Fairy tales have never been more revolting!

    Adults will find that, like most classic fairy tales, this one rewards periodic rethinking." --New York Times Book Review"Zelinsky's smooth retelling and glowing pictures cast the story in a new and beautiful light." -- School Library Journal

    A princess doomed by a witch to lose her “gravity” results in a silly heroine that has neither physical nor spiritual weight. George MacDonald’s masterful teaching on the subject of sacrificial love is delivered eloquently in the events and characters of this engaging story.

    As an illustrator, author, and designer, Barry Moser has worked on more than 250 books, including Moby Dick, Dante's Divine Comedy, Bram Stoker's Dracula, Mary Shelley's Frankenstein. Moser's edition of Lewis Carroll's Alice's Adventures in Wonderland won The American Book Award for design and illustration in 1983. Tide-mark's Barry Moser Desk Diary features a broader selection of art created throughout the course of his career. Notes: In 1999, Mr. Moser's edition of the King James Bible received international acclaim. Requiring four years of development, Mr. Moser produced 232 illustrations and worked with a host of specialists to perfect the elements that make his edition of the Bible unique. Barry Moser is a member of the National Academy of Design and currently serves on both the art and religious departments of Smith College. His work is featured in numerous collections and libraries around the world, including The National Gallery of Art; The Metropolitan Museum; The British Museum; The Library of Congress; The New York Public Library; The National Library of Australia; The Vatican Library; and The Victoria & Albert Museum.

    With every turn of a page, adventure unfolds to create memories that will last a lifetime.

    The complete retelling of favorite Disney movies in a true read-aloud style.

    Lesser and Zelinsky retell the story of a pair of children lost in the woods who run into a witch with a very tasty house.

    Steven Kellogg's hilarious retelling and irresistible illustrations bring fresh delight to this timeless classic of chain reaction panic.

    The gingerbread man outruns everybody, until he meets the quick-witted fox.

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.

    Seuss!  A new Dr. Seuss book! This follow-up to The Bippolo Seed and Other Lost Stories features familiar Seussian faces and places—including Horton the Elephant, Marco, Mulberry Street, and a Grinch—as well as an introduction by renowned Seuss scholar Charles D. Cohen. Seuss fans will learn more about Horton’s integrity, Marco’s amazing imagination, a narrowly avoided disaster on Mullbery Street, and a devious Grinch. With a color palette enhanced beyond that of the magazines in which the stories originally appeared, this new volume of “lost” tales is a perfect gift for young readers and a must-have for Seuss collectors of all ages!

    How he wishes his mother would serve up a nice platter of his favorite dish: Boy! But Boy is hard to come by these days. As Little Wolf trudges home from school one day, he decides to postpone his boring dinner by shouting "Boy! Boy!" But what will happen when a real boy finally comes along? In this hilarious twisted tale, Little Wolf learns the same timeless lesson that the boy who cried "Wolf!" did so many years ago.

    The three little pigs have never looked so cute and the big bad wolf never looked so bad in this retelling of the classic fairy tale! Vintage Disney artwork from the 1940s makes this book an important addition to every Little Golden Book collector’s library.

    But at its core, Margery Williams’s classic story is about stark realities: humans are brusque and unreliable, toys wear out, and—above all—one is either real or one is not. “He hasn’t got any hind legs!” sneers a real rabbit in the original version’s woodland scene. “ ‘Fancy a rabbit without any hind legs!’ And he began to laugh.” In Sakai’s (In the Meadow) retelling, those cruel truths are considerably softened and pared down—where Williams sometimes seemed to prolong the afflictions of her hero, Sakai touches on them only long enough to give her story some emotional heft before moving on. Sakai’s illustrations, richly textured paintings done in acrylic and oil pencil, retain the original’s Edwardian setting, while cushioning the story’s sharp edges with blankets of smudgy, luminous color. Throughout, Sakai emphasizes the rabbit’s stiff, toylike unreality, showing him lying forgotten in the garden beside a shovel or propped up against a tree. It’s an elegant condensation, but in the process, much of the emotional power has been dialed down. Ages 4–up.

    The author/artist has embellished this folktale of the princess who sleeps under an evil spell for 100 years with some details of his own.