It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    The pay is great, his men are welcoming, but who is that man he keeps seeing in the mines? As time goes on, the man's presence sparks chilling scenes. Lights go off in the mine, terrifying noises are heard, and money and tools go missing. When Adam is attacked, he thinks he's losing his mind as none of his men nearby see anything. Adam has only one choice - leave - before he meets the same fate as the mystery miner. But when the miner asks for help, Adam changes his mind, which may be the biggest mistake of his life.

    A gang-infested school. A vengeful teacher. After his star pupil, Rina Ogawa, is sexually assaulted in a school restroom, Edward Clifford sets out on a journey to find the truth and bring her attackers to justice. He finds himself delving head-first into the lives of his other students—lives filled with crime, violence, and hatred. What starts as a desperate attempt to achieve justice quickly sends Edward down the path of vengeance... Who attacked Rina Ogawa? Can Edward bring her attackers to justice? Or will he take matters into his own hands? From the provocative author of The Law of Retaliation and Grandfather’s House, Jon Athan brings you a shocking thriller packed with mystery, suspense, and extreme violence. This is a story of human horror. WARNING: This novel contains graphic content. Reader discretion is advised.

    He just wanted a quiet life. Something his mother was not going to allow. There again he never for one moment imagined he would have to look into the death of a 90-year-old lady who was gambling away her family fortune. The Hayden Detective Agency has no need of clients. The very existence of the Agency allows Martin Hayden to claim his large monthly allowance from the family fortune - without lifting a finger. Martin’s biggest problem is his interfering mother, who understands her idle son too well. She takes steps to find him not just clients but also a personal assistant to keep an eye on him. Under pressure from the women in his life, Martin agrees to take on his first client. How hard can it be to follow a 90-year-old woman who spends her time losing money at roulette tables? As it turns out harder than Martin ever thought possible, especially with the old lady dying in strange circumstances. Soon the Reluctant Detective is grappling with shady estate agents, an intellectual artist, missing charity money and an irritating Indian waiter. Luckily for Martin there is help in the form of Colin, a transvestite who, apart from having very good fashion sense, is an expert at breaking into houses.

    

    Women were being abducted and murdered, then their corpses were displayed in open shallow graves. Marshall's FBI partner, Jessie Kent, was taken. During the hunt for her, Marshall tracked the killer down, but he was shot five times and left for dead. Less than an hour later, the killer took his own life. None of the remaining victims were ever found. Until now. A female detective comes down to Marshall's home town to ask for his help. Somebody has found the decomposed victims and is displaying them. Despite no longer being with the FBI, Marshall sees this as a chance to find Jessie, and take her home for a proper burial. And to lay to rest the feelings of guilt he's been carrying for the past four years. He agrees to go back with Dani Fox, but it's soon clear somebody doesn't want him back in town. He's warned off, but he ignores it. Then the killings start. Somebody has just accelerated the game from displaying corpses to adding new victims. And this time, he's making it personal...

    Then his body is discovered. Her cousin Michael is found guilty of his murder and incarcerated in a secure psychiatric unit.Four years later, now divorced and back in the police force, Rachel discovers that Michael is being released to a less secure step-down unit, with his freedom a likely eventuality. Unable to cope with this, she decides upon revenge, assuming a new identity to hunt him down and kill him. However, as she closes in on her target, her friend Jonathan, a journalist, uncovers some unnerving information about her mother and others in her family and begins to suspect that Rachel’s perception of the truth might not be as accurate as she thinks – that she might be about to murder the wrong man…

    But her interview gives way to interrogation when suave Lord Stephen Astwick meets a chilly end on the tranquil skating pond. With evidence that his death was anything but accidental, Daisy joins forces with Scotland Yard so the culprit can't slip through their fingers like the unfortunate Astwick slipped through the ice...THE WINTER GARDEN MYSTERY: So who put the body in with the spring bulbs?The merest hint of spring has arrived in Cheshire, and so has young reporter Daisy Dalrymple. The feisty flapper's visit is a breath of fresh air for gloomy Occles Hall. But while photographing the rather barren grounds, Daisy spots that someone's been digging among the first green shoots - and much to her horror unearths the corpse of missing parlour maid Grace Moss.So begins an extraordinary adventure, as first the dead woman's shocking secret is revealed and then Daisy swiftly realizes she needs to catch the killer before she herself is left pushing up the daisies...REQUIEM FOR A MEZZO: With dashing Scotland Yard detective Alec Fletcher at her side, Daisy Dalrymple is enjoying a splendid performance of Verdi's Requiem featuring her neighbour Muriel Westlea's celebrated sister, Bettina. But the show comes to an abrupt end when what emerges from the star's gifted vocal chords is literally a dying gasp. Daisy soon learns that the doomed diva was notoriously difficult and had more than her share of enemies. There's a philandering tenor, a burly Russian bass and even her own vocal coach husband, with whom she had a turbulent relationship.Did one of them poison the singer? Or was it someone determined to see that Daisy's investigation ends on as bitter a note as Bettina's last performance...MURDER ON THE FLYING SCOTSMAN: Daisy's in danger of heading off the rails!Daisy's embarking on a journey to Edinburgh and her biggest worry is that she has forgotten her book, so how will she pass the time? Her concern proves to be pointless, however, as once the journey begins Daisy finds a pint-sized stowaway on board - Belinda, the daughter of dreamy Detective Chief Inspector Alec Fletcher, Daisy's beau.No sooner has this problem revealed itself than Daisy and Belinda run into a bickering Scottish clan en route to the deathbed of the head of the family. But before the express reaches its first stop, one of the greedy McGowans has turned up dead. Is it murder? Daisy's willing to bet her first-class ticket it is - after all, the victim was the heir-in-waiting and she's sharing the carriage with an entire family of suspects who have everything to gain by his death...

