Gathering much of his material from the seemingly mundane minutiae of contemporary American culture, Simic matches meditations on spiritual concerns and the weight of history with a nimble wit, shifting effortlessly to moments of clear vision and intense poetic revelation. Chosen as one of the New York Library's 25 Books to Remember for 2003, The Voice at 3:00 A. M. was also nominated for a National Book Award. The recipient of many prizes, Simic most recently received Canada's Griffin Prize. The poems in this collection--spanning two decades of his work--present a rich and varied survey of a remarkable lyrical journey.In the StreetBeauty, dark goddess,We met and partedAs though we parted not.Like two stopped watchesIn a dusty store window,One golden morning of time.

    But do you know the rest of the verse, or even the rest of the poem?An anthology to warm the coldest heart or charm the least romantic soul, this is a collection of poems (or in some cases, extracts) that are not only memorable, but lend themselves to being learned by heart.This is the perfect book for anyone with even the vaguest interest in poetry, providing a wonderful opportunity to revisit those much-loved lines remembered from earlier days.

    Gray. These are the words that arrive when you are made up of nothing but skin, bones, and too much love.

    E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century."

    The Oxford Book of English Verse, created in 1900 by Arthur Quiller-Couch and selected anew in 1972by Helen Gardner, has established itself as the foremost anthology of English poetry: ample in span, liberal in the kinds of poetry presented. This completely fresh selection brings in new poems and poets from all ages, and extends the range by another half-century, to include many twentieth-centuryfigures not featured before--among them Philip Larkin and Samuel Beckett, Thom Gunn and Elaine Feinstein--right up to Ted Hughes and Seamus Heaney. Here, as before, are lyric (beginning with medieval song), satire, hymn, ode, sonnet, elegy, ballad, but also kinds of poetry not previously admitted: the riches of dramatic verse by Marlowe, Shakespeare, Jonson, Webster; great works of translation that are themselves true English poetry, such asChapman's Homer (bringing in its happy wake Keats's 'On First Looking into Chapman's Homer'), Dryden's Juvenal, and many others; well-loved nursery rhymes, limericks, even clerihews. English poetry from all parts of the British Isles is firmly represented--Henryson and MacDiarmid, for example, nowjoin Dunbar and Burns from Scotland; James Henry, Austin Clarke, and J. M. Synge now join Allingham and Yeats from Ireland; R. S. Thomas joins Dylan Thomas from Wales--and Edward Taylor and Anne Bradstreet, writing in America before its independence in the 1770s, are given a rightful and rewardingplace. Some of the greatest long poems are here in their entirety--Wordsworth's 'Tintern Abbey', Coleridge's 'Rime of the Ancient Mariner', and Christina Rossetti's 'Goblin Market'--alongside some of the shortest, haikus, squibs, and epigrams. Generous and wide-ranging, mixing familiar with fresh delights, this is an anthology to move and delight all who find themselves loving English verse.

    Stark juxtaposition of images evokes the New York School, verbal collages suggest the associative method of the postmodernists, and his playful attention to sound recalls elements of Language School poetry. While these elements surface in Lemon’s work, his poetry remains profoundly original, his voice remarkably distinct. Lemon is also, like Frank O’Hara, an autobiographical poet, using the materials of life for inspiration. At 29, he is already a survivor of brain surgery. Still coping with the surgery’s effects, including a gradual loss of vision, he invokes, proclaims, decries, and serenades the world that results after the violation of identity. When the membranes that divide mind and body rupture, the result is not a void, but a strange sensory landscape where all stimuli exist on the same level. Avoiding the easy temptations of both despair and consolation, Hallelujah Blackout embraces the full range of the human experience.

    Speaking in the unique lyrical voice that he called his "Ohioan," Wright created poems of immense sympathy for sociey's alienated and outcast figures and also of ardent wonder at the restorative power of nature.Selected Poems fills a significant gap in Wright's bibliography: that of an accessible, carefully chosen collection to satisfy both longtime readers and those just discovering his work. Edited and with an introduction by Wright's widow, Anne, and his close friend the poet Robert Bly, who also wrote an introduction, Selected Poems is a personal, deeply considered collection of work with pieces chosen from all of Wright's books. It is an overdue--and timely--new view of a poet whose life and work encompassed the extremes of American life.

    Have foreigners shaped China’s history to a greater extent than has previously been acknowledged, reaching back possibly millennia? Was Confucius’ most famous book, the Analects, inspired by entheogenic medicines imported from abroad, possession of which in the 1930s brought one before the firing squad in the name of Confucius? In these book review essays by Isham Cook, foreign devils, old China Hands, eccentric expatriates, and a few Chinese tell an offbeat history of China’s last two centuries, with a backward glance at ancient China as told by Western mummies.

    All encased in the usual lavish, beautiful CrimethInc production.

    Our beginners guide contains all the essential information you need in order to succeed. It covers the basic techniques, well illustrated with over a hundred images, and explains everything you need to know in an understandable way. Bonsai Empire is the world's most visited Bonsai website and has provided beginners with quality information for over a decade. We have developed this guide to help you get a taste of this fascinating and living art, and hope you'll enjoy it as much as we do! This book includes: - Over 100 stunning images - Over 80 pages - Explanations of the basic techniques - Care guides on the 10 most popular tree species - Background on the history, definition and styles Walter Pall: "Now here is the ultimate book to lead beginners. I am happy to have been able to contribute to this" Mauro Stemberger "Very clear" and "With great quality drawings and pics"

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    Volume 2: From the Great Qing Empire through the People's Republic of China (1644—2009).

    Their principal themes are the stasis, both stultifying and provocative, of midsummer in the tropics; the pull of the sea, family, and friendship on one whose circumstances lead to separation; the relationship of poetry to painting; and the place of a poet between two cultures. Walcott records, with his distinctive linguistic blend of soaring imagery and plainly stated facts, the experience of a mid-life period--in reality and in memory or the imagination. As Louis Simpson wrote on the publication of Wacott's The Fortunate Traveller, "Walcott is a spellbinder. Of how many poets can it be said that their poems are compelling--not a mere stringing together of images and ideas but language that delights in itself, rhythms that seem spontaneous, scenes that are vividly there?...The poet who can write like this is a master."

    An elderly couple embark on a fishing boat in a harrowing journey to find their son, hoping that he has survived a bombing in the Pacific. A Japanese orphaned woman's past revisits her with devastating consequences in a wartime hospital. A case of mistaken identity compels a husband and wife to question the foundation upon which their lives have been built. An AWOL American soldier finds refuge in a small farming community, unknowingly endangering its inhabitants. And in the celebrated title story, a horrific accident at sea becomes the catalyst for an unlikely friendship between an American widow and a young waiter at a coastal resort.These stories capture, with lyrical precision, the moments in which lives shift and unravel -- ;where loss is ultimately turned into a search for reconciliation, and where the silences that pass between lovers and siblings, between parents and their children, are as powerful as the reverberations of war. Novelistic in scope, daring in its varied environments, Once the Shore introduces a remarkable new voice in international fiction.

    Galway Kinnell's poetry has always been marked by richness of language, devotion to the things and creatures of the world, and an effort to transform every understanding into the universality of art.