Vadim is a Russian emigre who, like Nabokov, is a novelist, poet and critic. There are threads linking the fictional hero with his creator as he reconstructs the images of his past from young love to his serious illness.

    Male, female, deft, fraudulent, constantly shifting: which of the masquerade of passengers on the Mississippi steamboat Fidele is the confidence man? The central motif of Melville's last and most modern novel can be seen as a symbol of American cultural history.

    Winner of the Sandor Marai prize, and in the tradition of 'A Curious Incident' and 'Boy in the Striped Pyjamas', 'The White King' is the story about a young boy in a totalitarian state in a quest for his disappeared father."

    commits suicide, devastating his circle and deeply puzzling his friend Kingsbitter. For among B.’s effects, Kingsbitter finds a play that eerily predicts events after his death. Why did B.–who was born at Auschwitz and miraculously survived–take his life? As Kingsbitter searches for the answer –and for the novel he is convinced lies hidden among his friend’s papers–Liquidation becomes an inquest into the deeply compromised inner life of a generation. The result is moving, revelatory, and haunting.

    However, just before the quarantine is declared, the police arrive, and so does a young man, who hides in his pyjamas in the wardrobe of Miss Maud Borckman. It turns out that of the numerous guests under quarantine, any number could have committed the murder the police have come to investigate, including the stranger in pyjamas and Maud, as well as a prince and a janitor, even a police officer. Hilarious mayhem abounds all around as the true identities of the hotel guests come to light, and the stranger in pyjamas finally gets to take a hot bath and lays hold of some clothes.

    Following the bizarre accidental death of his wife, Israeli secret service agent Yoel Ravid retires to the suburbs with his daughter, mother and mother-in-law.After a lifetime of uncovering other people's secrets he is forced to look back at the lies he has told himself; at the desolate enigma of his wife's life and death; his years of service to the state and the riddle of his daughter's behaviour.

    In A Thousand Country Roads, Robert Kincaid initially finds himself with little but memories of a lonely existence lived mostly on the road and memories of Francesca Johnson, the woman whose passion he stirred so briefly and with such power. So, with his memories pushing him, searching for something undefined, something to give meaning to the rest of his life, Kincaid takes to the road again in what becomes a journey of discovery and surprise. With his dog Highway beside him in an old truck named Harry, Kincaid begins a long winding run back to Roseman Bridge in Madison County, Iowa, returning to the place of his great love affair. Living her own solitary life, Francesca still visits Roseman Bridge and reflects on her days and nights with Robert Kincaid. Cherishing the memory of the strange, wandering man who changed her world, she vows to search for him. On the expedition he calls Last Time, Kincaid wanders through Oregon, northern California, eastward to the Dakotas, and on to Iowa. Along the way, a chance encounter with a woman from his distant past reveals another dimension of his life he could not have imagined. Finally, in a Seattle bar called Shorty's, where saxophonist Nighthawk Cummings still plays on Tuesday nights, Kincaid turns in his chair, looking inward and outward at the same time, and smiles at what he sees sitting before him. And so it comes, the ultimate loner finds he is not as alone as he once believed. There was something about this man that was out of the ordinary, something almost familiar about him. Sunlight angled down and caught the right side of his face, caught the long gray hair parted in the middle and brushed back along the top and sides. The sea wind came and blew his hair, and he reached to push it back from his face, pulled an orange suspender higher on his shoulder, adjusted the leather Swiss Army knife case on his belt. The sun passed behind a cloud, and he fell into shadow for a few seconds before sunlight again came on him. She experienced an involuntary shudder and had a powerful urge to walk outside and talk with the man. And later: He was glad he had come. It had not been a mistake. Here, in the old bridge, he felt a kind of serenity, and he bathed in the feeling and came quiet within himself. At that moment, he knew this place would be his home ground, the place where his ashes would someday drift out over Middle River. He hoped some of his dust would become one with the bridge and the land, and that some might wash far downstream and into larger rivers and then into all the seas he had crossed on crowded troop ships or night jets to somewhere. —From A Thousand Country Roads Author Biography: Robert James Waller grew up in the small town of Rockford, Iowa, and was educated at the University of Northern Iowa and Indiana University. He was for many years a professor at his Iowa alma mater, where he also served as Dean of the College of Business from 1979 to 1986. He lives on a remote ranch in the high desert mountains of Texas and pursues his interests in writing, photography, music, economics and mathematics. This is his tenth book.

