This gutsy move captured the heart of New Yorkers who dubbed her "Give 'em hell, Isabelle," and of media maven Becky Belden, who hires Isabelle to work at her magazine. When Isabelle discovers the many--seemingly random--deaths of Belden employees, she begins to wonder if the Becky Belden empire has a darker side behind its sweet, wholesome facade. She's about to find out...

    In a delightful mix of charm, cheek, and satire, Sykes returns to the glittering world of her New York Times bestselling debut Bergdorf Blondes to introduce the Debutante Divorces--high society's newly unwed heiresses.

    He's gorgeous, he's funny - and he's very keen. Just what a girl needs to put some sparkle in her life. Heavens, he's practically perfect! Greg likes Miranda a lot. She's young, she's pretty, and she never talks about babies. Of course he hasn't told her everything about himself - even the sweetest girls can be a bit funny about a man who's just left his newly pregnant wife. But there's no way she's going to find out - or is there?Luckily for Miranda men are like buses - you don't see any for ages then three come along at once. She just needs to catch the right one...

    'Postcards from Last Summer' follows the lives and loves of three girlfriends as they reconnect in the Hamptons each summer for cold margaritas, hot hookups and plenty of drama.

    Hetty doesn't mind; at least she can be miserable in private. But 'private' is a relative term in a village which revolves around the big house. Particularly when you are expected to thwart Great Uncle Samuel's awful heir, and his nefarious plans for his inheritance.Pitchforked into the community's fight to save the manor, Hetty has no time to wallow. And once she has shared her troubles with one neighbour (Caroline: a very understanding shoulder, despite her glamorous appearance and impossibly long legs), and cast an appreciative eye over another (Peter: equally long-legged, but offering rather more practical help), she wonders if her heart is irretrievably broken after all...

    Dan and Linda talk on the phone every day. Twice a day. As Dan and Ellie’s intimate civil wedding ceremony gets transformed into a black-tie affair, Ellie begins to wonder if it’s possible to marry the man without marrying his mother. As troubles mount, Ellie turns to her friends—glamorous Lisa, who always looks like she’s just stepped off a runway, and wonderfully frazzled Trish—and tries to rediscover the independence she once had, and the man she still loves. But it seems that having a child and saving a marriage means growing up in ways she’d never imagined . . .A warm, witty, and wise look at mothers-in-law and what they teach us about ourselves, The Other Woman is sure to please Jane Green’s growing legion of fans.

    One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    She's young, pretty and she has a fabulous job on a glossy magazine, which involves interviewing celebrities (and air-brushing their personalities). But when she is offered a job presenting a trendy Friday night television show she can't resist the opportunity to experience fame first hand. Putting her puritanical Scottish upbringing, her intellectual boyfriend and her hippy best friend behind her, she soon hooks up with world-famous actress Lucy Lloyd and gorgeous, infamous rock god Ricky Jones, who introduce her to a hedonistic world of partying where appearance is everything and nothing really matters but sex, drugs and rock 'n' roll. But as the stories about her private life become front page news, Laura begins to doubt those closest to her, and her life starts to spiral dangerously out of control. Packed with passion, glamour and danger, DROP DEAD GORGEOUS is a unmissable glimpse into the fame game - and the price you have to pay to play it.

    Hard working, idealistic, extremely competent as well as neurotic and prone to daydreaming, Sammy, as she's known to her friends, has little time for anything, much less a relationship. But in the midst of lobbying and late-night dinners at the office, she meets Aaron Driver, who is hot, smart, and sweet, and who, after a night of binge drinking at a bachelor party, proclaims his love for her. But how will Sammy balance her seventy-plus hour weeks with her budding romance, while keeping her best friend's slimy boyfriend from hitting on her, and making time for family, who insist her outfits match the centerpiece.

    Alas, she is more of the Jack Daniels kind. Self-medicating with ice cream for breakfast, breaking down at the supermarket, and showing up to work in her bathrobe and bunny slippers-soon she's not only lost her husband, but her job, house...and waistline. With humor and chutzpah Sophie leaves town, determined to reinvent her life. But starting over has its hurdles; soon she's involved with a thirteen-year-old who has a fascination with fire, and a handsome actor who inspires a range of feelings she can't cope with-yet.

    Then Bette meets Kelly, head of Manhattan's hottest PR firm, and suddenly she has a brand-new job where the primary requirement is to see and be seen inside the VIP rooms of the city's most exclusive nightclubs. But when Bette begins appearing in a vicious new gossip column, she realizes that the line between her personal life and her professional life is...invisible.

    V has to live in a sham marriage as she seeks information on her husband, his financial affairs and proof of his sexual affairs.

    But that’s before she sees the perfect child. There he sits in his stroller, angelic and beautiful, magnetic and serene– and he makes Jane question everything she has and everything she thought she wanted. Suddenly all she can see are babies and pregnant woman everywhere. Were there always so many of them? And while there was once a man in her life–her one true love, Sam, gone from this world too soon–there is no man now. Jane must make a choice: possibly become a bitter and childless old lady, letting her biological clock tick on ’till menopause, or tend the ache in her heart now, by becoming a single mother. As Jane struggles to make the most important decision of her life, friends and family offer no shortage of opinions. There’s Ray, her “hubstitute” and gay best friend who would be jealous of any kid who got Jane as a mom; Sheila, her sister, who went from zero to sixty when she eloped with Raoul–who had two young twin sons– and has mixed feelings about being a new mommy; her strict, Catholic father who can’ t imagine what level of hell Jane would banish herself to if she becomes a single mother; and the women of Families with Children from China who are preparing to adopt orphan daughters–without a man in sight. Just as she thinks she’s made up her mind, Jane discovers one small wrench in her plans: handsome, charming, funny Peter, who just happens to be (unhappily) married. . . . And Baby Makes Two is a heartbreakingly honest, wonderfully addictive, and funny novel about love and loss, family and friendship. Judy Sheehan, co-creator of the smash hit Tony n’ Tina’s Wedding, has perfectly captured the delights and dilemmas of the scariest job in the world: motherhood.From the Hardcover edition.

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    But that doesn't mean you stop wishing, does it?  This is Bella Grandelli's heartbreaking, hilarious, and seemingly hopeless quest-from her days as a pudgy, insecure eight-year-old in the seventies, to a Madonna-worshipping Notre Dame co-ed in the eighties, where she tries on boyfriends as if they're leg-warmers, to a martini-sipping entertainment journalist in the nineties. The only constant through her love-life chaos is her twin brother, Bobby, whose mysterious illness has been a source of both triumph and tragedy-no matter how hard Bella tries to wish him well. But it's only when her family faces a devastating crisis that she finally realizes the painful truth about herself and her life. And no one is more surprised than Bella herself when that journey leads her to the only person in the world who holds the key to her heart.