But surely you've heard the story about the crocodiles who held a vote on whether or not to eat a man that had saved one of their lives? NO? Wow. Have we got some stories for you.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    The eleven stories in this volume are drawn from Dahl's popular adult short stories and were chosen for their quirky, twisted, and haunting plots -- sure to please Dahl teenage fans.Contents vii • Introduction (Skin and Other Stories) • (2000) • essay by Wendy Cooling1 • Skin • non-genre • (1952) • short story by Roald Dahl22 • Lamb to the Slaughter • non-genre • (1953) • short story by Roald Dahl35 • The Sound Machine • (1949) • short story by Roald Dahl53 • An African Story • (1946) • short story by Roald Dahl71 • Galloping Foxley • non-genre • (1953) • short story by Roald Dahl90 • The Wish • (1948) • short story by Roald Dahl95 • The Surgeon • non-genre • (1988) • novelette by Roald Dahl129 • Dip in the Pool • non-genre • (1952) • short story by Roald Dahl144 • The Champion of the World • non-genre • (1959) • novelette by Roald Dahl179 • Beware of the Dog • non-genre • (1944) • short story by Roald Dahl195 • My Lady Love, My Dove • non-genre • (1952) • short story by Roald Dahl

    She’ll turn back only if someone proposes and she accepts!Returning to the land and many of the characters from her beloved Newbery Honor–winning Ella Enchanted, Gail Carson Levine has written a delightful tale about a clever and endearing heroine who is determined to defy expectations.Evie is happiest when she is healing people, diagnosing symptoms, and prescribing medications, with the help of her devoted friend (and test subject) Wormy. So when Wormy unexpectedly proposes to her, she kindly turns him down; she has far too much to do to be marrying anyone. And besides, she simply isn’t in love with him.But a certain meddling fairy named Lucinda has been listening in, and she doesn’t approve of Evie’s rejection. Suddenly, Evie finds herself transformed from a girl into a hideous, hungry ogre. Evie now has only sixty-two days to accept another proposal—or else be stuck as an ogre forever.

    And together, he and Cinderella are about to turn the legend (and the evening) upside down on their way to a most unexpected happy ending!AN ILA CHILDREN'S CHOICE LIST STARRED SELECTION.

    When she comes upon Nevermore, an enchanted book unlike anything else she has seen in the castle, Belle finds herself pulled into its pages and transported to a world of glamour and intrigue. The adventures Belle has always imagined, the dreams she was forced to give up when she became a prisoner, seem within reach again.The charming and mysterious characters Belle meets within the pages of Nevermore offer her glamorous conversation, a life of dazzling Parisian luxury, and even a reunion she never thought possible. Here Belle can have everything she has ever wished for. But what about her friends in the Beast’s castle? Can Belle trust her new companions inside the pages of Nevermore? Is Nevermore’s world even real? Belle must uncover the truth about the book, before she loses herself in it forever.

    When she steals a house-shaped ornament from a mysterious woman's purse, she knocks on its tiny door and watches it grow into a huge, higgledy-piggeldy house. Inside she finds a host of magical and brilliantly funny characters, including Flabberghast – a young wizard who’s particularly competitive at hopscotch – and a hideous troll housekeeper who’s emotionally attached to his feather duster. They have been placed under an extraordinary spell, which they are desperate for Nine to break. If she can, maybe they can offer her a new life in return…

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    After watching her circle of friends seemingly fade away, Lora is determined to still have fun on her own, so when a tea party leads Lora to discovering Alexa, the ghost that haunts her house, they soon become best friends.

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    The repercussions will be felt for generations...Sixteen-year-old photography enthusiast Zoey has been fascinated by the haunted, burnt-out ruins of Medwyn Mill House for as long as she can remember--so she and her best friend, Poulton, run away from home to explore them. But are they really alone in the house? And who will know if something goes wrong?In 1851, seventeen-year-old Roan arrives at the Mill House as a ward--one of three, all with something to hide from their new guardian. When Roan learns that she is connected to an ancient secret, she must escape the house before she is trapped forever.1583. Hermione, a new young bride, accompanies her husband to the wilds of North Wales where he plans to build the largest water mill and mansion in the area. But rumors of unholy rituals lead to a tragic occurrence and she will need all her strength to defeat it.Three women, centuries apart, drawn together by one Unholy Pact. A pact made by a man who, more than a thousand years later, may still be watching...

    Everything he does is precise, from the way he washes his face in the morning, to the way he completes his homework – without complaint, without fuss, without prompt.Zib is also an exceptional child, because all children are, in their own way. But where everything Avery does and is can be measured, nothing Zib does can possibly be predicted, except for the fact that she can always be relied upon to be unpredictable.They live on the same street.They live in different worlds.On an unplanned detour from home to school one morning, Avery and Zib find themselves climbing over a stone wall into the Up and Under – an impossible land filled with mystery, adventure and the strangest creatures.And they must find themselves and each other if they are to also find their way out and back to their own lives.

    But in this darkly magical retelling of “Sleeping Beauty,” true love is more than a simple fairy tale. Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss. You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after. Utter nonsense. Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either. Until I met her. Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse. But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world. Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I— I am the villain.

    North—a daredevil swordsman whose prowess with double scimitars was legendary. Like any swashbuckling young warrior, North seeks treasure and adventure, leading him to the fiercely guarded village of Santoff Claussen, said to be home to the greatest treasure in all the East, and to an even greater wizard, Ombric Shalazar. But when North arrives, legends of riches have given way to terrors of epic proportions! North must decide whether to seek his fortune…or save the village.When our rebellious hero gets sucked into the chaos (literally), the fight becomes very personal. The Nightmare King and his evil Fearlings are ruling the night, owning the shadows, and sending waves of fear through all of Santoff Clausen. For North, this is a battle worth fighting...and, he's not alone. There are five other Guardians out there. He only has to find them in time.

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.