    Misi, a dreamer and would-be writer, is falsely accused of stealing a winning lottery ticket. The torments brought on by this incident which he is forced to undergo, and from which he grows, are superbly described, as Stephen Vizinczey's new translation unleashes the full power of Moricz's prose. First published in 1921, the novel is brimming with vivid detail from the provincial life that Moricz knew so well, and shot through with a sense of the tragic fate of a newly truncated Hungary. But ultimately it is the universal quality of the experience captured here, and the author's uncanny ability to rediscover for the reader precisely what it feels like to be that child, which makes this portrait of the artist as a young boy not merely a Hungarian, but an international classic."

    Can the rift be mended? Perhaps in the form of a novel, one that goes back from present-day New York to Sophie's childhood in pre-World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions of her life now. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life.Susan Taubes's startlingly original novel was published in 1969 but largely ignored; after the author's tragic early death, it was forgotten. Its republication presents a chance to rediscover a dazzlingly intense and inventive writer whose work in many ways anticipates the fragmentary, glancing, lyrical novels that Renata Adler and Elizabeth Hardwick would write in the 1970s.

    But Sears's paradise is threatened; the pond he loves is being fouled by unscrupulous polluters. In Cheever's accomplished hands the battle between an elderly romantic and the monstrous aspects of late-twentieth-century civilization becomes something ribald, poignant, and ineffably joyful.

    With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." - The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." - The Christian Science Monitor.

    Upon her death in 1949, her personal papers, almost all other writing, and even the original typescript of Gone With the Wind were destroyed. Now, sixty years later, the impossible has happened: The world has another story from Margaret Mitchell. Better still, it's a delight, a fitting predecessor to America's most beloved epic novel. A spirited tale of love and honor on a doomed South Pacific island called Laysen, Lost Laysen would be justly praised as a charming effort by a remarkable young talent if it were its author's only work. But it isn't, of course, and Lost Laysen also enchants because of the many fascinating ways it foretells Gone With the Wind: in its two central male characters, one a gentleman and the other more rough-hewn, who vie for the attention of a feisty, independent-minded woman, and who will go to any lengths to defend her honor; in its re-creation of a vanished world; and in its unforgettable ending. The real-life romance at the heart of Lost Laysen's discovery is as enthralling as any work of fiction. Margaret Mitchell gave the story, handwritten in two lined notebooks, to a young suitor, Henry Love Angel. Angel put the notebooks away for safekeeping, just as he put away all of Mitchell's intimate letters to him, as well as their treasured photographs taken over the years. Well over half a century passed before Henry Love Angel's son, realizing what had been passed down to him, brought the story, the letters, and the photos to Atlanta's Road to Tara Museum. Nationally respected Margaret Mitchell historianDebra Freer masterfully weaves Margaret Mitchell's never-before-seen letters and photographs into a fascinating introduction that tells the story of Mitchell's relationship with Henry Love Angel and puts the writing of Lost Laysen into its proper context.

    The cops don't trust you because you're a Gypsy. Your fellow Gypsies, even your own family, shun you because you're a cop.The dead, however, don't care.Balthazar Kovacs of the Budapest murder squad is in the middle of his first cup of coffee when a mysterious text message arrives. There were three words: '26, Republic Square', and a photograph. The photo shows a man in his early thirties, lying on his back with his eyes open, half-covered by bricks and dust. The address, the former Communist Party headquarters, was once the most feared building in the country.But when Kovacs arrives at Republic Square, the body has gone and his only lead is the word of a Gypsy kid who saw the corpse bundled into an unmarked van...Kovacs' investigation will take him deep into Budapest's shadows, an underworld visitors never get to see: the gritty back-alleys of District VIII; the endemic corruption that reaches deep into the government; a rule of law bent to serve the interests of the elite; the rising power of international organized crime and the ghosts of Communism and Nazism that still haunt Hungary.

    Includes Sense and Sensibility, the story of two sisters of opposing temperaments; Pride and Prejudice, the classic novel about 18th-century English class consciousness; and Emma, the saga of a woman determined to arrange her life round her romantic fancies.

    This book contains key introductory material to this contemporary occult society, along with a history of the Order after Crowley's death. The format of this edition matches that of the first Equinox series published with Crowley as editor and includes magical instruction, communications to OTO members (all the dirt on court cases the OTO has been involved in), and original works of fiction and poetry. As part of this latter category, this book features an illustrated study of the works of underground filmmaker Kenneth Anger with a complete filmography. It could be argued that Aleister Crowley (1875-1947) anticipated the entire New Age phenomenon with his methods of teaching, codified in the tenets of the OTO. A rich melange of ritual magic, traditional spiritual practice, drug use, and sex, borrowing from many different cultures and traditions, informed the development of this lasting magical system. Although he's been popularized (and demonized) as The Beast, 666, his teachings have shown lasting value.