The book is a prelude to the Rwandan genocide and unfolds behind the closed doors of the school, in the interminable rainy season. Friendships, desires, hatred, political fights, incitation to racial violence, persecutions... The school soon becomes a fascinating existential microcosm of the true 1970s Rwanda.

    In this daring novel, the author gives a startling account of the inner workings of contemporary South African urban culture. In doing so, he ventures into unexplored areas and takes local writing in English to places it hasn't been before. The Quiet Violence of Dreams is set in Cape Town's cosmopolitan neighbourhoods - Observatory, Mowbray and Sea Point - where subcultures thrive and alternative lifestyles are tolerated. The plot revolves around Tshepo, a student at Rhodes, who gets confined to a Cape Town mental institution after an episode of 'cannabis-induced psychosis'. He escapes but is returned to the hospital and completes his rehabilitation, earns his release - and promptly terminates his studies. He now works as a waiter and shares an apartment with a newly released prisoner. The relationship with his flatmate deteriorates and Tshepo loses his job at the Waterfront. Desperate for an income, he finds work at a male massage parlour, using the pseudonym Angelo. The novel explores Tshepo-Angelo's coming to consciousness of his sexuality, sexual orientation, and place in the world. lifestyle and set of experiences are explored - that of a young black woman who gets involved with a disabled German student who does not want to commit to marriage, despite Mmabatho's unplanned pregnancy.

    Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes. He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena. Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice.As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data. His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions. Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."

    In this volume the author resurrects the world of goddess-worshipping, earth-centred cultures, bringing ancient matriarchal society to life.

    The first serious academic study of lycanthropy and "blood-lust" written in English, this book draws upon a vast body of observation, myth, and lore.

    Filled with colorful characters, dramatic battles like Isandhlwana and Rorke's Drift, and an inexorable narrative momentum, this unsurpassed history details the sixty-year existence of the world's mightiest African empire; from its brutal formation and zenith under the military genius Shaka , through its inevitable collision with white expansionism, to its dissolution under Cetshwayo in the Zulu War of 1879.

    [This book is] our first authoritative sketch of the great myths of the Sumerians, their myths of origins, of creation, the nether world, and the deluge. The book . . . makes entrancing reading and for the general reader it opens up a whole new vista undreamed of before."--Theophile J. Meek Samuel Noah Kramer was Clark Research Professor Emeritus of Assyriology at the University of Pennsylvania, where he was also Curator Emeritus of the Tablet Collections. 1998 184 pages 5 1/4 x 8 23 illus. ISBN 978-0-8122-1047-7 Paper $14.95s �10.00 World Rights History

    Elvis Oke, a teenage Elvis impersonator spurred on by the triumphs of heroes in the American movies and books he devours, pursues his chosen vocation with ardent single-mindedness. He suffers through hours of practice set to the tinny tunes emanating from the radio in the filthy shack he shares with his alcoholic father, his stepmother and his stepsiblings. He applies thick makeup that turns his black skin white, to make his performances more convincing for American tourists and hopefully net him dollars. But still he finds himself constantly broke. Beset by hopelessness and daunted by the squalor and violence of his daily life, he must finally abandon his dream.With job prospects few and far between. Elvis is tempted to a life of crime by the easy money his friend Redemption tells him is to be had in Lago's underworld. But the King of the Beggars, Elvis's enigmatic yet faithful adviser, intercedes. And so, torn by the frustration of unrealizable dreams and accompanied by an eclectic chorus of voices, Elvis must find a way to a Graceland of his own making.Graceland is the story of a son and his father, and an examination of postcolonial Nigeria, where the trappings of American culture reign supreme.

    . . An engaging and accessible account.” —Publishers WeeklyIn 1820, a small group of African Americans reversed the course of centuries and sailed to Africa, to a place they would name after liberty itself. They went under the aegis of the American Colonization Society, a white philanthropic organization with a dual agenda: to rid America of its blacks and to evangelize Africa. The settlers, eventually numbering in the thousands, broke free from the ACS and, in 1847, established the Republic of Liberia.James Ciment, in his enthralling history Another America, shows that the settlers struggled to balance their high ideals with their prejudices. On the steamy shores of West Africa, they re-created the only social order they knew, that of an antebellum Dixie, with themselves as the master caste, ruling over a native population that outnumbered them twenty to one. They built plantations, held elegant dances, and worked to protect their fragile independence from the predations of foreign powers. Meanwhile, they fought, abused, and even helped to enslave the native Liberians. The persecuted became the persecutors—until a lowly native sergeant murdered their president in 1980, ending 133 years of Americo-Liberian rule and inaugurating a quarter century of civil war.Riven by caste, committed to commerce, practicing democratic and Christian ideals haphazardly, the Americo-Liberians created a history that is, to a surprising degree, the mirror image of our own.

    By grasping the symbolic language of dreams, Fromm explains, we can then also understand the deeper wisdom of myths, art, and literature. This also gives us access to what we, and our society, usually repress. Fromm shares the history of dream interpretations, and demonstrates his analysis of many types of dreams.

    Here are Icarus flying too close to the sun, mighty Hercules, Achilles and that darn heel, the Trojans and their wooden horse, brave Perseus and beautiful Andromeda, wandering Odysseus and steadfast Penelope. Their stories and the stories of the powerful gods and goddesses who punish and reward, who fall in love with and are enraged by the humans they have created, are set forth simply but movingly, in language that retains the power and drama of the original works by Aeschylus, Sophocles, Euripides, and Homer. In Gustav Schwab’s masterful retelling, they are made accessible to readers of all ages.Part of the Pantheon Fairy Tale and Folklore Library

    As a child she witnessed the upheavals of post-colonial Africa, danger, flight, the bitterness or exile in Britain and the terrible consequences of her dissident father’s stand against tyranny.Mohamed Forna was a man of unimpeachable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had been one of the first black students to come to Britain after the war. He stole the heart of Aminatta’s mother to the dismay of her Presbyterian parents and returned with her to Sierra Leone. But as Aminatta Forna shows with compelling clarity, the old Africa was torn apart by new ways of western parliamentary democracy, which gave birth only to dictatorships and corruption of hitherto undreamed-of magnitude. It was not long before Mohamed Forna languished in jail as a prisoner of conscience, and worse to follow.Aminatta’s search for the truth that shaped both her childhood and the nation’s destiny began among the country’s elite and took her into the heart of rebel territory. Determined to break the silence surrounding her father’s fate, she ultimately uncovered a conspiracy that penetrated the highest reaches of government and forced the nation’s politicians and judiciary to confront their guilt. The Devil that Danced on the Water is a book of pain and anger and sorrow, written with tremendous dignity and beautiful precision: a remarkable, and important, story of Africa.

    Explore the mythologies of Europe, the Americas, Asia, Africa, and the Middle East. Learn what makes these stories so important, distinctive, and able to withstand the test of time. Discover how, despite geographical implausibilities, many myths from across the oceans share themes, morals, and archetypes.Listening Length: 31 hours and 35 minutes

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    In captivating prose, Dowden spins tales of cults and commerce in Senegal and traditional spirituality in Sierra Leone; analyzes the impact of oil and the internet on Nigeria and aid on Sudan; and examines what has gone so badly wrong in Zimbabwe, Rwanda, Burundi, and the Congo. From the individual stories of failure and success comes a surprising portrait of a new Africa emerging--an Africa that, Dowden argues, can only be developed by its own people. Dowden's master work is an attempt to explain why Africa is the way it is and calls for a re-examination of the perception of Africa as "the dark continent." He reveals it as a place of inspiration and tremendous humanity.