(Nancy Pearl)

    She has a fine ear, a fine eye, and a magician's impeccable timing."—Judith Foosaner, Los Angeles Times"The day-to-day lives in The Lover of Horses are mined wth small, extraordinary moments of epiphany and unsettling insight."—Elizabeth Alexander, Washington Post Book WorldTess Gallagher's previous publications include Amplitude: New and Selected Poems, A Concert of Tenses (essays on poetry), and Moon Crossing Bridge. She lives in Port Angeles, Washington, where she has recently completed the introduction to No Heroics, Please, the first of two volumes of The Uncollected Works of Raymond Carver, edited by William Stull.

    A non-Jew's bizarre attempt to decipher the reasons for the Holocaust, Eve's tattoo becomes a stigma that will estrange her from her lover and the facile, fashionable world that was once her natural habitat. "Compassionate and informed."--New York Times Book Review.

    (Nancy Pearl)

    It captured with devastating accuracy the deep-seated racial conflicts of a tightly knit southern town. The book is as engrossing and incendiary now as the day it was written.

    Vulnerable and resilient, openhanded and open-hearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Her remarkable sense of community and history makes The Women of Brewster Place a contemporary classic—and a touching and unforgettable read.

    We are drawn, too, into a world of sharply observed characters: a comedy writer whose wife is dying, a couple who still get Christmas cards from a man they assisted twenty-five years before, an aging woman cutting the grass.

    Exhausted by her political struggles, she is undergoing healing in the Southwest Community Infirmary. Confronting her there is Minnie Ransom, spinster and fabled vehicle of the spirit world.

    This pioneering naturalist novel tells the story of a hard-working, spirited young woman who finds herself in a soul-destroying battle with the imprisoning duties of motherhood and of managing an impoverished household. The novel is particularly noteworthy for its heartbreaking depiction of a woman who suffers not from a lack of love, but from an unrequited longing for self-expression and freedom.

    The selections are arranged not by date of compostion, but in biographical order, such that reading this volume greatly enriches one's understanding of Bishop's life--and thus her poetry as well. "Bishop's admirers will want to consult her Collected Prose for the light it sheds on her poetry," as David Lehman wrote in Newsweek. "They will discover, however, that it is more than just a handsome companion volume to [her] Complete Poems. . . . Bishop's clean, limpid prose makes her stories and memoirs a delight to read. . . . One regrets only that this volume cannot be added to in years to come."

    Distanced from her heritage, Amparo is nevertheless spellbound by the histories of her grandmother, aunt, and mother. Listening to the ancestral music, Amparo learns to hear its strains woven throughout her life.

    They create a vibrant picture of the life of a black working woman in New York in the 1950s. Rippling with satire and humor, Mildred’s outspoken accounts capture vividly her white employers’ complacency and condescension—and startled reactions to a maid who speaks her mind. As Mildred declares to a patronizing employer that she is not just like one of the family, or explains to Marge how a tricky employer has created a system of “half days off” to cheat her help, we gain a glimpse not only of one woman’s day-to-day struggle, but of her previous ache of racial oppression. A domestic who refuses to exchange dignity for pay, Mildred is an inspiring conversationalist, a dragon slayer in a segregated world. The conversations in the book were first published in Freedom, the newspaper edited by Paul Robeson, and later in the Baltimore Afro-American. The book was originally published in the 1950s by in Brooklyn–based Independence Press, and Beacon Press brought out a new edition of it in 1986 with an introduction by the literary and cultural critic Trudier Harris.

    Through the eyes of this black woman, we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war.

    Vyry bears witness to the South’s antebellum opulence and to its brutality, its wartime ruin, and the promises of Reconstruction. Weaving her own family’s oral history with thirty years of research, Margaret Walker’s novel brings the everyday experiences of slaves to light. Jubilee churns with the hunger, the hymns, the struggles, and the very breath of American history.

    magazine). This endearing novel chronicles the growth of the young Allegra in pre-World War II Brooklyn as she learns about sex, death, bigotry, family limitations, and what it means to be young and female and independent.Marketing Plans for Allegra Maud Goldman: • Advance review copies to booksellers • Twenty-fifth anniversary press kit • Strong media pushEdith Konecky is the author of a second novel, A Place at the Table, as well as short fiction and poetry.