Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times’s coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.

    I've never written to someone I didn't know. It feels strange. I don't know if what I'm doing is good or bad, crazy or just eccentric, useful or pointless.When Israeli teenager Tal Levine decides to throw a bottle with a letter into the Gaza Sea, she has little idea what to expect. Against all odds, Tal longs to strike up a correspondence with someone on the other side -- to forge something positive out of the turbulent and troubled times in which Israelis and Palestinians live. But what kind of response might a Palestinian give to an Israeli girl? Tal is not expecting "Gazaman," the boy who retrieves her bottle on a Gaza beach: Gazaman, a thorny, sarcastic young man with a reluctance to reveal anything about his true identity; Gazaman, who at first mocks Tal, only to be gradually drawn in by her. A remarkable e-mail exchange begins, which shakes the beliefs of both to the core and confounds all their expectations.

    The novel is filled with people claiming to be the Messiah, swindlers and the swindled, Jewish and Christian pilgrims, homosexuals, journalists, Holocaust survivors, Palestinian Arabs, children, and pets—a story told with as much humor as pathos.Dina Rubina lives in Ma’aleh Adumim, Israel. She is the author of two other long novels. Her work has been translated into 12 languages, and a three-volume collection of her work in Russian is forthcoming.Daniel M. Jaffe is a fiction writer and translator of Russian literature.

    "They carry the military identity for life, not just through service in the reserves until age forty-nine . . . but through lifelong expectations of loyalty and secrecy." The military is the country to a great extent, and peace will only come, Tyler argues, when Israel's military elite adopt it as the national strategy.Fortress Israel is an epic portrayal of Israel's martial culture—of Sparta presenting itself as Athens. From Israel's founding in 1948, we see a leadership class engaged in an intense ideological struggle over whether to become the "light unto nations," as envisioned by the early Zionists, or to embrace an ideology of state militarism with the objective of expanding borders and exploiting the weaknesses of the Arabs. In his first decade as prime minister, David Ben-Gurion conceived of a militarized society, dominated by a powerful defense establishment and capable of defeating the Arabs in serial warfare over many decades. Bound by self-reliance and a stern resolve never to forget the Holocaust, Israel's military elite has prevailed in war but has also at times overpowered Israel's democracy. Tyler takes us inside the military culture of Moshe Dayan, Yitzhak Rabin, Ariel Sharon, and Benjamin Netanyahu, introducing us to generals who make decisions that trump those of elected leaders and who disdain diplomacy as appeasement or surrender.Fortress Israel shows us how this martial culture envelops every family. Israeli youth go through three years of compulsory military service after high school, and acceptance into elite commando units or air force squadrons brings lasting prestige and a network for life. So ingrained is the martial outlook and identity, Tyler argues, that Israelis are missing opportunities to make peace even when it is possible to do so. "The Zionist movement had survived the onslaught of world wars, the Holocaust, and clashes of ideology," writes Tyler, "but in the modern era of statehood, Israel seemed incapable of fielding a generation of leaders who could adapt to the times, who were dedicated to ending . . . [Israel's] isolation, or to changing the paradigm of military preeminence."Based on a vast array of sources, declassified documents, personal archives, and interviews across the spectrum of Israel's ruling class, Fortress Israel is a remarkable story of character, rivalry, conflict, and the competing impulses for war and for peace in the Middle East.

    His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents.In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy.With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come.

    The story begins with Hind, a woman who sacrifices everything to establish a school for refugee Palestinian girls in East Jerusalem. Years later Miral arrives at the school after her mother commits suicide. Hind sees that Miral has the potential to change the world peacefully-but Miral is appalled by the injustice that surrounds her and flirts with the notion of armed resistance. Hind tries to get her to see other points of view, but will she succeed?

