triumph, we learn new truths about that most primal and sacred of bonds-the relationship between mother and child. With this vital contribution to the American storybook, StoryCorps has created a tribute to mothers that honors the wealth of our national experience. An appreciation of the wisdom and generosity passed between mothers and children, this generation to the next, "Mom" offers powerful lessons in the meaning of family and the expansiveness of the human heart. Watch a Video

    But all rage isn't created equal. Who gets to be angry? (If there's now space for cis white women's anger, what about black women? Trans women?) How do women express their anger? And what will they do with it-individually and collectively? In Burn It Down, a diverse group of women authors explore their rage-from the personal to the systemic, the unacknowledged to the public. One woman describes her rage at her own body when she becomes ill with no explanation. Another writes of the anger she inherits from her father. One Pakistani American writes, "To openly express my anger would be too American," and explains why. Broad-ranging and cathartic, Burn It Down is essential reading for any woman who has burned with rage but questioned if she is entitled to express it.

    His name was Norman "Angus" Zahrt, a married World War II flight surgeon with whom she'd engaged in a secret love affair, just before he deployed to the Pacific and disappeared. Intrigued by his mother's hidden longing, Dobbs embarked on a reporter's quest to uncover Zahrt's fate, and that of his family. The story he returned with is an extraordinary tale of love, war, and how we confront the lost chances in our lives.David Dobbs writes features and essays for publications including the Atlantic, the New York Times Magazine, National Geographic, Wired, the Guardian. Several of his stories have been chosen for leading science anthologies; most recently, his much-discussed feature for the Atlantic, "The Orchid Children," for Ecco/HarperPerennial's Best American Science Writing 2010. He is now writing his fourth book, The Orchid and the Dandelion (Houghton Mifflin Harcourt), which explores the genetics of temperament—and the idea that the genes underlying some of our most troublesome traits and behaviors also generate some of our greatest strengths and accomplishments.

    No matter what a woman achieves in her life, no matter how old she gets or whether or not she herself becomes a mother, she is always and forever a daughter. The Women Whose Stories Are Included . . .Patti Davis                    Anne RiceCarolyn See                  Marg HelgenbergerMelissa Gilbert              Carnie WilsonRosanna Arquette         Mariel HemingwayAnna Quindlen              Angelica HustonMary Kay Place            Ruby DeeFaye Wattleton              Julianne MarguliesLily Tomlin                    Diahann CarrollCandice Bergen             Marianne WilliamsonLorna Luft                    Whoopie GoldbergAlice Hoffman              Cokie RobertsKathy SmithLinda Bloodworth Thomason

    She knows you'll probably never believe her side of the story, so she also interviews friends, ex-friends, and her acupuncturist about her history of substance abuse, flailing through her twenties and what kind of person she really is.About the AuthorBoston born and raised television writer, blogger, internet personality and HelloGiggles.com co-founder Molly McAleer currently resides in Los Angeles and lives in constant fear that she's going to be homeless or go to prison for committing vehicular manslaughter. Her writing has appeared on over 25 websites and her Twitter was hailed as "one of nine to follow amongst millions" by The New York Times. She needs to touch a dog (any dog) at least once a day and hates eating, people who make fun of Juggalos and the circus. You can listen to her advice podcast, "Plz Advise" on iTunes and SoundCloud.

    Rankine's questions disrupt the false comfort of our culture's liminal and private spaces--the airport, the theater, the dinner party, the voting booth--where neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect.This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friend's explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankine's own text, complicating notions of authority and who gets the last word.Sometimes wry, often vulnerable, and always prescient, Just Us is Rankine's most intimate work, less interested in being right than in being true, being together.

    The author traces the early histories of the cars, how they were discovered, and where they are.

    Finding pleasure in the customs and characters of small-town life, in The Heart Can Be Filled Anywhere on Earth he writes with affection about the town elders, seen by those in the outside world as misfits and losers. “They taught me what to value, what to ignore, what to embrace, and what to resist.” In his trek through the heartland, Holm covers a satisfyingly wide emotional terrain, from scandalous affairs in the 1950s to his aunt’s touching attempts to transcend poverty with perfume and movie-star airs.

    The result is this stunning memoir. Featuring 78 poems, 78 essays and intimate family photographs, Alexie shares raw, angry, funny, profane, tender memories of a childhood few can imagine--growing up dirt-poor on an Indian reservation, one of four children raised by alcoholic parents. Throughout, a portrait emerges of his mother as a beautiful, mercurial, abusive, intelligent, complicated woman. You Don't Have To Say You Love Me is a powerful account of a complicated relationship, an unflinching and unforgettable remembrance.

    From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.

    As you might imagine, he gets a lot of letters in response to his often iconoclastic views. As you might not expect, he writes a lot of letters, too. Now Rooney has collected the funniest, wisest, and most interesting of his letters, spanning several decades and addressing issues both momentous and trivial. He responds to complaints from viewers; he corresponds with old friends; and he writes to his children about the things he cares about most. Variously caustic, hilarious, and sage, these unfailingly entertaining letters reveal not only Rooney the iconoclast but Rooney the American Everyman. Sincerely, Andy Rooney is Andy Rooney at his best-and a wonderful gift book that will make readers chuckle and think twice.

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.