Daredevil and those closest to him are forced to face the bitter sting of heartbreak in all its forms as new relationships blossom, old loves fade away, and tragedy takes its toll amid a globe-spanning super-hero epic stretching from the swamps of New Jersey to the shores of Venice.

    All that stands between the Titans and the Winotaur is a new Dungeon Master, a rival gaming group, and their own insecurities.The world's mightiest adventurers just rolled initiative on their First Encounter! A terrible beast is plaguing the City of Haverford. Citizens are going missing nightly, the garrison is lost, and help is out of reach. Can the Table Titans put aside their pride to save the fictional town of Haverford-and in the process, their friendships?Table Titans Volume 1: First Encounters collects the first year of the hit online comic from Eisner and Harvey Award winning cartoonist, Scott Kurtz. It is a spin-off of Kurtz's other webcomic, PvP. It chronicles their adventures of playing Dungeons & Dragons (D&D). D&D publisher, Wizards of the Coast, have partnered with Kurtz so that Table Titans can feature official D&D products.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    These gorgeous, painted pages originally appeared in Epic from 1979 to 1982, and introduced audiences to Vance Dreadstar and the other characters whose saga would be continued in the Dreadstar series.

    This second beautiful hardcover volume of Shock SuspenStories reprints issues #7-12, featuring 24 stories in all by an all-star line-up that includes Bill Gaines, Al Feldstein, Wally Wood, Joe Orlando, Reed Crandall, Al Williamson, Jack Kamen, George Evans, John Severin, Bill Elder, Jack Davis, Johnny Craig, and Marie Severin.

    Not only does this volume reprint the first two years of the strip in which King’s friendly and nostalgic imagination took shape but each book in the series features an eighty-page color introduction by Jeet Heer of Canada’s National Post. Each introduction will also feature never-before-seen archival photos and ephemera from the personal collection of King’s granddaughter. Walt & Skeezix is not just a collection of a classic comic strip—it is the story of a great American cartoonist. Few cartoon strips have this kind of longevity and quality; Gasoline Alley has been with us since 1919 and is a gentle mirror held up to ordinary American life in the early twentieth century. It started as a mild satire on the post-WWI “craze” for cars, but it wasn’t long before it developed into a quirky family story attracting an audience of more than thirty million readers in four hundred–plus newspapers. Gasoline Alley, an affectionate portrait of modern living, is remembered for being the first strip to set itself in contemporary American history. The characters of Gasoline Alley grow up, go to war, and have grandchildren. The strip always reflects the kind, sweet pace of life.

    Zarkov can prevent doomsday. Taking Flash Gordon and Dale Arden captive, he takes off in a rocket to deflect the hurtling planet and save the world. The mad Zarkov, Flash and Dale survive a crash landing on Mongo, only to be captured by the diabolical Ming the Merciless. And the true adventure begins.

    He's a synthetic man! She's a mutant sorceress! Once they were outcasts, but now they have each other, and a love which can withstand every danger they face! Steve Englehart and Richard Howell present…Vision and the Scarlet Witch!

    Along the way, he meets up with a clown who works in an old-timey travelling circus. Convinced that this is the place for him, Garfield becomes part of the act. Wait. What is that cannon for? Join Garfield as he travels to find the perfect home, and as he finds a lot of not-so-perfect homes along the way. Writer Scott Nickel (Garfield: His 9 Lives) teams up with artists Sara Talmadge (Steven Universe), Shelli Paroline and Braden Lamb (Adventure Time), Ben Sears (The Ideal Copy), and Genevieve FT (Betty & Veronica) for this epic adventure

    These tales of corruption, paranoia, vengeance, and the Devil feature the bold, experimental storytelling that cemented Wagner`s reputation as one of the comics medium`s leading innovators. Story, art, and new cover painting by Matt Wagner, colors by Eisner award-nominee Bernie Mireault.

    Quickly becoming the underworld's most feared assassin, she terrorizes her targets with a seemingly inexhaustible lust for bloodshed. In service to the Kingpin, Mary sets her deadly sights on Daredevil, the heroic protector of New York's notorious Hell's Kitchen.With the Man Without Fear at her mercy, can she bring herself to strike the fatal blow? Collects Daredevil Vol. 1 #254-257, 259-263.

    Its subtle ironies and playful allusions never won a broad following, but the adventures of 5-year-old Barnaby Baxter and his fairy godfather Jackeen J. O'Malley was and is a critical favorite.Fantagraphics will introduce the wonders of Barnaby to a new generation of children and parents alike. Co-edited by Johnson biographer Philip Nel (Dr. Seuss: American Icon) and Fantagraphics Associate Publisher Eric Reynolds, with art direction by graphic novelist Daniel Clowes (Ghost World), this five-volume Barnaby series will collect the entirety of the original newspaper strips from 1942-1952. The first volume will collect all the strips from 1942 and 1943.Barnaby revolved around a precocious five-year-old named Barnaby Baxter and his fairly godfather Jackeen J. O'Malley. Yet O'Malley, a cigar-chomping, bumbling con-artist and fast-talker, was not your typical protector. His grasp of magic was usually specious at best, limited to occasional flashes, often aided and abetted by his fellow members in The Elves, Leprechauns, Gnomes, and Little Men’s Chowder & Marching Society.Barnaby's deft balance of fantasy, political commentary, sophisticated wit, and elegantly spare images expanded our sense of what comic strips can do. With subtlety and economy, Barnaby proved that comics need not condescend to readers. Its small but influential readership took that message to heart.

    Who would have ever guessed that ten years later, he would have multiple volumes of critically acclaimed cartoons under his belt and a rich, satisfying career? The Too Much Coffee Man Omnibus gathers all of the cartoons from four hilarious volumes of work, bringing together all of Wheeler's signature satire and sweetness in one convenient package. Essential for Too Much Coffee Man fans, and sure to convert new ones!

    Peter Bagge’s Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl “Lovey” and the aging bobo “Shut-Ins” — not to mention the self-explanatory “Rock ’N’ Roll Dad” starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like “So Much Comedy, So Little Time” (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien! Other Stuff also includes a series of Bagge=written stories drawn by other cartoonists, including “Life in these United States” with Daniel Clowes, “Shamrock Squid” with Adrian Tomine, and the one-two parody punch of “Caffy” (with art by R. Crumb) and “Dildobert” (with art by Prison Pit’s Johnny Ryan)... plus a highlight of the book, the hilarious, literate and intricate exposé of “Kool-Aid Man” written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.) Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest... 50 times over.

    Set in the early days of Spanish California these four volumes recapture the swashbuckling derring-do of the first masked vigilante: Zorro. Fans of westerns, high-romance and adventure will find their palates satiated with these volumes from some of today's greatest creators. Zorro: The Complete Alex Toth retells the swashbuckler's incredible story by one of the most renowned and respected illustrators alive.