    Many have attempted to explain this singular success as a result of divine intervention. In this engaging book, David N. Myers charts the long journey of the Jews through history. At the same time, it points to two unlikely-and decidedly this-worldly--factors to explain the survival of the Jews: antisemitism and assimilation. Usually regarded as grave dangers, these two factors have continually interacted with one other to enable the persistence of the Jews. At every turn in their history, not just in the modern age, Jews have adapted to new environments, cultures, languages, and social norms. These bountiful encounters with host societies have exercised the cultural muscle of the Jews, preventing the atrophy that would have occurred if they had not interacted so extensively with the non-Jewish world. It is through these encounters--indeed, through a process of assimilation--that Jews came to develop distinct local customs, speak many different languages, and cultivate diverse musical, culinary, and intellectual traditions.Left unchecked, the Jews' well-honed ability to absorb from surrounding cultures might have led to their disappearance. And yet, the route toward full and unbridled assimilation was checked by the nearly constant presence of hatred toward the Jew. Anti-Jewish expression and actions have regularly accompanied Jews throughout history. Part of the ironic success of antisemitism is its malleability, its talent in assuming new forms and portraying the Jew in diverse and often contradictory images--for example, at once the arch-capitalist and revolutionary Communist. Antisemitism not only served to blunt further assimilation, but, in a paradoxical twist, affirmed the Jew's sense of difference from the host society. And thus together assimilation and antisemitism (at least up to a certain limit) contribute to the survival of the Jews as a highly adaptable and yet distinct group.

    A former circus clown who was spared the gas chamber so that he might entertain thousands of other Jews as they marched to their deaths, Adam Stein is now the ringleader at an asylum in the Negev desert populated solely by Holocaust survivors. Alternately more brilliant than the doctors and more insane than any of the patients, Adam struggles wildly to make sense of a world in which the line between sanity and madness has been irreversibly blurred. With the biting irony of Catch-22, the intellectual vigor of Saul Bellow, and the pathos and humanity that are Kaniuk's hallmarks, Adam Resurrected offers a vision of a modern hell that devastates even as it inches toward redemption.

    As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest dispassion and objectivity, with his personal story set to one side. He has nevertheless remained haunted by specific memories and images, thoughts he has been unable to shake off. The extraordinary result of this is Landscapes of the Metropolis of Death - a unique and powerful experiment in how one man has tried to understand his past (and our history).

    Her entire family wiped out in the Holocaust, the fifteen-year-old girl has nowhere to go. Members of the underground organization Brichah find her, and she joins them in their dangerous quest to smuggle illegal immigrants to Palestine. Ruth risks her life to help lead a group of children on a daring journey over half a continent and across the sea to Eretz Israel, using secret routes and forged documents -- and sheer force of will.This adventure will touch readers, who will marvel at the resources and inner strength of mere children helping other children to find a place in this world in which they can belong. Carol Matas, one of the foremost authors of historical fiction, brings the desperation and passion of this remarkable journey to life.

    Published just months after the end of the 1948 war (in which the author fought) the book as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars. An absolute must for anyone interested in Middle Eastern literature and history.

    He was there during the Operation 'Cast Lead' and so his daily dispatches came directly from the killing fields of Gaza, and are therefore free of any media distortion or manipulation."—Ilan Pappé, professor of history, University of ExeterAn authoritative and deeply moving eyewitness account of the terrible twenty-two-day Israeli offensive against the Gaza Strip in December 2008 and January 2009. These daily dispatches were written in precarious conditions, between bombing raids and intermittent Internet access. Vittorio Arrigoni ends his dispatches with the plea "stay human," which became the motto of the peace protests in his native Italy. This English translation is updated with new entries reflecting on life in Gaza after the offensive and also features an introduction by famous Israeli historian Ilan Pappé.Vittorio Arrigoni was an internationally renowned human rights activist who served as a volunteer with the pacifist International Solidarity Movement and worked closely with fishermen and farmers in Gaza. During the Israeli offensive against the Gaza Strip in 2008-9, Arrigoni acted as a human shield while working with the Palestinian Red Crescent ambulances. Working as a freelance journalist for the Italian daily Il Manifesto, Arrigoni’s daily dispatches, written between bombing raids and patchy internet access, ended with the plea, "stay human," which became the motto of the anti-Israeli peace protests in his native Italy. His authoritative and deeply moving eyewitness account was later published in 2010 in Italian, French, German, and English, which the historian Ilan Pappé described as the "account of an everyman and a true humanist." On April 14, 2011, Arrigoni was kidnapped and brutally murdered by militants in Gaza, which caused an international outcry and was unanimously condemned by Hamas and the Palestinian National Authority.