    I love Margaret Coel’s writing because there’s never a misplaced step. She balances two opposing cultures with little room for compromise, which is good because this chick works without a safety net. It’s human nature, or certainly the nature of writers, to analyze another’s work when reading it, in an attempt to take the story apart like an acrobatic trick—kick off your shoes and try it out. Every once in a while you second guess them and follow them out onto that tightrope just to find where they might’ve slipped up, but Margaret never does and just when you think she has she’ll turn and wink, so keep reading. Like Catherine McLeod, the reporter protagonist of Man Found Dead in Park, Margaret embraces both the mainstream and native cultures, all the while maintaining the aspect of her writing that transcends the genre with a deep understanding of human nature. When a man is found dead in an Indian section of Denver where no one is talking, McLeod finds herself in conflict with Mexican drug cartels and an investigation that leads north into Wyoming's Wind River Reservation and what turns out to be her roots. Transformative for both McLeod and the reader, the width and breath of the story is easy to miss, because Coel’s writing has a heady narrative that holds a sense of wonder and romance—a place that a lot of other writers fear to tread. I sometimes wonder if she knows how good she is, but I think probably not. The humility of a few artists is what keeps them grounded, and even when she’s out there flying high, I’m pretty sure she has her head up but is feeling every twitch of the story through the soles of her feet. Navigating with the finesse of a Flying Wallenda, Coel never misses a thing, because the devil is in the details, and like her character, Detective Nick Bustamante, Margaret knows that these indiscernible little slights of hand are the thing that makes for great drama under the Big Top. So join Margaret Coel out onto that high wire where she works without a safety net. Just when you think you’ve got it all figured out there will be moments of insecurity, thoughts that will disconcert, and you might be tempted to look down, but don’t. If things get too hairy just reach out and take this daredevil performer’s hand, and she’ll grin that signature smile and make sure you make it back to safety. --Craig Johnson

    A few too many drinks.A few harsh words said. No one was hurt.All easily forgotten.Both can healExcept he didn’t forget. Their threats. How they made him feel…They must pay - with their lives.But one will always leave a scar…A young woman goes missing. She’s done it before, but Detective Inspector April Decent senses this time it’s serious. Can she convince her colleagues she’s right before it’s too late?Decent and her DS Skeeter Warlock face their most deadly opponent yet in Syn, the second novel in Malcolm Hollingdrake’s superb Merseyside Crime Series.

    In this creepy tale, the twist comes with the very last word…

    Twelve years since millions of dollars were lost because of a single bullet. Twelve years since Lenny Long last saw his family before being thrown in jail for killing Danno Garland. Now, Lenny has walked out of jail a changed man.Back on the outside, things haven’t gotten any easier. Danno’s death has made the spotlight shine on the world of professional wrestling a little too brightly for the comfort of many. Senator Tanenbaum is leading the charge to shut the whole thing down, while the other wrestling bosses haven’t wasted any time in trying to consolidate their territories and grab new ones. But Danno’s old crew isn’t about to let the other promoters take what is rightfully theirs, at least not without a fight. And, try as he might to get home, Lenny’s role in it all isn’t over.In this thrilling final chapter of Paul O’Brien’s gritty Blood Red Turns Dollar Green trilogy, it all comes down to Lenny. And twelve years is a long time to think and to plan.

    But it all comes crashing down when his cheating wife leaves him and the brother he hasn’t seen in years shows up at his doorstep. The meeting between long-lost siblings is hardly a warm family reunion because, along with his ex-con brother, comes Randall Calderone, a hulking, psychopathic Aryan Brotherhood member with vicious skills honed in the Mexican cartel drug trade. The two ex-cellmates have a “favor” to ask Jack: they want him to help them rob the local bank by kidnapping the bank manager and holding her family hostage. Before Jack knows what to do, he’s in possession of almost a million dollars in stolen cash with a relentless FBI Agent hounding him, his brother’s psycho partner threatening mayhem (and his brother’s life) unless he hands over the cash, and an attractive girl playing him for the small-town loser he seems to be. Can Jack tap into the skills learned in a bizarre upbringing save his and his brother’s life? The hours are ticking down on Jack as he walks a tightrope with everyone watching his every move; will he survive or will the forces of darkness and justice closing in fast take him down like a house of cards under strobe lighting?

    Its purpose is one of certitude with a little dash of homage thrown in for good measure. For some, it may just be seen as an extended or alternate ending. For others, it may be taken as Chief Inspector Endeavour Morse's final will and testament. Your choice...