Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    There is nothing noir about the world of Ulf Varg, Detective Inspector in the Sensitive Crimes Department of the Criminal Investigation Authority for the city of Malmö, Sweden. Ulf is concerned with odd, but not too threatening crimes, such as a stab wound to the back of the knee caused by an unknown hand, young women who allow their desperation for a boyfriend to get the better of them, and peculiar goings-on in a spa on Sweden's south coast.Of course, Ulf is a Swedish detective, and Swedish detectives, by convention, lead lives beset with problems of one sort or another. For a start, there is his name: Ulf means “wolf” in modern Swedish, and Varg derives from the Old Norse word for “wolf”. But his character is far from vulpine: Ulf is a sympathetic, well-educated, and likeable man, with a knowledge of and interest in Scandinavian- and modern art. He has a dog named Marten, the only dog in Sweden capable of lip-reading (but only in Swedish). Martin becomes depressed and needs treatment. Dogs in Sweden are apparently particularly prone to Seasonal Affective Disorder (SAD). But this is summer—so there must be something else going on.Ulf has a number of colleagues into whose lives we gain insight. There is Anna, married to an anaesthetist, but very fond of Ulf; Erik, whose sole interest is fishing; Carl, whose father is a famous Lutheran theologian who has written a book on Danish philosopher Kierkegaard; then there is Blomquist from the uniformed branch, who goes on and on about his health problems but seems to have extraordinary luck in investigations. There is also Ulf's psychotherapist, Dr. Svensson, whose observations on Ulf's life—and many other topics—enlightens...or possibly confuses.The Department of Sensitive Crimes is the first full-length novel in the Detective Varg series.

    She doesn’t believe that Edmund House — a convicted rapist and the man condemned for Sarah’s murder — is the guilty party. Motivated by the opportunity to obtain real justice, Tracy became a homicide detective with the Seattle PD and dedicated her life to tracking down killers.When Sarah’s remains are finally discovered near their hometown in the northern Cascade mountains of Washington State, Tracy is determined to get the answers she’s been seeking. As she searches for the real killer, she unearths dark, long-kept secrets that will forever change her relationship to her past — and open the door to deadly danger.

    The sheriff, desperate for more positive press, makes Eve the youngest female homicide detective in the department’s history.Now Eve, with a lot to learn and resented by her colleagues, has to justify her new badge. Her chance comes when she and her burned-out, soon-to-retire partner are called to the blood-splattered home of a missing single mother and her two kids. The horrific carnage screams multiple murder—but there are no corpses.Eve has to rely on her instincts and tenacity to find the bodies and capture the vicious killer, all while battling her own insecurities and mounting pressure from the media, her bosses, and the bereaved family. It’s a deadly ordeal that will either prove her skills…or totally destroy her.

    In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land.At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher. Whicher quickly believed the unbelievable—that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today…from the cryptic Sgt. Cuff in Wilkie Collins’s The Moonstone to Dashiell Hammett’s Sam Spade. The Suspicions of Mr. Whicher is a provocative work of nonfiction that reads like a Victorian thriller, and in it Kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    She is trying to solve the mystery of a disappearing aristocrat and a hoard of arcane machines. In her way stand the rogues, freaks and self-proclaimed alchemists of a travelling circus. But when she comes up against an agent of the all-powerful Patent Office, her life and the course of history will begin to change. And not necessarily for the better…

    She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash.Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle . . . before she becomes a part of history herself.

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

    The East India Company rules India - or most of it; and its most notorious and celebrated son, Xavier Mountstuart, has gone missing.William Avery, a down-at-heel junior officer in the Company's army, is sent to find him, in the unlikely company of the enigmatic and uncouth Jeremiah Blake. A more mismatched duo couldn't be imagined, but they must bury their differences as they are caught up in a search that turns up too many unanswered questions and seems bound to end in failure.What was it that so captivated Mountstuart about the Thugs, the murderous sect of Kali-worshippers who strangle innocent travellers by the roadside? Who is Jeremiah Blake and can he be trusted? And why is the whole enterprise shrouded in such secrecy?In the dark heart of Company India, Avery will have to fight for his very life, and in defence of a truth he will wish he had never learned.M. J. Carter is a former journalist and the author of two acclaimed works of non-fiction: Anthony Blunt: His Lives and The Three Emperors: Three Cousins, Three Empires and the Road to World War One.

    Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is perked when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the girl leads to the discovery of murder, corruption, and dealings with a leader of the underworld. He faces his own disorientation transitioning from a soldier's life to the civilian world at the same time, redefining his role with his former commanding officer and making new friends--from the top of society to the street girls of Covent Garden.#1 of the Captain Lacey Regency Mysteries series.This is a full-length novel, e-version of The Hanover Square Affair, previously published in print by Berkley Prime Crime.

    "It catches one up and unfolds its amazing story through the recountings of its several narrators, all of them enticing and singular." Wilkie Collins’s spellbinding tale of romance, theft, and murder inspired a hugely popular genre–the detective mystery. Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.This Modern Library Paperback Classic is set from the definitive 1871 edition.

    Did she simply run off, or is something darker at play?When Patrick Dielman shows up at Detective Jo Larsen’s desk insisting that his wife, Jenny, is missing, Jo wonders if it’s a case of a bored housewife running away.But as she digs deeper into Jenny’s life, Jo learns that Dielman keeps a stranglehold on the family finances, down to the last nickel, and that Jenny’s first marriage dissolved following the death of her young son. By all accounts—including her doctor’s—she never recovered from the loss. Between a controlling husband, a tragic past, and a callous ex-husband, Jo can’t be sure if she should suspect foul play or accept that the woman may have wanted to disappear.For Jo, whose own demons are shadowing her every step, finding Jenny becomes more than the typical protect-and-serve.