    The book argues that Muslims, nurished by their own points of reference, can approach the modern epoch by adopting a specific social, political, and economic model that is linked to ethical values, a sense of finalities and spirituality. Rather than a modernism that tends to impose Westernization, it is a modernity that admits to the pluralism of civilizations, religions, and cultures.Table of Contents:ForewordIntroductionHistory of a ConceptThe Lessons of HistoryPart 1: At the shores of Transcendence: between God and ManPart 2: The Horizons of Islam: Between Man and the CommunityPart 3: Values and Finalities: The Cultural Dimension of the Civilizational Face to FaceConclusionAppendixIndexTariq Ramadan is a professor of Islamic Studies at the University of Oxford and a visiting professor in Identity and Citizenship at Erasmus University. He was named by TIME Magazine as one of the one hundred innovators of the twenty-first century.

    Arie survived the Holocaust in Europe. Peter, one year older, was sent to America before the war began.They find each other again in Israel, learning everyone else in their family has been murdered. Peter becomes a top Mossad agent, deeply involved in many of the key spy adventures of the era. Arie becomes a scheming businessman, among the richest men in Israel: one brother is building the state, the other protecting it. But they have fallen in love with the same woman, a Jewish refugee from Egypt. The brothers jealousies and intrigues are mirrored by the young nation's very own struggles to survive.Praise for Promised Land: "Promised Land is a great sweeping epic...a moving story of triumph and tragedy, new love and historic hate, expertly told by a cast of unforgettable characters. Fletcher's writing is superb and rises to the level of importance that this story demands and deserves." Nelson DeMille, #1 New York Times bestselling author of The Cuban Affair"What a story [Fletcher] has chosen to tell, the coming into being of Israel, set against a family saga in the style of the great European novels. Promised Land is a novel that has much to teach your head and even more, your heart." Joseph Telushkin, New York Times bestselling author of Rebbe, Jewish Literacy, and Words that Hurt, Words that Heal[An] epic family saga, set against the rich tapestry of the creation of the State of Israel. Masterful in scope, yet intimate in lens, Promised Land is a rich tribute to the human spirit and a triumphant chronicle of one of the important events in modern history. Pam Jenoff, New York Times Bestselling Auth

    It is the account of five ordinary Israelis, selected to vanish into "the cold" of espionage secrecy -- their mission to hunt down and kill the PLO terrorists responsible for the massacre of eleven Israeli athletes at the Munich Olympics in 1972. This is the account of that secret mission, as related by the leader of the group -- the first Mossad agent to come out of "deep cover" and tell the story of a heroic endeavor that was shrouded in silence and speculation for years. He reveals the long and dangerous operation whose success was bought at a terrible cost to the idealistic volunteer agents themselves. "Avner" was the leader of that team, handpicked by Golda Meir to avenge the monstrous crime of Munich. He and his young companions, cut off from any direct contact with Israel, set out systematically to find and kill the central figures of the PLO's Munich operation, tracking them down wherever they lived. The mechanics, the horror, the day-by-day suspense of what they did surpass by far anything John le Carré or Robert Ludlum could imagine, as they themselves were tracked in turn (and some killed) by PLO assassins, changing identities constantly, moving from country to country, devoting their young lives to the brutal task of vengeance. Vengeance is a profoundly human document, a real-life espionage classic that plunges the reader into the shadow world of terrorism and political murder. But it goes far beyond that, to explore firsthand the feelings of disgust and doubt that gradually came to torment each member of the Israeli team, and that in the end inexorably changed their view of the mission -- and themselves. Vengeance opens a window onto a secret world, a book that at the same time inspires and horrifies. For its subject is an act of revenge that goes to the very heart of the ancient biblical questions of good and evil.