Set in modern-day Houston, Texas, this is a funny and moving novel of voodoo, pregnancy, and family ties. While Toni sorts out the mess that Elena left behind, she must also come to terms with her childhood and with the supernatural and dangerous gift that she has inherited from her mother.

    After ecological disasters nearly destroyed the Earth, 26 survivors—the last of humanity—are trapped by an alien race in a sterile enclosure known as the Shell. Fifteen-year-old Pete is one of the Six—children who were born deformed or sterile and raised in the Shell. As, one by one, the survivors grow sick and die, Pete and the Six struggle to put aside their anger at the alien Tesslies in order to find the means to rebuild the earth together. Their only hope lies within brief time-portals into the recent past, where they bring back children to replenish their disappearing gene pool. Meanwhile, in 2013, brilliant mathematician Julie Kahn works with the FBI to solve a series of inexplicable kidnappings. Suddenly her predictive algorithms begin to reveal more than just criminal activity. As she begins to realize her role in the impending catastrophe, simultaneously affecting the Earth and the Shell, Julie closes in on the truth. She and Pete are converging in time upon the future of humanity—a future which might never unfold. Weaving three consecutive time lines to unravel both the mystery of the Earth's destruction and the key to its salvation, this taut post-apocalyptic thriller offers a topical plot with a satisfying twist.

    He started it when he was in the US Army, so it has a long prison sequence that is reminiscent of that experience, being dark and grim. It features Aton Five, a space man who commits the crime of falling in love with the dangerous alluring Minionette and is therefore condemned to death in the subterranean prison of Chthon. It uses flashbacks to show how he came to know the Minionette, and flashforwards to show how he dealt with her after his escape from prison. The author regards this as perhaps the most intricately structured novel the science fantasy genre has seen. It was a contender for awards, but not a winner.

    It was nominated for the Nebula Award for Best Novel in 1972 & the Hugo Award for Best Novel in 1973. The novel is a fix-up of previously published short stories. A revised version, subtitled "Release 2.0", was published in 1988. Central to the story is an Artificial Intelligence named H.A.R.L.I.E., also referred to by the proper name "HARLIE"--an acronym for Human Analog Replication, Lethetic Intelligence Engine (originally Human Analog Robot Life Input Equivalents). HARLIE's story revolves around his relationship with David Auberson, the psychologist who is responsible for guiding HARLIE from childhood into adulthood. It's also the story of HARLIE's fight against being turned off, & the philosophical question whether or not HARLIE is human; for that matter, what it means to be human. The HARLIE intelligence engine appears in a number of Gerrold's other works, including the Star Wolf series, where it is routinely installed as the administrating AI of Terran warships.

    And the late, great Allen Carpentier begins his one-way journey into the dim nether regions where flame-colored demons wield diabolically sharp pitchforks and tormented vixens reign forever in a pond of sheer ice. Here, in this land of torment and terror, he discovers the amazing truth of the ultimate adventure that lies beyond the grave.Frank Herbert -"The somber beauty of INFERNO brought up to the twentieth century with care and humor and with some sins Dante didn't even suspect."

    Not hiding, not turned black, but gone. On September 28th, Edward Shaw, a geologist working in Death valley, finds a mysterious new cinder cone in very well-mapped area As more unexplained phenomena spring up around the globeL: a granite mountain appearing in Australia, sounds emanating from the Earth's core, flashes of light among the asteroids, it becomes clear to some that the end is approaching, and there is nothing that can be done. In The Forge of God, award-winning author Greg Bear describes the final days of the world on both a massive, scientific scale and in the everyday, emotional context of individual human lives. Facing the destruction of all they know, some people turn to God, others to their families, and a few turn to saviors promising escape from a planet tearing itself apart. Will they make it in time? And who gets left behind to experience the last moments of beauty and chaos on Earth?

