The stories range from old favorites to new discoveries, from the profound to the silly. A treat for all ages, these picture stories unlock the enchanted door into the pleasures of books and reading.

    Come join in the 20th-anniversary fun as gnomania strikes again!Did you know that gnome couples always have twin children? Or that a gnome is seven times as strong as a human? Do you want to hear some gossip from the gnome who knew Rembrandt? Dutch artist Rien Poortvliet's charming illustrations and physician Wil Huygen's detailed observations of the gnomes' habits, anatomy, and lifestyle are a delight for readers of all ages. Children will adore the gnome family's underground home and the constant interaction with animals; adults will appreciate the tongue-in-cheek scientific data. Gnomebody is immune to the gnomes' tremendous appeal--and a whole new generation is waiting to love them for the first time!

    When Too Nice's evil sisters, Horrid and Very Horrid, force her to kidnap the witch Baba Yaga's jeweled toad, Baba Yaga devises a series of impossible tests for the little girl. If Too Nice passes them, she gets the toad, but if she doesn't -- the toad gets her Too Nice's only companion through the ordeal is the wise doll in her pocket, a gift from her mother, whose help leads to the miraculous completion of the tasks. And as gifts beget gifts, Too Nice gets the toad and the two evil sisters get theirs

    Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    Fourteen selkie (half-seal half-human creatures) tales from the Orkney and Shetland islands which embrace the fantasy, romance and unusual perspective of the Scottish travellers.

    Priscilla the princess has accidentally switched places with Pigmella, the farmer's new piglet. The kindly farmer and his wife believe it's the work of a good witch, while the ill-tempered king and queen blame the bad witch-after all, this happens in fairy tales all the time! While Priscilla grows up on the farm, poor yet very happy, things don't turn out quite so well for Pigmella. Kissing a frog has done wonders before, but will it work for a pig?Sure to hog all the attention, this story's frequent nods to well-known fairy tales such as Sleeping Beauty, The Frog Princess, and Thumbelina-plus hilarious illustrations-will delight readers of any age.

    She always gets the answer she wants, until Snow White turns seven, and the mirror must truthfully answer, "Snow White." At the news, the Queen turns yellow and green with envy and commands the huntsman to kill Snow White and bring her "lung and liver as a token." Thus begins another enchanting fairy tale from the Brothers Grimm! Kirkus Reviews called this collaboration between Randall and Nancy Eckholm Burkert "a sort of legend even before its time of publication." Jarrell also wrote The Bat-Poet and The Animal Family, a Newbery Honor Book. Jarrell retained the Grimm (and grim) ending to the tale, as the stepmother is forced to dance to her death. Burkert's illustrations are magical, light-filled creations that more than earn the book its Caldecott Honor Book status. This delightful book's extra-large format showcases the fabulously detailed illustrations, alternating two facing pages of art with two pages of straight text. This is an unforgettable interpretation of a well-loved story. (Ages 6 to 9)

    Retells the tale of the teeny-tiny woman who finds a teeny-tiny bone in a churchyard and puts it away in her cupboard before she goes to sleep.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    There Nell makes an amazing discovery: The bear is Snowbear Wittington, a handsome young man bound by a spell.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    When the original version of this book was published in 1985, Publishers Weekly called it "a treasure for all ages," and The New York Times declared, "Fairy-tale aficionados will be mesmerized." For this hardcover reissue, Susan Jeffers retouched her pen-and- ink and dye illustrations, making them even richer. Her brilliant artwork is showcased in a new interior design featuring a fifth-color gold border. Embossed gold foil type on the jacket of this large-format picture book trumpets the arrival of the girl who went from rags to riches.

    Mayan art and architecture were the inspiration for the spectacular cut-paper artwork.