P. Lovecraft -- victim of a mysterious death that literally makes the skin crawl -- is about to bring these two writers face to face with a peril sprung from the pulps."The Chinatown Death Cloud Peril" is at once a valentine to an old-fashioned genre as well as a modern, meta-literary examination of the classic hero pulp. From the palaces and battlefields of warlord-plagued China to the seedy waterfronts of Providence, Rhode Island; from frozen seas and cursed islands to the dizzying and labyrinthine alleys and tunnels of lower Manhattan, Dent and Gibson, joined by the young pulp writer L. Ron Hubbard and a host of colorful characters, finally step out from behind the shadows of their creations to take part in a heroic journey far greater than any story they have imagined as they race to stop a madman destined to create a new empire born of, and based in, pure, gaseous evil."The Chinatown Death Cloud Peril" is a swashbuckling romantic tale of writersand writing, magic and love, marriage and fatherhood, and ambition and loss that weaves the true lives of its real-life characters into a fictional epic.

    But while the thieves get caught, the art is never found. Forty years later, the last surviving thief gets out of jail and goes hunting for the loot, involving some innocent college students in his dangerous plan - and thirty years after that, in the present day, the former college kids, now all grown up, are drawn back into danger as the still-missing art tempts a deadly new generation of treasure hunters. A breathtakingly clever, twist-filled narrative that moves from 1946 to 1988 to 2014 and back again, CHARLESGATE CONFIDENTIAL establishes Scott Von Doviak as a storyteller of the first order, and will leave you guessing until the very last page.

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

    But when the boys arrive for an overnight visit at Terror Castle -- home of a deceased horror-movie actor -- they soon find out how the place got its name!

    In achieving for himself the opulent life that he was denied as a child, Ripley shows himself to be a master of illusion and manipulation and a disturbingly sympathetic combination of genius and psychopath. As Highsmith navigates the mesmerizing tangle of Ripley's deadly and sinister games, she turns the mystery genre inside out and takes us into the mind of a man utterly indifferent to evil.The Talented Mr. RipleyIn a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.Ripley Under GroundIn this harrowing illumination of the psychotic mind, the enviable Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But such a gracious life has not come easily. One inopportune inquiry, one inconvenient friend, and Ripley's world will come tumbling down--unless he takes decisive steps. In a mesmerizing novel that coolly subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil.Ripley's GameConnoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.

    Gibson and Lester Dent (writing as "Maxwell Grant"), and artists George Rozen and Edd Cartier.The first volume of this new series reproduces both original covers by George Rozen, plus all of the original interior illustrations by Edd Cartier. This book also includes new historical background articles by popular culture historians Anthony Tollin and Will Murray (who collaborated posthumously with Dent on Seven new Doc Savage novels previously published by Bantam).

    Here comes trouble, says Leonard, and he's right. She was always trouble, but she had this laugh when she was happy in bed that could win Hap over every time. Trudy has a proposition: an easy two hundred thousand dollars, tax-free. It's just a simple matter of digging it up ...Hap Collins and Leonard Pine, white and black, straight and gay, are the unlikeliest duo in crime fiction. Savage Season is their debut.

    But the legacy hinges on one nonnegotiable condition.   Across the channel, Shirley Dale struggles to make ends meet working for Mrs. Huddleston, a wealthy, self-indulgent woman who rarely leaves her house. Everything is fine, relatively speaking—until Shirley finds herself in possession of someone else’s purse. Then she’s accused of stealing sixpence and a valuable diamond brooch from her employer. Who is framing her and why? Terrified of being arrested, she flees to the rural village of Emshot, where her only surviving relative lives.   But Shirley is confronted with an unwelcome surprise when she arrives at Acacia Cottage. With her freedom at stake, she turns to the only person she can trust: Anthony Leigh, Mrs. Huddleston’s nephew. But Anthony has every reason not to trust her. As a sinister plan gathers momentum, Shirley must clear her name and unmask the culprit before she loses her liberty and possibly her life.   The author of the Miss Silver Mysteries spins a web of romance and mystery in this absorbing novel.