    But when reaching out to the murderer for salvation in those last dying moments, a sudden switch takes place.Now Kepler is looking out through the eyes of the killer himself, staring down at a broken and ruined body lying in the dirt of the alley.Instead of dying, Kepler has gained the ability to roam from one body to another, to jump into another person’s skin and see through their eyes, live their life — be it for a few minutes, a few months or a lifetime.Kepler means these host bodies no harm — and even comes to cherish them intimately like lovers. But when one host, Josephine Cebula, is brutally assassinated, Kepler embarks on a mission to seek the truth — and avenge Josephine’s death.

    Ordered to destroy the comet, he instead discovers that it is actually the shell of a derelict space probe - a wreck with just enough power to emit a single electronic signal...2034: Then a reply is heard. Searching for the source of this signal that comes from outside the solar system, Nigel discovers the existence of a sentient ship. When the new vessel begins to communicate directly with him, the astronaut learns of the horrors that await humanity. For the ship was created by an alien race that has spent billions and billions of years searching for intelligent life...to annihilate it.In the Ocean of Night is a 1977 hard science fiction novel by Gregory Benford. It is the first novel in his Galactic Center Saga. It was nominated for the Nebula Award for Best Novel in 1977. It was first published as a novelette in the May/June 1972 edition of Worlds of If Science Fiction.

    He lives discrete lifetimes bounded by decades of hibernation and steals blood from labs rather than committing murder. Weyland is a monster who must form an uneasy empathy with his prey in order to survive, and The Vampire Tapestry is a story wholly unlike any you've heard before.

    A child who feels no pain and who should not exist sees the future. Between them are truths that will shake worlds.In a distant future, no remnants of human beings remain, but their successors thrive throughout the galaxy. These are the offspring of humanity's genius-animals uplifted into walking, talking, sentient beings. The Fant are one such species: anthropomorphic elephants ostracized by other races, and long ago exiled to the rainy ghetto world of Barsk. There, they develop medicines upon which all species now depend. The most coveted of these drugs is koph, which allows a small number of users to interact with the recently deceased and learn their secrets.To break the Fant's control of koph, an offworld shadow group attempts to force the Fant to surrender their knowledge. Jorl, a Fant Speaker with the dead, is compelled to question his deceased best friend, who years ago mysteriously committed suicide. In so doing, Jorl unearths a secret the powers that be would prefer to keep buried forever. Meanwhile, his dead friend's son, a physically challenged young Fant named Pizlo, is driven by disturbing visions to take his first unsteady steps toward an uncertain future.

    Pilots are rare, and the ability to be a Pilot also entails physical wasting and a shortened life.But Pilots live only for the timeless moments of Transition, when their ships cross the emptiness of space in an instant. Now Void Pilot Dominique Alia Wu has begun to catch a glimpse of something more, something transcendent in that eternal moment . . . and she needs the cooperation of her Captain to achieve it permanently. Even at risk to the survival of the Ship.Norman Spinrad has been one of SF’s most adventurous writers since the 1960s, an internationally praised peer of such writers as Harlan Ellison, Michael Moorcock, and Samuel R. Delany. His stories of the Second Starfaring Age, The Void Captain’s Tale and the later novel Child of Fortune, form a single epic praised by the Encyclopedia of Science Fiction as “an eroticized vision of the Galaxy . . . an elated Wanderjahr among the sparkling worlds.”

    Her body was a masterpiece all men desired, her face a monstrosity that must go masked. Warrior, witch, goddess and slave, she was doomed to travel through a world of barbaric splendour, helped and betrayed by her lovers, searching for escape from the taint of her forgotten race, and the malice of the demon that haunted her.

    But as adults they both wind up in near-future San Francisco, where Laurence is an engineering genius and Patricia works with a small band of other magicians to secretly repair the world’s ever growing ailments. But something is determined to bring them back together—to either save the world, or end it.

    After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

    Vannemar Morgan's dream of linking Earth with the stars requires a 24,000-mile-high space elevator. But first he must solve a million technical, political, and economic problems while allaying the wrath of God. Includes a new introduction by the author.