    Gable Cooper has penned a novel to kill for. Six million dollars in book and film rights are looming just off the table for this unknown author. But there is a problem: Gable Cooper doesn't exist. Abby Chandlis is an attorney turned novelist and the creator of Gable Cooper. In an age when glamour, not grammar, is often the secret to selling books, Abby has an intriguing plan to keep her writing career alive: find a charismatic male face to pose as the phantom author for the knock-dead thriller she has written. Jack Jermaine is a man with dangerous good looks and a shadowy past. Trained by the military to kill, his obsession is to pen a blockbuster book. He has a trunk filled with rejected manuscripts and a gnawing problem that has turned him bitter: Jack can't write. Desperate to find a man to play the role of Gable Cooper, Abby is about to give up when Jack forces his way into her life. Reluctantly she is convinced that Jack's humor and looks will clinch success for her novel. She uses her legal wits and makes a deal with the devil. Jack becomes Gable Cooper. When Jack is propelled into the orbit of celebrity, Abby finds herself at once seduced and trapped by her own creation. Success turns to terror.The story careens from the Pacific Northwest to New York City and finally through the islands of the Caribbean as Abby races for her life to the one person she can trust--the one person who can prove to the world that she wrote the novel, and put an end to the nightmare that was once her dream, the dream of making The List.

    Morris.The chance discovery of a young man’s body floating in a Sussex stream provides the first clue to the mysterious disappearance of Sir James Lyttleton, who sent his daughter a curt wire announcing his departure for America before completely vanishing. But this is no ordinary missing persons inquiry – when Sir James’s body turns up inside another man’s coffin, journalist James Dawson and Chief Inspector Candlish of Scotland Yard find themselves on the trail of a particularly ruthless and ingenious murderer.This Detective Story Club classic is introduced by author and editor Douglas A. Anderson, whose authoritative books on Kenneth Morris led to the discovery of R.A.V. Morris’s true identity.

    Vandam begins an investigation into the dead man, Albert Smith, which takes the case from the wilds of South Africa to mountains and glens of Scotland, where a near-identical crime has been perpetrated… ABOUT THE AUTHOR Freeman Wills Crofts, the ‘King of Detective Story Writers’, was one of the pre-eminent writers in the golden age of British crime fiction. Acclaimed by his contemporaries, Agatha Christie and Raymond Chandler, he wrote more than 30 detective novels and was a founder member of the hugely influential DETECTIVE CLUB. Crofts’s most famous creation was Scotland Yard detective, Inspector French (‘As near the real thing as any sleuth in fiction’ THE SUNDAY TIMES). Born in Dublin, Crofts became an engineer and wrote his debut novel, THE CASK: A DETECTIVE STORY (‘An imaginatively ingenious mystery’ THE EVENING STANDARD) in 1919 during a long absence from work due to illness. He became a full-time writer in 1929 and moved to England with his wife Mary to live in Guildford. He died in 1957. PRAISE FOR FREEMAN WILLS CROFTS ‘One of the classics of modern crime fiction’ NEW YORK TIMES ‘Exactly what a detective novel should be – ingenious, lucid, reasonable, intricate and exciting’ THE DAILY TELEGRAPH ‘The author who goes from strength to strength with every book he writes. The construction is flawless’ THE DAILY MAIL ‘Yet another instance of his unfailing ingenuity’ TIMES LITERARY SUPPLEMENT ‘If there is a better writer of detective stories alive, I would like to know his name’ GLASGOW CITIZEN ‘A detective novel by Freeman Wills Crofts is always an event’ THE DAILY EXPRESS ‘Freeman Wills Crofts’ crimes are solved with dogged diligence and attention to detail… they seem to have improved with age.’ THE INDEPENDENT ‘Supremely good’ YORKSHIRE POST ‘Freeman Wills Crofts is the only author who gives us intricate crime in fiction as it might really be, and not as the irreflective would like it to be’ THE OBSERVER ‘Brilliant… will delight all lovers of detective fiction’ THE DAILY TELEGRAPH

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

    When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

    Though it is written as detective story, like other books it has not overlooked the natural beauty. And here is the exceptions of Bibhutibhusan proven.

    Even though they had a thousand dollars with them, they were good boys. Everyone says, “They were good boys.”